{"id":5155,"date":"2019-01-11T16:45:32","date_gmt":"2019-01-11T15:45:32","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5155"},"modified":"2024-05-24T16:35:17","modified_gmt":"2024-05-24T14:35:17","slug":"pierre-corneille-la-place-royale","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/pierre-corneille-la-place-royale\/","title":{"rendered":"Pierre Corneille, La Place royale"},"content":{"rendered":"
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Com\u00e9die des amours adolescentes (avant la lettre)<\/strong><\/p>\n

Cinqui\u00e8me com\u00e9die de Corneille, La Place Royale<\/em> (1637) est celle qui nous para\u00eet aujourd\u2019hui la plus moderne : sous les traits de l\u2019 \u00ab\u00a0amoureux extravagant\u00a0\u00bb qui fuit tout engagement, nous croyons reconna\u00eetre la figure famili\u00e8re de l\u2019adolescent. Mais lorsque Corneille signe l\u2019Examen de sa pi\u00e8ce en 1660, il en d\u00e9nonce la \u00ab\u00a0duplicit\u00e9 d\u2019action\u00a0\u00bb et fustige une incoh\u00e9rence dans le caract\u00e8re du personnage principal. Comment interpr\u00e9ter l’attitude paradoxale d’Alidor ?<\/p>\n

Sous ses airs de com\u00e9die \u00ab\u00a0imparfaite\u00a0\u00bb, cette pi\u00e8ce annonce l\u2019av\u00e8nement du h\u00e9ros authentiquement corn\u00e9lien qui d\u00e9passe la contradiction entre la libert\u00e9 et l\u2019ali\u00e9nation amoureuse.<\/p>\n

Cette \u00e9dition r\u00e9vis\u00e9e et mise \u00e0 jour de Marc Escola (Section de fran\u00e7ais<\/a>) contient un dossier qui d\u00e9veloppe quatre th\u00e9matiques : 1. La com\u00e9die selon Corneille ; 2. Esth\u00e9tique du naturel et \u00e9thique du ridicule ; 3. Inconstants par humeur et indiff\u00e9rents par raison ; 4. Le Paris de la place Royale.<\/p>\n

Pierre Corneille, La Place Royale<\/em><\/a>, \u00e9dition r\u00e9vis\u00e9e et mise \u00e0 jour de Marc Escola, Paris, GF-Flammarion, 2019.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Escola<\/strong><\/a><\/p>\n\n\n

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Pierre Corneille, Le Menteur (1644)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Cin\u00e9ma des Lumi\u00e8res. Diderot, Deleuze, Eisenstein<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Osez (re)lire Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Critique et cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Misanthrope corrig\u00e9. Critique et cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pierre Corneille, Trois discours sur le po\u00e8me dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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D\u00e9battre d’une fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Avec Denis Gu\u00e9noun. Hypoth\u00e8ses sur la politique, le th\u00e9\u00e2tre, l’Europe, la philosophie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Les fins interm\u00e9diaires dans les fictions narratives des XVIIe et XVIIIe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La classe de composition. Autour de \u00ab\u00a0Composition\u00a0\u00bb de Michel Charles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pierre Corneille, Horace<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Jean Racine, Iphig\u00e9nie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pierre Corneille, La Place royale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pascal, Pens\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pascal, Pens\u00e9es sur la justice; Trois Discours sur la condition des Grands<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Com\u00e9die des amours adolescentes (avant la lettre)<\/p>\n","protected":false},"author":1001615,"featured_media":5157,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3344,1434,1222,439,1441,1435,1433,1386,1212,151],"class_list":{"0":"post-5155","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3344","9":"tag-adolescence","10":"tag-centre-detudes-theatrales-cet","11":"tag-comedie","12":"tag-corneille","13":"tag-libertinage","14":"tag-marc-escola","15":"tag-newsletter-4","16":"tag-section-de-francais","17":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5155"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5155\/revisions"}],"predecessor-version":[{"id":13018,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5155\/revisions\/13018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5157"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}