{"id":4911,"date":"2016-02-19T12:31:50","date_gmt":"2016-02-19T11:31:50","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=4911"},"modified":"2019-02-19T12:32:04","modified_gmt":"2019-02-19T11:32:04","slug":"usages-de-lobjet-litterature-histoire-arts-et-techniques-xixe-xxe-siecles","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/usages-de-lobjet-litterature-histoire-arts-et-techniques-xixe-xxe-siecles\/","title":{"rendered":"Usages de l’objet. Litt\u00e9rature, histoire, arts et techniques. XIXe-XXe si\u00e8cles"},"content":{"rendered":"
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Statut historique, social, esth\u00e9tique et litt\u00e9raire de l’objet depuis 1830.<\/strong><\/p>\n

<\/p>\n

D\u00e8s le XIXe si\u00e8cle, l’objet est au centre des mutations socio-\u00e9conomiques : il constitue le fondement mat\u00e9riel et symbolique des soci\u00e9t\u00e9s de consommation, participe \u00e0 la modification des structures urbaines et de l’espace visuel collectif et se place au centre des m\u00e9canismes bourgeois de valorisation sociale et symbolique. La prolif\u00e9ration des choses configure un univers mat\u00e9riel en perp\u00e9tuel changement.<\/p>\n

Ce volume, dirig\u00e9 par Marta Caraion (Section de fran\u00e7ais<\/a>), propose d’interroger le statut historique, social, esth\u00e9tique et litt\u00e9raire de l’objet depuis les ann\u00e9es 1830 jusqu’\u00e0 nos jours. Il croise des \u00e9tudes d’horizons disciplinaires divers portant sur les usages et la complexit\u00e9 des repr\u00e9sentations de l’objet selon des angles d\u2019\u00e9tude diff\u00e9rents (la collection, la publicit\u00e9, la liste, les Expositions universelles et coloniales, la culture mat\u00e9rielle\u2026).<\/p>\n

L’ouvrage fait suite au\u00a0<\/span>colloque \u00ab\u00a0Usages de l’objet\u00a0\u00bb<\/a>\u00a0organis\u00e9 par le Centre de la\u00a0<\/span>Formation doctorale interdisciplinaire (FDi)<\/a>\u00a0et la\u00a0<\/span>Section de fran\u00e7ais<\/a> de la Facult\u00e9 des lettres de l’UNIL, en octobre 2012.<\/p>\n

Marta Caraion (dir.), Usages de l’objet. Litt\u00e9rature, histoire, arts et techniques. XIXe-XXe si\u00e8cles<\/em><\/a>, Seyssel, \u00c9ditions Champ Vallon, coll. \u00ab\u00a0D\u00e9tours\u00a0\u00bb, 2014.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marta Caraion<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire les choses. Litt\u00e9rature et culture mat\u00e9rielle, 1830-2020<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

G\u00e9ographie des t\u00e9n\u00e8bres. Bucarest \u2212 Transnistrie \u2212 Odessa, 1941-1981<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Figures du travail<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Comment la litt\u00e9rature pense les objets. Th\u00e9orie litt\u00e9raire de la culture mat\u00e9rielle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le rire : formes et fonctions du comique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Usages de l’objet. Litt\u00e9rature, histoire, arts et techniques. XIXe-XXe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le d\u00e9tail et l\u2019indice : entre litt\u00e9rature, histoire de l\u2019art et \u00e9pist\u00e9mologie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00abLes Philosophes de la vapeur et des allumettes chimiques\u00bb : litt\u00e9rature, sciences et industrie en 1855<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Objets en libert\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Statut historique, social, esth\u00e9tique et litt\u00e9raire de l’objet depuis 1830.<\/p>\n","protected":false},"author":1001615,"featured_media":4918,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4],"tags":[726,1359,10,8,810,1394,1212,1393],"class_list":{"0":"post-4911","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"tag-arts","11":"tag-formation-doctorale-interdisciplinaire-fdi","12":"tag-histoire","13":"tag-litterature","14":"tag-marta-caraion","15":"tag-objet","16":"tag-section-de-francais","17":"tag-techniques"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/4911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=4911"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/4911\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/4918"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=4911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=4911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=4911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}