{"id":3652,"date":"2015-10-01T11:20:30","date_gmt":"2015-10-01T09:20:30","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=3652"},"modified":"2020-07-01T11:20:51","modified_gmt":"2020-07-01T09:20:51","slug":"education-au-cinema","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/education-au-cinema\/","title":{"rendered":"\u00c9ducation au cin\u00e9ma"},"content":{"rendered":"
\n
Quels sont les rapports entre le cin\u00e9ma et l\u2019institution scolaire en France et en Suisse romande?<\/strong><\/p>\n

<\/p>\n

Le couple \u00ab\u00a0cin\u00e9ma\u00a0\u00bb et \u00ab\u00a0\u00e9cole\u00a0\u00bb ne cesse de soulever des interrogations: les programmes scolaires peuvent-ils prendre en compte le m\u00e9dium filmique ou cet apprentissage culturel doit-il se faire en dehors du temps scolaire? Et qu\u2019entend-on par \u00ab\u00a0initiation\u00a0\u00bb des \u00e9l\u00e8ves au cin\u00e9ma: apprendre \u00e0 analyser des s\u00e9quences ou fa\u00e7onner chez eux une culture cin\u00e9philique qui compl\u00e9terait l\u2019\u00e9ducation aux autres arts?<\/p>\n

Les diff\u00e9rentes contributions des historiens du cin\u00e9ma, didacticiens et chercheurs en sciences de la communication qui constituent ce dossier visent \u00e0 faire dialoguer deux termes, \u00ab\u00a0\u00e9ducation\u00a0\u00bb et \u00ab\u00a0cin\u00e9ma\u00a0\u00bb, dont les d\u00e9finitions respectives varient en fonction des \u00e9poques et des contextes.<\/p>\n

Ce num\u00e9ro de\u00a0D\u00e9cadrages<\/i>, revue\u00a0associ\u00e9e \u00e0 la\u00a0Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>\u00a0de la Facult\u00e9 des lettres, <\/span>dirig\u00e9 par S\u00e9verine Graff, croise l\u2019histoire du cin\u00e9ma, la didactique et les sciences de la communication afin de questionner les rapports entre le cin\u00e9ma et l\u2019\u00e9ducation. Il r\u00e9unit les contributions \u00e0 la journ\u00e9e d’\u00e9tude internationale<\/a> organis\u00e9e en 2015 \u00e0 la Cin\u00e9math\u00e8que suisse, par l\u2019association Roadmovie et le Centre d\u2019\u00e9tudes cin\u00e9matographiques (CEC)<\/a> de l\u2019UNIL.<\/p>\n

L\u2019int\u00e9gralit\u00e9 du volume est disponible en acc\u00e8s libre sur OpenEdition Journals<\/a>.<\/p>\n

S\u00e9verine Graff (dir.), \u00c9ducation au cin\u00e9ma<\/em><\/a>, D\u00e9cadrages. Cin\u00e9ma, \u00e0 travers champs<\/em>, n\u00b031, automne 2015.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

D\u00e9cadrages<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Inach\u00e8vements<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C\u00e9line Sciamma<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Sonimage. Les ann\u00e9es vid\u00e9o de Jean-Luc Godard et Anne-Marie Mi\u00e9ville<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Chantal Akerman<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Alexander Kluge<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Abdellatif Kechiche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9ma ethnographique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Jeu vid\u00e9o et cin\u00e9ma<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lionel Rogosin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9ma de re-montage<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

S\u00e9ries t\u00e9l\u00e9vis\u00e9es contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9ducation au cin\u00e9ma<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Ren\u00e9 Vautier<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le doublage<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Arnaud Desplechin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Drones, cartographie et images automatis\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Werner Herzog<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9ma \u00e9largi<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Peter Watkins<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Autour d\u2019 \u00ab\u00a0Elephant\u00a0\u00bb de Gus Van Sant<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les ab\u00eemes de l\u2019adaptation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Quels sont les rapports entre le cin\u00e9ma et l\u2019institution scolaire en France et en Suisse romande?<\/p>\n","protected":false},"author":1001615,"featured_media":3657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1374,59,1849,456,2347,1233,1062],"class_list":{"0":"post-3652","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-centre-detudes-cinematographiques-cec","9":"tag-cinema","10":"tag-decadrages","11":"tag-ecole","12":"tag-open-access","13":"tag-section-dhistoire-et-esthetique-du-cinema","14":"tag-severine-graff"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=3652"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3652\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/3657"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=3652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=3652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=3652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}