{"id":5246,"date":"2019-01-22T08:00:57","date_gmt":"2019-01-22T07:00:57","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5246"},"modified":"2019-01-25T09:36:28","modified_gmt":"2019-01-25T08:36:28","slug":"girolamo-frescobaldi-opere-manoscritte-per-tastiera-autentiche-e-di-dubbia-attribuzione","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/girolamo-frescobaldi-opere-manoscritte-per-tastiera-autentiche-e-di-dubbia-attribuzione\/","title":{"rendered":"Girolamo Frescobaldi : opere manoscritte per tastiera, autentiche e di dubbia attribuzione"},"content":{"rendered":"
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\u00c9dition critique des \u0153uvres manuscrites pour clavier de Girolamo Frescobaldi.<\/strong><\/p>\n

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Cette \u00e9dition critique pr\u00e9sente l\u2019h\u00e9ritage manuscrit du compositeur italien Girolamo Frescobaldi (1583-1643) : musique de clavier, pi\u00e8ces instrumentales ou vocales in\u00e9dites, \u0153uvres authentiques ou d’attribution douteuse. Une investigation syst\u00e9matique dans les archives publiques et priv\u00e9es ainsi qu\u2019une minutieuse enqu\u00eate philologique ont permis de pr\u00e9senter pour la premi\u00e8re fois des pages frescobaldiennes sans concordance ou avec des concordances partielles, inconnues ou in\u00e9dites, ou des versions authentiques, mais diff\u00e9rentes de celles connues.<\/p>\n

L’ouvrage de Constance Frei (Section d’histoire de l’art<\/a>)\u00a0et d’Etienne Darbellay se compose de trois volumes : l’un de textes introductifs accompagn\u00e9s de notes explicatives ainsi que de nombreuses tables et reproductions suivies de l’appareil critique ; et deux volumes de musiques. Ce travail totalise plus de 1000 pages et est accompagn\u00e9 d\u2019un CD contenant les textes en fran\u00e7ais (int\u00e9gralit\u00e9) et en anglais (Pr\u00e9faces).<\/p>\n

Etienne Darbellay, Constance Frei (dir.), Girolamo Frescobaldi : opere manoscritte per tastiera, autentiche e di dubbia attribuzione<\/em><\/a>, Milano, Suvini Zerboni, 2018.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Constance Frei<\/b><\/a><\/p>\n\n\n

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Le nocturne. La nuit \u00e9clair\u00e9e par la musicologie et l\u2019histoire de l\u2019art<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Girolamo Frescobaldi : opere manoscritte per tastiera, autentiche e di dubbia attribuzione<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’arco sonoro. Articulation et ornementation : les diff\u00e9rentes pratiques d’ex\u00e9cution pour violon en Italie au XVIIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c9dition critique des \u0153uvres manuscrites pour clavier de Girolamo Frescobaldi.<\/p>\n","protected":false},"author":1001615,"featured_media":5248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1463,1464,1462,612,1465,391,358,1088,272,1386,416,1214],"class_list":{"0":"post-5246","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-baroque","9":"tag-clavier","10":"tag-constance-frei","11":"tag-edition-critique","12":"tag-girolamo-frescobaldi","13":"tag-italie","14":"tag-manuscrit","15":"tag-musicologie","16":"tag-musique","17":"tag-newsletter-4","18":"tag-philologie","19":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5246"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5246\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5248"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}