{"id":463,"date":"2016-01-12T15:51:22","date_gmt":"2016-01-12T14:51:22","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=463"},"modified":"2018-11-27T16:06:28","modified_gmt":"2018-11-27T15:06:28","slug":"enee-le-mal-aime-du-roman-medieval-a-la-bande-dessinee","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/enee-le-mal-aime-du-roman-medieval-a-la-bande-dessinee\/","title":{"rendered":"\u00c9n\u00e9e le mal aim\u00e9. Du roman m\u00e9di\u00e9val \u00e0 la bande dessin\u00e9e"},"content":{"rendered":"
\n
Comment \u00c9n\u00e9e, le h\u00e9ros de Virgile, a-t-il \u00e9t\u00e9 interpr\u00e9t\u00e9 au fil des si\u00e8cles ?<\/strong><\/p>\n

<\/p>\n

Tra\u00eetre en amour et tra\u00eetre \u00e0 sa patrie, qu\u2019il a livr\u00e9e aux Grecs, \u00c9n\u00e9e a longtemps \u00e9t\u00e9 condamn\u00e9. Ses m\u00e9tamorphoses au fil des si\u00e8cles, du Moyen \u00c2ge \u00e0 nos jours, de Fulgence \u00e0 Christa Wolf, comportent des enjeux litt\u00e9raires et culturels, mais aussi existentiels et id\u00e9ologiques.\u00a0\u00c0 quelles r\u00e9\u00e9critures cette figure mythique mal-aim\u00e9e a-t-elle donn\u00e9 lieu ? \u00c9n\u00e9e, mod\u00e8le royal ? Figure intellectuelle ou politique ? \u00c9n\u00e9e, h\u00e9ros de Star Wars<\/em> ?<\/p>\n

Du roman m\u00e9di\u00e9val \u00e0 la bande dessin\u00e9e en passant par la caricature, le th\u00e9\u00e2tre, l\u2019op\u00e9ra et la parodie, Jean-Claude M\u00fchlethaler\u00a0(Section de fran\u00e7ais<\/a>) retrace la trajectoire d\u2019\u00c9n\u00e9e, en faisant dialoguer l’\u00e9poque m\u00e9di\u00e9vale et la modernit\u00e9, montrant les diverses relectures du mythe, de sa condamnation chez Beno\u00eet de Sainte-Maure aux relectures f\u00e9ministes.<\/p>\n

L\u2019ouvrage s\u2019inscrit dans le cadre des recherches men\u00e9es au\u00a0Centre d’\u00e9tudes m\u00e9di\u00e9vales et post-m\u00e9di\u00e9vales (CEMEP)<\/a>\u00a0de la Facult\u00e9 des lettres.<\/p>\n

Jean-Claude M\u00fchlethaler, \u00c9n\u00e9e le mal aim\u00e9. Du roman m\u00e9di\u00e9val \u00e0 la bande dessin\u00e9e<\/em><\/a>, Paris, Les Belles Lettres, 2016.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Jean-Claude M\u00fchlethaler\u00a0<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Nouvelles en mouvement (XIIIe-XVIe si\u00e8cles) \/ Novelle in movimento (XIII-XVI secolo)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’\u00e9crivain face aux puissants au Moyen \u00c2ge. De la satire \u00e0 l’engagement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Aymon de Montfalcon. M\u00e9c\u00e8ne, prince et \u00e9v\u00eaque de Lausanne (1443-1517)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Un territoire \u00e0 g\u00e9ographie variable. La communication litt\u00e9raire au temps de Charles VI<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9n\u00e9e le mal aim\u00e9. Du roman m\u00e9di\u00e9val \u00e0 la bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Posture d’auteurs\u00a0: du Moyen \u00c2ge \u00e0 la modernit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lieux de m\u00e9moire antiques et m\u00e9di\u00e9vaux. Texte, image, histoire: la question des sources<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Comment \u00c9n\u00e9e, le h\u00e9ros de Virgile, a-t-il \u00e9t\u00e9 interpr\u00e9t\u00e9 au fil des si\u00e8cles ?<\/p>\n","protected":false},"author":1001615,"featured_media":464,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[173,178,13,1358,175,179,170,90,8,88,177,560,171,174,130,172,162,176,1212,151],"class_list":{"0":"post-463","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-actualisation","9":"tag-anachronisme","10":"tag-bande-dessinee","11":"tag-centre-detudes-medievales-et-post-medievales-cemep","12":"tag-christa-wolf","13":"tag-courtoisie","14":"tag-enee","15":"tag-jean-claude-muhlethaler","16":"tag-litterature","17":"tag-medieval","18":"tag-modernite","19":"tag-moyen-age","20":"tag-mythe","21":"tag-opera","22":"tag-politique","23":"tag-reception","24":"tag-reecriture","25":"tag-renaissance","26":"tag-section-de-francais","27":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=463"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/464"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}