{"id":3382,"date":"2016-07-02T14:43:20","date_gmt":"2016-07-02T12:43:20","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=3382"},"modified":"2019-01-10T11:19:59","modified_gmt":"2019-01-10T10:19:59","slug":"le-fabuleux-destin-des-biens-culturels-ordre-et-desordres-de-la-reception","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-fabuleux-destin-des-biens-culturels-ordre-et-desordres-de-la-reception\/","title":{"rendered":"Le fabuleux destin des biens culturels. Ordre et d\u00e9sordres de la r\u00e9ception"},"content":{"rendered":"
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Comment se cr\u00e9ent le sens et la valeur des biens culturels ?<\/strong><\/p>\n

La r\u00e9ception des biens culturels, sous toutes leurs formes et dans leur infinie vari\u00e9t\u00e9, a fait l\u2019objet de nombreuses r\u00e9flexions th\u00e9oriques. Comment peut-on expliquer la post\u00e9rit\u00e9 ou le succ\u00e8s d\u2019une \u0153uvre litt\u00e9raire ou artistique \u00e0 telle \u00e9poque et dans tel contexte\u00a0? Comment les acteurs divers \u2013 \u00e9crivains, scientifiques, artistes, dramaturges, amateurs, marchands, institutions, publics \u2013 construisent-ils le sens et la valeur des biens culturels ? Comment contribuent-ils \u00e0 leur diffusion ? Existe-t-il des m\u00e9canismes qui permettent de contr\u00f4ler la r\u00e9ception des \u0153uvres ?<\/p>\n

Ce sont \u00e0 quelques-unes de ces questions que r\u00e9pond ce volume, dirig\u00e9 par Panayota Badinou (Formation doctorale interdisciplinaire<\/a>), David Bouvier (Institut d’arch\u00e9ologie et des sciences de l’Antiquit\u00e9<\/a>) et Laurence Danguy (Section d’histoire de l’art<\/a>).<\/p>\n

L\u2019ouvrage r\u00e9unit les contributions au colloque<\/a> organis\u00e9 en 2014 par la\u00a0Formation doctorale interdisciplinaire (FDi)<\/a>, allant de la r\u00e9ception des objets arch\u00e9ologiques au th\u00e9\u00e2tre contemporain. Il inclut \u00e9galement les r\u00e9flexions de Gilbert Coutaz, des Archives cantonales vaudoises\u00a0; de Chantal Prod\u2019hom, du Mudac\u00a0; et d\u2019Elvira Ramini, du Comit\u00e9 international olympique.<\/p>\n

Panayota Badinou, David Bouvier, Laurence Danguy (dir.),\u00a0Le fabuleux destin des biens culturels. Ordre et d\u00e9sordres de la r\u00e9ception<\/i><\/a>, Lausanne, BSN Press, 2016.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Panayota Badinou<\/b><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

La ville id\u00e9ale. Entre utopie et r\u00e9alit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Autour de la table. Manger, boire et communiquer<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le fabuleux destin des biens culturels. Ordre et d\u00e9sordres de la r\u00e9ception<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Lieux de m\u00e9moire antiques et m\u00e9di\u00e9vaux. Texte, image, histoire: la question des sources<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Essais et essayistes en Suisse romande (1900-1945)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

David Bouvier<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Orality and Narration. Performance and Mythic-Ritual Poetics in the Ancient World<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le fabuleux destin des biens culturels. Ordre et d\u00e9sordres de la r\u00e9ception<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Tradition classique: dialogues avec l’Antiquit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Laurence Danguy<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Caricature et chapeaux. La symbolique des couvre-chefs dans l\u2019image satirique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L\u2019\u0153il num\u00e9rique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le \u00ab\u00a0Nebelspalter\u00a0\u00bb zurichois (1875-1921). Au coeur de l’Europe des revues et des arts<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le rire : formes et fonctions du comique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le fabuleux destin des biens culturels. Ordre et d\u00e9sordres de la r\u00e9ception<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La caricature\u2026et si c\u2019\u00e9tait s\u00e9rieux ? D\u00e9cryptage de la violence satirique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Comment se cr\u00e9ent le sens et la valeur des biens culturels ?<\/p>\n","protected":false},"author":1001615,"featured_media":3383,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4],"tags":[1424,898,1359,1211,862,899,172,1214],"class_list":{"0":"post-3382","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"tag-biens-culturels","11":"tag-david-bouvier","12":"tag-formation-doctorale-interdisciplinaire-fdi","13":"tag-institut-darcheologie-et-des-sciences-de-lantiquite","14":"tag-laurence-danguy","15":"tag-panayota-badinou","16":"tag-reception","17":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=3382"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3382\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/3383"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=3382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=3382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=3382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}