{"id":5396,"date":"2019-02-19T08:31:48","date_gmt":"2019-02-19T07:31:48","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5396"},"modified":"2019-02-15T10:32:03","modified_gmt":"2019-02-15T09:32:03","slug":"roland-barthes-contemporaneites-intempestives","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/roland-barthes-contemporaneites-intempestives\/","title":{"rendered":"Roland Barthes, contemporan\u00e9it\u00e9s intempestives"},"content":{"rendered":"
\n
Comment Barthes demeure-t-il notre contemporain ?<\/strong><\/p>\n

<\/p>\n

\u00ab\u00a0Oui, je suis du XIXe si\u00e8cle\u00a0\u00bb, \u00e9crivait Barthes en 1977 sur l\u2019une de ses fiches de travail, avant d\u2019\u00e9voquer son sentiment d\u2019\u00eatre partag\u00e9 entre une actualit\u00e9 th\u00e9orique, \u00e0 l\u2019avanc\u00e9e de laquelle il participa au plus pr\u00e8s, et parall\u00e8lement, toujours davantage avec les ann\u00e9es, son d\u00e9sir de retrait, de neutre, de pas de c\u00f4t\u00e9. Car Barthes ne fut pas seulement une \u00ab\u00a0figure centrale\u00a0\u00bb mais aussi un \u00ab\u00a0\u00eatre \u00e0 la marge\u00a0\u00bb. Et c\u2019est bien souvent depuis cet \u00e9cart qu\u2019il inscrit ceux dont il fait ses partenaires de dialogue, par-del\u00e0 les si\u00e8cles et les fronti\u00e8res : ses v\u00e9ritables compagnons d\u2019esprit.<\/p>\n

Quel h\u00e9ritage le critique a-t-il l\u00e9gu\u00e9\u00a0? Quelle est sa contemporan\u00e9it\u00e9\u00a0? Loin d\u2019envisager l\u2019auteur comme un chapitre clos de l\u2019histoire des id\u00e9es, les diverses contributions r\u00e9unies par\u00a0Antonin Wiser (Section de fran\u00e7ais<\/a>) proposent de lire Barthes depuis notre actualit\u00e9.<\/p>\n

Les articles sont issus de la journ\u00e9e d’\u00e9tude organis\u00e9e en novembre 2016 \u00e0 l’UNIL. Ils sont\u00a0accessibles en int\u00e9gralit\u00e9 ici<\/a>.<\/p>\n

Antonin Wiser (dir.), Roland Barthes, contemporan\u00e9it\u00e9s intempestives<\/em><\/a>, Fabula.org, septembre 2018.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Antonin Wiser<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Roland Barthes, contemporan\u00e9it\u00e9s intempestives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Walter Benjamin. Karl Kraus<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Passages. Politiques, esth\u00e9tiques et pratiques de la traduction aujourd’hui<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Max Frisch. Le public comme partenaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Theodor W. Adorno. Amorbach et autres fragments autobiographiques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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