{"id":5410,"date":"2016-02-25T14:45:34","date_gmt":"2016-02-25T13:45:34","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5410"},"modified":"2019-02-25T14:45:47","modified_gmt":"2019-02-25T13:45:47","slug":"larco-sonoro-articulation-et-ornementation-les-differentes-pratiques-dexecution-pour-violon-en-italie-au-xviie-siecle","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/larco-sonoro-articulation-et-ornementation-les-differentes-pratiques-dexecution-pour-violon-en-italie-au-xviie-siecle\/","title":{"rendered":"L’arco sonoro. Articulation et ornementation : les diff\u00e9rentes pratiques d’ex\u00e9cution pour violon en Italie au XVIIe si\u00e8cle"},"content":{"rendered":"
\n
Une histoire de la technique d’archet violonistique italienne du XVIIe si\u00e8cle.<\/strong><\/p>\n

<\/p>\n

Ce livre a pour but d\u2019\u00e9tablir une histoire de la technique d\u2019archet violonistique bas\u00e9e sur l\u2019analyse des diff\u00e9rentes pratiques d\u2019ex\u00e9cution \u00e0 travers une \u00e9tude \u00ab\u00a0syst\u00e9matique\u00a0\u00bb des sources musicales italiennes \u2013 pratiques et th\u00e9oriques \u2013 du XVIIe si\u00e8cle.<\/p>\n

L’ouvrage de Constance Frei (Section d’histoire de l’art<\/a>), au travers de l’analyse d\u00e9taill\u00e9e de plus de 250 recueils conserv\u00e9s dans les biblioth\u00e8ques et archives d\u2019Europe, permet de retracer l\u2019\u00e9volution du langage violonistique.<\/p>\n

Cette \u00e9tude s\u2019int\u00e9resse \u00e9galement aux \u00e9l\u00e9ments caract\u00e9ristiques de la po\u00e9tique raffin\u00e9e des affetti<\/em> traduits en musique par une ornementation inspir\u00e9e du mod\u00e8le vocal \u00e0 laquelle le violon ajoute ses propres traits idiomatiques : doubles cordes, scordatura<\/em>, dynamique et bizzarie stravaganti<\/em> ou imitation.<\/p>\n

Enfin, une \u00e9tude approfondie des questions pratiques li\u00e9es aux limites techniques de la typographie a permis de mettre en lumi\u00e8re toutes les subtilit\u00e9s d\u2019une notation indiquant un geste, une accentuation ou un phras\u00e9 propre aux multiples inflexions expressives de l\u2019arco sonoro<\/em>.<\/p>\n

Constance Frei, L’arco sonoro. Articulation et ornementation : les diff\u00e9rentes pratiques d’ex\u00e9cution pour violon en Italie au XVIIe si\u00e8cle<\/em><\/a>, Lucca, LIM, 2011.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Constance Frei<\/b><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le nocturne. La nuit \u00e9clair\u00e9e par la musicologie et l\u2019histoire de l\u2019art<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Girolamo Frescobaldi : opere manoscritte per tastiera, autentiche e di dubbia attribuzione<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’arco sonoro. Articulation et ornementation : les diff\u00e9rentes pratiques d’ex\u00e9cution pour violon en Italie au XVIIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Une histoire de la technique d’archet violonistique italienne du XVIIe si\u00e8cle.<\/p>\n","protected":false},"author":1001615,"featured_media":5412,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1533,1526,1462,1529,1531,1088,272,1532,1527,1534,1528,1214,1530,1525],"class_list":{"0":"post-5410","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-affetti","9":"tag-archet","10":"tag-constance-frei","11":"tag-geste","12":"tag-imprimerie","13":"tag-musicologie","14":"tag-musique","15":"tag-notation-musicale","16":"tag-ornement","17":"tag-partition","18":"tag-prononciation","19":"tag-section-dhistoire-de-lart","20":"tag-typographie","21":"tag-violon"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5410"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5410\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5412"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}