{"id":3299,"date":"2018-05-07T10:10:29","date_gmt":"2018-05-07T08:10:29","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=3299"},"modified":"2018-12-06T13:21:57","modified_gmt":"2018-12-06T12:21:57","slug":"lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique\/","title":{"rendered":"L&rsquo;Analyse des films en pratique. 31 exemples comment\u00e9s d&rsquo;analyse filmique"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Comment analyser un film ?<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Il n\u2019y a pas qu\u2019<em>une\u00a0<\/em><i><\/i>mani\u00e8re d\u2019analyser les films. Parmi toutes celles qui ont les faveurs des cin\u00e9philes, des critiques et des universitaires, en voici six, qui se r\u00e9pondent et se compl\u00e8tent : historienne, esth\u00e9tique, culturelle, genr\u00e9e, cognitive et philosophique. Leur point commun\u00a0? Nous faire comprendre comment les films font sens, nous captivent ou nous \u00e9meuvent.<\/p>\n<p>De la vue muette au <em>blockbuster<\/em>, des fr\u00e8res Dardenne \u00e0<span class=\"apple-converted-space\">\u00a0<\/span><em>Intouchables <\/em>en passant par toutes sortes de genres et d\u2019\u00e9poques, cet ouvrage propose 31 exemples d\u2019analyse de films, parmi lesquels <i>La Reine Christine<\/i>\u00a0(Mamoulian, 1933), <i>Les 7 Samoura\u00efs\u00a0<\/i>(Kurosawa, 1954), <i>Les Oiseaux\u00a0<\/i>(Hitchcock, 1963), <i>Diabolo Menthe<\/i>\u00a0(Kurys, 1977),\u00a0<i>Tout peut arriver <\/i>(Meyers, 2003) ou <i>Captain America : Le Soldat de l\u2019hiver<\/i>\u00a0(fr\u00e8res Russo, 2014).<\/p>\n<p>L\u2019ouvrage de Laurent Le Forestier (<a href=\"https:\/\/www.unil.ch\/cin\/home.html\">Section d&rsquo;histoire et esth\u00e9tique du cin\u00e9ma<\/a>), Adrienne Boutang, Hugo Cl\u00e9mot, Laurent Jullier, Rapha\u00eblle Moine et Luc Vancheri, fait d\u00e9filer plus d\u2019un si\u00e8cle de cin\u00e9ma en 31 films \u00e0 travers ces mani\u00e8res diff\u00e9rentes d&rsquo;analyser \u2013 donc d\u2019aimer \u2013 le cin\u00e9ma.<\/p>\n<p>Adrienne Boutang, Hugo Cl\u00e9mot, Laurent Jullier,\u00a0Laurent Le Forestier, Rapha\u00eblle Moine, Luc Vancheri,\u00a0<a href=\"https:\/\/www.armand-colin.com\/lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique-9782200620394\" target=\"_blank\" rel=\"noopener\"><i>L&rsquo;Analyse des films en pratique. <\/i><i>31 exemples comment\u00e9s d&rsquo;analyse filmique<\/i><\/a><span class=\"\">, Paris, Armand Colin, 2018.<\/span><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3302\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-212x300.jpg\" alt=\"\" width=\"300\" height=\"424\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-212x300.jpg 212w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-768x1086.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-724x1024.jpg 724w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv.jpg 849w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1046513&amp;LanCode=37\" target=\"_blank\" rel=\"noopener\"><strong>Laurent Le Forestier<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11650\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/de-lassemblage-au-montage-cinematographique-instauration-et-standardisation-dune-pratique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover.jpg 798w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover-435x654.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover-768x1155.jpg 768w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/de-lassemblage-au-montage-cinematographique-instauration-et-standardisation-dune-pratique\/\">De l&rsquo;assemblage au montage cin\u00e9matographique. Instauration et standardisation d&rsquo;une pratique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10731\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/08\/TURQUETY_Techniques_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\">Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3299\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"849\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv.jpg 849w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-212x300.jpg 212w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-768x1086.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-724x1024.jpg 724w\" sizes=\"auto, (max-width: 849px) 100vw, 849px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique\/\">L&rsquo;Analyse des films en pratique. 31 exemples comment\u00e9s d&rsquo;analyse filmique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2471\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/2471\/\"><img loading=\"lazy\" decoding=\"async\" width=\"384\" height=\"476\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/LEFORESTIER_Transfo_Bazin-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/LEFORESTIER_Transfo_Bazin-1.jpg 384w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/LEFORESTIER_Transfo_Bazin-1-242x300.jpg 242w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/2471\/\">La transformation Bazin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2781\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-film-sur-lart-entre-histoire-de-lart-et-documentaire-de-creation\/\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv.jpg 957w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-435x545.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-239x300.jpg 239w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-768x963.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-817x1024.jpg 817w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-film-sur-lart-entre-histoire-de-lart-et-documentaire-de-creation\/\">Le film sur l&rsquo;art : entre histoire de l&rsquo;art et documentaire de cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Comment analyser un film ?<\/p>\n","protected":false},"author":1001615,"featured_media":3302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[887,59,891,889,189,888,10,678,890,1233],"class_list":{"0":"post-3299","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-analyse","9":"tag-cinema","10":"tag-cognitivisme","11":"tag-cultural-studies","12":"tag-esthetique","13":"tag-gender-studies","14":"tag-histoire","15":"tag-laurent-le-forestier","16":"tag-queer-studies","17":"tag-section-dhistoire-et-esthetique-du-cinema"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=3299"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3299\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/3302"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=3299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=3299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=3299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}