{"id":5457,"date":"2017-01-15T13:37:40","date_gmt":"2017-01-15T12:37:40","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5457"},"modified":"2024-05-24T16:30:45","modified_gmt":"2024-05-24T14:30:45","slug":"les-conditions-du-theatre-le-theatralisable-et-le-theatralise","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/les-conditions-du-theatre-le-theatralisable-et-le-theatralise\/","title":{"rendered":"Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9"},"content":{"rendered":"
\n
Le th\u00e9\u00e2tre n’existe pas… sinon \u00e0 travers ses conditions.<\/strong><\/p>\n

<\/p>\n

L\u2019ambition de ce num\u00e9ro de la revue\u00a0Fabula-LhT. Litt\u00e9rature, histoire, th\u00e9orie <\/em>est de r\u00e9fl\u00e9chir aux conditions du th\u00e9\u00e2tre en s\u2019\u00e9mancipant des notions de \u00ab\u00a0possible\u00a0\u00bb et de \u00ab\u00a0repr\u00e9sentable\u00a0\u00bb, au b\u00e9n\u00e9fice d\u2019un autre concept : le \u00ab\u00a0th\u00e9\u00e2tralisable\u00a0\u00bb. Le \u00ab\u00a0th\u00e9\u00e2tralisable\u00a0\u00bb forme avec ce qu’on peut nommer le \u00ab\u00a0th\u00e9\u00e2tralis\u00e9\u00a0\u00bb un couple de notions susceptible de d\u00e9poser les pr\u00e9suppos\u00e9s ontologiques de la notion de \u00ab\u00a0Th\u00e9\u00e2tralit\u00e9\u00a0\u00bb (ou d\u2019 \u00ab\u00a0essence du th\u00e9\u00e2tre\u00a0\u00bb).<\/p>\n

Il s\u2019agit d’\u00e9laborer un ensemble de concepts op\u00e9ratoires et de les tester sur des corpus fort diff\u00e9rents. C\u2019est dans une interaction constante entre ces deux p\u00f4les que les concepts de \u00ab\u00a0th\u00e9\u00e2tralisable\u00a0\u00bb et de \u00ab\u00a0th\u00e9\u00e2tralis\u00e9\u00a0\u00bb sont r\u00e9fl\u00e9chis et discut\u00e9s.<\/p>\n

Ce num\u00e9ro dirig\u00e9 par Romain Bionda (Section de fran\u00e7ais<\/a>) s\u2019inscrit dans le cadre des recherches men\u00e9es au Centre d’\u00e9tudes th\u00e9\u00e2trales (CET)<\/a>. Les articles sont accessibles en int\u00e9gralit\u00e9 ici<\/a>.<\/p>\n

Un colloque<\/a> sur ces questions a \u00e9t\u00e9 organis\u00e9 en avril 2017 \u00e0 l\u2019UNIL. Deux publications prolongent ces r\u00e9flexions\u00a0: Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/em><\/a>\u00a0et Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/em><\/a>.<\/p>\n

Romain Bionda (dir.), Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/em><\/a>, Fabula-LhT<\/em>, n\u00b019, en ligne, octobre 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Romain Bionda<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Retour vers le vivant: valoriser les archives filmiques et sonores des arts du spectacle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle (danse, op\u00e9ra, th\u00e9\u00e2tre). Cr\u00e9ation, repr\u00e9sentation et sociabilit\u00e9 au f\u00e9minin, 1650-1914<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La V\u00e9rit\u00e9 sur le Multivers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

THEBADWEEDS #HYPERLIENS<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Publier la litt\u00e9rature: le texte et ses m\u00e9dias (\u00e9dition, exposition, performance)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Th\u00e9\u00e2tre de science-fiction. Premiers \u00e9l\u00e9ments de cartographie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00e9tudes th\u00e9\u00e2trales \u00e0 l’intersection des disciplines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Mort de l’auteur<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Le th\u00e9\u00e2tre n’existe pas… sinon \u00e0 travers ses conditions.<\/p>\n","protected":false},"author":1001615,"featured_media":5468,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4],"tags":[3346,1222,1137,1554,1212,1562,1561,151,1136],"class_list":{"0":"post-5457","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"tag-3346","11":"tag-centre-detudes-theatrales-cet","12":"tag-histoire-du-theatre","13":"tag-romain-bionda","14":"tag-section-de-francais","15":"tag-theatralisable-et-theatralise","16":"tag-theatralite","17":"tag-theatre","18":"tag-theorie-du-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5457"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5457\/revisions"}],"predecessor-version":[{"id":13000,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5457\/revisions\/13000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5468"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}