{"id":2471,"date":"2017-07-19T17:29:56","date_gmt":"2017-07-19T15:29:56","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=2471"},"modified":"2018-12-06T13:22:42","modified_gmt":"2018-12-06T12:22:42","slug":"2471","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/2471\/","title":{"rendered":"La transformation Bazin"},"content":{"rendered":"
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Comment un critique de cin\u00e9ma devient-il un mythe ?<\/strong><\/p>\n

<\/p>\n

Cet ouvrage propose d\u2019\u00e9tudier les discours sur le cin\u00e9ma en France entre 1945 et 1949 et, au sein de cet ensemble, d\u2019interroger la relation entre la reconnaissance progressive des \u00e9crits du critique Andr\u00e9 Bazin (1918-1958), et leur dimension profond\u00e9ment interdiscursive. Il \u00e9met l’hypoth\u00e8se que cette caract\u00e9ristique joue un r\u00f4le central dans ce ph\u00e9nom\u00e8ne de reconnaissance, en m\u00eame temps qu\u2019elle constitue un ferment essentiel de la m\u00e9thode de scientifisation de la pens\u00e9e sur le cin\u00e9ma mise en place progressivement par Bazin.<\/p>\n

La mise en place par Bazin d\u2019une m\u00e9thode critique nouvelle consistant \u00e0 se baser sur des avis et des conceptions du cin\u00e9ma parfois contradictoires afin de les d\u00e9passer et ainsi consolider son argumentation a probablement jou\u00e9 un r\u00f4le majeur dans l\u2019av\u00e8nement du mythe Bazin \u2013 celui d\u2019un critique per\u00e7u comme le plus important de l\u2019histoire du cin\u00e9ma.<\/p>\n

L\u2019ouvrage de Laurent Le Forestier (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) propose une nouvelle approche des \u00e9crits baziniens en les mettant en relation avec les textes publi\u00e9s sur le cin\u00e9ma en France entre 1945 et 1949.<\/p>\n

Laurent Le Forestier,\u00a0La transformation Bazin<\/i><\/a>, Rennes, Presses universitaires de Rennes, 2017.<\/span><\/p>\n<\/div><\/div>\n

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<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Laurent Le Forestier<\/strong><\/a><\/p>\n\n\n

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De l’assemblage au montage cin\u00e9matographique. Instauration et standardisation d’une pratique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’Analyse des films en pratique. 31 exemples comment\u00e9s d’analyse filmique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La transformation Bazin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le film sur l’art : entre histoire de l’art et documentaire de cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Comment un critique de cin\u00e9ma devient-il un mythe ?<\/p>\n","protected":false},"author":1001615,"featured_media":2501,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[682,59,679,643,678,681,1233,680],"class_list":{"0":"post-2471","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-andre-bazin","9":"tag-cinema","10":"tag-critique","11":"tag-historiographie","12":"tag-laurent-le-forestier","13":"tag-scientifisation","14":"tag-section-dhistoire-et-esthetique-du-cinema","15":"tag-theorie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=2471"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2471\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/2501"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=2471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=2471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=2471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}