{"id":3339,"date":"2018-03-11T14:22:46","date_gmt":"2018-03-11T13:22:46","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=3339"},"modified":"2025-08-07T17:40:29","modified_gmt":"2025-08-07T15:40:29","slug":"lidee-dun-theatre-originaire-dans-la-theorie-et-la-pratique-dramatiques-xvii-xxie-siecle","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/lidee-dun-theatre-originaire-dans-la-theorie-et-la-pratique-dramatiques-xvii-xxie-siecle\/","title":{"rendered":"L’id\u00e9e d’un th\u00e9\u00e2tre originaire dans la th\u00e9orie et la pratique dramatiques (XVII-XXIe si\u00e8cle)"},"content":{"rendered":"
\n
Qu\u2019est-ce que le th\u00e9\u00e2tre originaire\u00a0?<\/strong><\/p>\n

<\/p>\n

L\u2019id\u00e9e qu\u2019a exist\u00e9 un th\u00e9\u00e2tre \u00ab\u00a0originaire\u00a0\u00bb, incarnation \u00e0 la fois historique et paradigmatique du drame, surgit \u00e0 chaque \u00e9poque de l\u2019histoire du th\u00e9\u00e2tre. Plus qu\u2019une notion chronologique, elle vise une forme brute et souvent id\u00e9ale. Elle informe \u00e0 la fois les pratiques et les discours th\u00e9oriques. La volont\u00e9 de faire ressurgir des formes originelles est \u00e0 la v\u00e9rit\u00e9, pour chaque \u00e9poque, l\u2019expression de la qu\u00eate d\u2019une \u00ab\u00a0essence\u00a0\u00bb de la th\u00e9\u00e2tralit\u00e9. La r\u00e9f\u00e9rence aux origines, dans le travail sc\u00e9nique, les po\u00e9tiques et les th\u00e9ories du drame, est toujours pens\u00e9e \u2013 et all\u00e9gu\u00e9e \u2013 comme\u00a0<\/span>gen\u00e8se<\/em>.<\/p>\n

Ce volume, coordonn\u00e9 par Lise Michel (Section de fran\u00e7ais<\/a>) et Eric Eigenmann, met \u00e0 l\u2019\u00e9preuve des r\u00e9flexions et r\u00e9alisations sc\u00e9niques qui se r\u00e9clament d\u2019une forme de ressaisie des origines, du XVIIe si\u00e8cle \u00e0 nos jours.<\/p>\n

C\u2019est \u00e0 la question des usages th\u00e9oriques et pratiques du recours aux origines du th\u00e9\u00e2tre qu\u2019est consacr\u00e9 le pr\u00e9sent dossier. Il r\u00e9unit les contributions au colloque<\/a> organis\u00e9 en 2013 \u00e0 l\u2019Universit\u00e9 de Lausanne et \u00e0 l\u2019Universit\u00e9 de Gen\u00e8ve.<\/p>\n

On trouvera des documents sur la critique th\u00e9\u00e2trale au XVIIe si\u00e8cle dans la base de donn\u00e9es accessible ici<\/a>.<\/p>\n

Lise Michel, Eric Eigenmann (sous la coord.),\u00a0L’id\u00e9e d’un th\u00e9\u00e2tre originaire dans la th\u00e9orie et la pratique dramatiques (XVII-XXIe si\u00e8cle)<\/i><\/a>,\u00a0Revue d’histoire du th\u00e9\u00e2tre<\/em>, n\u00b03, mars\u00a02017.<\/span><\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Lise Michel<\/strong><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire pour elles. Dramaturges et spectatrices en Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Retours sur Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moli\u00e8re, Le M\u00e9decin malgr\u00e9 lui<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire \u0153uvre d’une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVIe-XXIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moli\u00e8re, Les Femmes savantes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Naissance de la critique dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’id\u00e9e d’un th\u00e9\u00e2tre originaire dans la th\u00e9orie et la pratique dramatiques (XVII-XXIe si\u00e8cle)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Qu\u2019est-ce que le th\u00e9\u00e2tre originaire\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":4790,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[3346,1222,738,1137,892,344,171,1135,740,1212,151,1136],"class_list":{"0":"post-3339","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3346","10":"tag-centre-detudes-theatrales-cet","11":"tag-dramaturgie","12":"tag-histoire-du-theatre","13":"tag-lise-michel","14":"tag-litterature-francaise","15":"tag-mythe","16":"tag-origines","17":"tag-scene","18":"tag-section-de-francais","19":"tag-theatre","20":"tag-theorie-du-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=3339"}],"version-history":[{"count":2,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3339\/revisions"}],"predecessor-version":[{"id":15286,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3339\/revisions\/15286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/4790"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=3339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=3339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=3339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}