{"id":2377,"date":"2018-01-14T15:12:17","date_gmt":"2018-01-14T14:12:17","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=2377"},"modified":"2019-01-14T17:09:52","modified_gmt":"2019-01-14T16:09:52","slug":"una-questione-campana-la-prima-arte-monumentale-cristiana-tra-napoli-nola-e-capua-secc-iv-vi","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/una-questione-campana-la-prima-arte-monumentale-cristiana-tra-napoli-nola-e-capua-secc-iv-vi\/","title":{"rendered":"Una \u201cquestione campana\u201d.  La prima arte monumentale cristiana tra Napoli, Nola e Capua (secc. IV-VI)"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Quel r\u00f4le la r\u00e9gion de Campanie a-t-elle jou\u00e9 dans\u00a0l\u2019essor de l\u2019art pal\u00e9ochr\u00e9tien ?<\/strong><\/p>\n<p><!--more--><\/p>\n<p>C\u00e9l\u00e8bre pour les anciennes peintures de Pompe\u00ef, la r\u00e9gion de Campanie (<em>Campania Felix<\/em>), en Italie, pr\u00e9sente des monuments pal\u00e9ochr\u00e9tiens dignes des plus connus de Rome et Ravenne : un patrimoine d\u00e9laiss\u00e9 jusqu&rsquo;\u00e0 ce jour, qui s\u2019av\u00e8re \u00eatre toutefois crucial pour la compr\u00e9hension de l\u2019art de l\u2019Antiquit\u00e9 tardive et du premier Moyen \u00c2ge.<\/p>\n<p>Centr\u00e9 sur le baptist\u00e8re de San Giovanni in Fonte \u00e0 Naples, le complexe fun\u00e9raire de Cimitile-Nola et celui de San Prisco pr\u00e8s de Capoue, l\u2019ouvrage de Chiara Croci (<a href=\"https:\/\/www.unil.ch\/hart\/fr\/home.html\">Section d&rsquo;histoire de l&rsquo;art<\/a>) reconstitue la naissance et les premiers d\u00e9veloppements d\u2019un art monumental chr\u00e9tien dans la r\u00e9gion la plus strat\u00e9gique de l\u2019\u00e9chiquier m\u00e9diterran\u00e9en tardo-antique.<\/p>\n<p>Le volume apporte notamment un \u00e9clairage sur des ph\u00e9nom\u00e8nes cruciaux et mal connus comme l\u2019\u00e9closion d\u2019un art narratif dans les \u00e9difices de culte, ainsi que l\u2019affirmation dans ceux-ci de sc\u00e9narios visionnaires et apocalyptiques. Richement illustr\u00e9, l\u2019ouvrage invite \u00e0 d\u00e9couvrir ces monuments \u00e0 partir de campagnes photographiques in\u00e9dites.<\/p>\n<p>Chiara Croci, <a href=\"https:\/\/www.viella.it\/libro\/9788867288533\" target=\"_blank\" rel=\"noopener\"><em>Una \u201cquestione campana\u201d. La prima arte monumentale cristiana tra Napoli, Nola e Capua (secc. IV-VI)<\/em><\/a><span class=\"\">,\u00a0<\/span>Roma, Viella, 2017.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2378\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv-213x300.jpg\" alt=\"\" width=\"300\" height=\"424\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv-213x300.jpg 213w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv-435x614.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1035690&amp;LanCode=37\" target=\"_blank\" rel=\"noopener\"><strong>Chiara Croci<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11824\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/una-finestra-su-roma-altomedievale-pitture-e-mosaici\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"837\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/09\/CROCI_2022_Roma-altomedievale_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/09\/CROCI_2022_Roma-altomedievale_cover.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/09\/CROCI_2022_Roma-altomedievale_cover-435x607.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/una-finestra-su-roma-altomedievale-pitture-e-mosaici\/\">Una finestra su Roma altomedievale. Pitture e mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8865\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/rome-on-the-borders-visual-cultures-during-the-carolingian-transition\/\"><img loading=\"lazy\" decoding=\"async\" width=\"992\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/cover-page-001.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/cover-page-001.jpg 992w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/cover-page-001-435x526.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/cover-page-001-768x929.jpg 768w\" sizes=\"auto, (max-width: 992px) 100vw, 992px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/rome-on-the-borders-visual-cultures-during-the-carolingian-transition\/\">Rome on the Borders. Visual Cultures during the Carolingian Transition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6156\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/tessere-per-un-nuovo-inizio-il-battistero-paleocristiano-di-napoli-e-i-suoi-mosaici\/\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/CROCI_battistero_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/CROCI_battistero_cover.jpg 726w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/CROCI_battistero_cover-435x719.jpg 435w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/tessere-per-un-nuovo-inizio-il-battistero-paleocristiano-di-napoli-e-i-suoi-mosaici\/\">Tessere per un nuovo inizio. Il battistero paleocristiano di Napoli e i suoi mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3580\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/entre-terre-et-ciel-les-edifices-a-coupole-et-leur-decor-entre-lantiquite-tardive-et-le-haut-moyen-age\/\"><img loading=\"lazy\" decoding=\"async\" width=\"822\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/EDL2018-2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/EDL2018-2.jpg 822w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/EDL2018-2-435x635.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/EDL2018-2-206x300.jpg 206w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/EDL2018-2-768x1121.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/EDL2018-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 822px) 100vw, 822px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/entre-terre-et-ciel-les-edifices-a-coupole-et-leur-decor-entre-lantiquite-tardive-et-le-haut-moyen-age\/\">Entre terre et ciel. Les \u00e9difices \u00e0 coupole et leur d\u00e9cor entre l&rsquo;Antiquit\u00e9 tardive et le haut Moyen \u00c2ge<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2377\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/una-questione-campana-la-prima-arte-monumentale-cristiana-tra-napoli-nola-e-capua-secc-iv-vi\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"847\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv-435x614.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CROCI_Chiara_couv-213x300.jpg 213w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/una-questione-campana-la-prima-arte-monumentale-cristiana-tra-napoli-nola-e-capua-secc-iv-vi\/\">Una \u201cquestione campana\u201d.  La prima arte monumentale cristiana tra Napoli, Nola e Capua (secc. IV-VI)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Quel r\u00f4le la r\u00e9gion de Campanie a-t-elle jou\u00e9 dans\u00a0l\u2019essor de l\u2019art pal\u00e9ochr\u00e9tien ?<\/p>\n","protected":false},"author":1001615,"featured_media":2378,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[634,638,633,639,637,290,635,636,1214],"class_list":{"0":"post-2377","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-art-paleochretien","10":"tag-baptisteres","11":"tag-chiara-croci","12":"tag-culte-des-martyrs","13":"tag-evergetisme-monumental","14":"tag-iconographie","15":"tag-mosaiques","16":"tag-paulin-de-nola","17":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=2377"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2377\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/2378"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=2377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=2377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=2377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}