{"id":3262,"date":"2018-05-14T09:47:29","date_gmt":"2018-05-14T07:47:29","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=3262"},"modified":"2018-12-18T16:12:38","modified_gmt":"2018-12-18T15:12:38","slug":"le-rire-formes-et-fonctions-du-comique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-rire-formes-et-fonctions-du-comique\/","title":{"rendered":"Le rire : formes et fonctions du comique"},"content":{"rendered":"
\n
Qu’est-ce que le rire ?<\/strong><\/p>\n

<\/p>\n

Manifestation corporelle incontr\u00f4lable ou instrument de subversion, de libert\u00e9 et de r\u00e9sistance \u00e0 l\u2019autorit\u00e9 et aux syst\u00e8mes dominants, dispositif de sociabilit\u00e9, de d\u00e9nigrement ou de critique des m\u0153urs, le rire confronte les th\u00e9oriciens \u00e0 des probl\u00e8mes d\u2019ordre philosophique, religieux, psychologique et physiologique, politique, social et \u00e9thique.<\/p>\n

Le rire a ses formes verbales et sa grammaire visuelle, ses genres, ses figures et ses expressions. Il d\u00e9ploie des postures corporelles sp\u00e9cifiques, engendre un spectre large de r\u00e9actions et assure diff\u00e9rentes fonctions.<\/p>\n

Ce volume accessible en ligne vise \u00e0 r\u00e9pertorier les cat\u00e9gories, les types et les genres du comique ; \u00e0 r\u00e9fl\u00e9chir \u00e0 l\u2019existence d\u2019une esth\u00e9tique du rire, ses modalit\u00e9s discursives et visuelles\u00a0; \u00e0 analyser ses m\u00e9canismes psychologiques, stylistiques et linguistiques (\u00e9crits ou oraux). Ces actes du colloques, dirig\u00e9s par Marta Caraion (Section de fran\u00e7ais<\/a>) et Laurence Danguy (Section d’histoire de l’art<\/a>), r\u00e9unissent les contributions du colloque organis\u00e9 en 2016<\/a> \u00e0 l’Universit\u00e9 de Lausanne par la\u00a0<\/span>Formation doctorale interdisciplinaire (FDi)<\/a>.<\/p>\n

Marta Caraion, Laurence Danguy (dir.),\u00a0Le rire : formes et fonctions du comique<\/i><\/a>, actes du colloque accessibles en ligne, fabula.org, 2018.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marta Caraion<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire les choses. Litt\u00e9rature et culture mat\u00e9rielle, 1830-2020<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

G\u00e9ographie des t\u00e9n\u00e8bres. Bucarest \u2212 Transnistrie \u2212 Odessa, 1941-1981<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Figures du travail<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Comment la litt\u00e9rature pense les objets. Th\u00e9orie litt\u00e9raire de la culture mat\u00e9rielle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le rire : formes et fonctions du comique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Usages de l’objet. Litt\u00e9rature, histoire, arts et techniques. XIXe-XXe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le d\u00e9tail et l\u2019indice : entre litt\u00e9rature, histoire de l\u2019art et \u00e9pist\u00e9mologie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00abLes Philosophes de la vapeur et des allumettes chimiques\u00bb : litt\u00e9rature, sciences et industrie en 1855<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Objets en libert\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Laurence Danguy<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Caricature et chapeaux. La symbolique des couvre-chefs dans l\u2019image satirique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u0153il num\u00e9rique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le \u00ab\u00a0Nebelspalter\u00a0\u00bb zurichois (1875-1921). Au coeur de l’Europe des revues et des arts<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le rire : formes et fonctions du comique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le fabuleux destin des biens culturels. Ordre et d\u00e9sordres de la r\u00e9ception<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La caricature\u2026et si c\u2019\u00e9tait s\u00e9rieux ? D\u00e9cryptage de la violence satirique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Qu’est-ce que le rire ?<\/p>\n","protected":false},"author":1001615,"featured_media":3277,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[933,934,439,931,1359,936,862,810,932,863,935,1214,1212],"class_list":{"0":"post-3262","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-burlesque","10":"tag-caricature","11":"tag-comedie","12":"tag-comique","13":"tag-formation-doctorale-interdisciplinaire-fdi","14":"tag-humour","15":"tag-laurence-danguy","16":"tag-marta-caraion","17":"tag-parodie","18":"tag-rire","19":"tag-satire","20":"tag-section-dhistoire-de-lart","21":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=3262"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/3262\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/3277"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=3262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}