{"id":2465,"date":"2018-05-19T16:52:54","date_gmt":"2018-05-19T14:52:54","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=2465"},"modified":"2021-08-27T15:19:35","modified_gmt":"2021-08-27T13:19:35","slug":"photographie-et-exposition","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/photographie-et-exposition\/","title":{"rendered":"Photographie et exposition"},"content":{"rendered":"
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Comment la photographie a transform\u00e9 l\u2019exposition.<\/strong><\/p>\n

<\/p>\n

Depuis le XIXe\u00a0<\/sup>si\u00e8cle, la photographie a \u00e9t\u00e9 mise \u00e0 profit dans des formes tr\u00e8s diverses d\u2019expositions \u2013\u00a0artistiques, didactiques, politiques, industrielles \u2013 et a eu sur elles un impact majeur. Par sa reproductibilit\u00e9 et la multiplicit\u00e9 de ses usages, elle a contribu\u00e9 \u00e0 diversifier les lieux d\u2019accrochage et les publics touch\u00e9s, elle a favoris\u00e9 un foisonnement d\u2019exp\u00e9rimentations dans la spatialisation des images et a transform\u00e9 au final l\u2019id\u00e9e m\u00eame de l\u2019exposition en la rendant mobile et reproductible.<\/p>\n

Dirig\u00e9 par Claire-Lise Deblu\u00eb (Centre des sciences historiques de la culture<\/a>), et Olivier Lugon (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>,\u00a0Centre des sciences historiques de la culture<\/a>), le deuxi\u00e8me num\u00e9ro de la revue Transbordeur\u00a0<\/em>revient sur cette histoire foisonnante. Du d\u00e9voilement de la photographie \u00e0 l\u2019image num\u00e9rique, il rappelle l\u2019importance des expositions de photographie pour l\u2019\u00e9criture de sa propre histoire et explore les interactions du m\u00e9dium avec d\u2019autres formes de p\u00e9dagogie par l\u2019image comme la statistique visuelle. Il insiste aussi sur la fa\u00e7on dont la photographie expos\u00e9e a transform\u00e9 la communication politique et la diplomatie culturelle.<\/p>\n

Claire-Lise Deblu\u00eb, Olivier Lugon (dir.),\u00a0Photographie et exposition<\/em><\/a>,\u00a0Transbordeur : photographie, histoire, soci\u00e9t\u00e9<\/em>, n\u00b02, Paris, Macula, 2018.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Claire-Lise Deblu\u00eb<\/strong><\/p>\n\n\n

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Photographie et exposition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Olivier Lugon<\/strong><\/p>\n\n\n

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Henry Brandt, cin\u00e9aste et photographe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Photographie et horlogerie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Nicolas Bouvier iconographe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Photographie et exposition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Diapositive. Histoire de la photographie projet\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Mus\u00e9es de photographies documentaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La m\u00e9moire des images. Autour de la Collection iconographique vaudoise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Revisiter l’Expo 64 : acteurs, discours, controverses<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Pont transbordeur de Marseille, Moholy-Nagy<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Exposition et m\u00e9dias: exposition, cin\u00e9ma et t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Fixe\/anim\u00e9. Croisements de la photographie et du cin\u00e9ma au XXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Comment la photographie a transform\u00e9 l\u2019exposition.<\/p>\n","protected":false},"author":1001615,"featured_media":2721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[1250,718,842,1084,1086,222,458,38,1087,1085,1233],"class_list":{"0":"post-2465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-centre-des-sciences-historiques-de-la-culture","10":"tag-claire-lise-deblue","11":"tag-exposition","12":"tag-graphisme","13":"tag-histoire-materielle","14":"tag-olivier-lugon","15":"tag-pedagogie","16":"tag-photographie","17":"tag-plan-marshall","18":"tag-reproduction","19":"tag-section-dhistoire-et-esthetique-du-cinema"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=2465"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2465\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/2721"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=2465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=2465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=2465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}