{"id":2010,"date":"2018-01-19T13:40:50","date_gmt":"2018-01-19T12:40:50","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=2010"},"modified":"2019-01-10T15:52:25","modified_gmt":"2019-01-10T14:52:25","slug":"lequellec","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/lequellec\/","title":{"rendered":"Blaise Cendrars et Sonia Delaunay. La Prose du Transsib\u00e9rien"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong><em>La Prose du Transsib\u00e9rien<\/em> est l\u2019un des livres d\u2019artistes fondateurs de la modernit\u00e9 du XX<sup>e<\/sup>\u00a0si\u00e8cle.<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Extraordinaire fusion des vers libres de Blaise Cendrars (1887-1961) et des couleurs de Sonia Delaunay (1885-1979), la\u00a0<em>Prose du Transsib\u00e9rien et de la petite Jehanne de France<\/em><em>\u00a0<\/em>(1913) a marqu\u00e9 l\u2019histoire du livre d\u2019artiste.<\/p>\n<p>Ce livre-tableau se d\u00e9ployant sur deux m\u00e8tres de long suit les rails r\u00eav\u00e9s de la ligne du tout r\u00e9cent Transsib\u00e9rien, dans une \u00e9pop\u00e9e fantastique, exploratrice et m\u00e9taphorique. L\u2019exp\u00e9rience po\u00e9tique propos\u00e9e par Cendrars se d\u00e9couvre simultan\u00e9ment \u00e0 la peinture de Sonia Delaunay, renouvelant ainsi la dynamique et le sens du voyage. Une r\u00e9volution plastique et graphique est \u00e0 l\u2019\u0153uvre, qui place les deux artistes au c\u0153ur des avant-gardes europ\u00e9ennes.<\/p>\n<p>L\u2019ouvrage richement illustr\u00e9 de Christine Le Quellec (<a href=\"https:\/\/www.unil.ch\/fra\/fr\/home.html\">Section de fran\u00e7ais<\/a>, directrice du <a href=\"https:\/\/www.cebc-cendrars.ch\" target=\"_blank\" rel=\"noopener\">Centre d\u2019\u00e9tudes Blaise Cendrars<\/a>), retrace la gen\u00e8se de la\u00a0<em>Prose du Transsib\u00e9rien<\/em>, en d\u00e9crit le complexe processus de fabrication, et analyse sa r\u00e9ception, entre pol\u00e9miques et post\u00e9rit\u00e9 rayonnante. Le volume accompagne <a href=\"https:\/\/www.fondation-janmichalski.com\/exposition\/exposition-blaise-cendrars-et-sonia-delaunay-?-la-prose-du-transsiberien\/\" target=\"_blank\" rel=\"noopener\">l\u2019exposition \u00e0 la <u>Fondation Jan Michalski<\/u><\/a>\u00a0(2017).<\/p>\n<p>Christine Le Quellec Cottier (dir.), <a href=\"https:\/\/www.fondation-janmichalski.com\/exposition\/exposition-blaise-cendrars-et-sonia-delaunay-?-la-prose-du-transsiberien\/\" target=\"_blank\" rel=\"noopener\"><em>Blaise Cendrars et Sonia Delaunay. La Prose du Transsib\u00e9rien<\/em><\/a>, Montricher, Fondation Michalski, 2017.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2233\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay-248x300.jpeg\" alt=\"\" width=\"300\" height=\"363\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay-248x300.jpeg 248w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay-435x527.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay.jpeg 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n<ul>\n<li><a href=\"https:\/\/www.pharts.ch\/index.php\/sommaire\/41-parts-130\/471-cendrars\" target=\"_blank\" rel=\"noopener\">Unique fraternit\u00e9 artistique : Blaise Cendrars et Sonia Delaunay<\/a>, Pharts, le magazine suisse des arts, 01.10.2017.<\/li>\n<li><a href=\"https:\/\/www.fondation-janmichalski.com\/app\/uploads\/2017\/12\/171021_LaLiberte.pdf\" target=\"_blank\" rel=\"noopener\">La prose ou l&rsquo;art du vers<\/a>, La Libert\u00e9, 21.10.2017.<\/li>\n<li><a href=\"https:\/\/www.rjb.ch\/rjb\/Programmes\/Les-emissions\/Format-A3\/La-Prose-du-Transsiberien.html\" target=\"_blank\" rel=\"noopener\">La Prose du Transsib\u00e9rien<\/a>, RTN, 25.10.2017.<\/li>\n<li><a href=\"https:\/\/www.rts.ch\/play\/radio\/caracteres\/audio\/blaise-cendrars-a-lhonneur?id=9019171&amp;station=a83f29dee7a5d0d3f9fccdb9c92161b1afb512db\" target=\"_blank\" rel=\"noopener\">Blaise Cendrars \u00e0 l&rsquo;honneur<\/a>, RTS Espace 2, Caract\u00e8res, 05.11.2017.<\/li>\n<li><a href=\"https:\/\/www.fondation-janmichalski.com\/app\/uploads\/2017\/12\/171127_24heures.pdf\" target=\"_blank\" rel=\"noopener\">La modernit\u00e9 folle de <em>La prose du Transsib\u00e9rien<\/em><\/a>, 24 heures, 27.11.2017.<\/li>\n<li><a href=\"https:\/\/www.fondation-janmichalski.com\/app\/uploads\/2017\/12\/171205_LeTemps.pdf\" target=\"_blank\" rel=\"noopener\">Le Transsib\u00e9rien fait halte \u00e0 Montricher<\/a>, Le Temps, 05.12.2017.<\/li>\n<\/ul>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=840187&amp;LanCode=37&amp;menu=coord\" target=\"_blank\" rel=\"noopener\"><strong>Christine Le Quellec Cottier<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13038\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/blaise-cendrars-oeuvres-completes-tome-10-anthologie-negre-petits-contes-negres-pour-les-enfants-des-blancs-comment-les-blancs-sont-danciens-noirs-la-creation-du-mon\/\"><img loading=\"lazy\" decoding=\"async\" width=\"848\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2024_Cendrars_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2024_Cendrars_cover.jpg 848w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2024_Cendrars_cover-435x616.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2024_Cendrars_cover-768x1087.jpg 768w\" sizes=\"auto, (max-width: 848px) 100vw, 848px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/blaise-cendrars-oeuvres-completes-tome-10-anthologie-negre-petits-contes-negres-pour-les-enfants-des-blancs-comment-les-blancs-sont-danciens-noirs-la-creation-du-mon\/\">Blaise Cendrars, \u0152uvres compl\u00e8tes, Tome 10: Anthologie n\u00e8gre \u2013 Petits Contes n\u00e8gres pour les enfants des Blancs \u2013 Comment les Blancs sont d&rsquo;anciens Noirs \u2013 La Cr\u00e9ation du Monde<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13032\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/blaise-cendrars-jai-tue-suivi-de-jai-saigne\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"785\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2023_Cendrars_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2023_Cendrars_cover.png 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/05\/LEQUELLEC-COTTIER_2023_Cendrars_cover-435x683.png 435w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/blaise-cendrars-jai-tue-suivi-de-jai-saigne\/\">Blaise Cendrars, J&rsquo;ai tu\u00e9 suivi de J&rsquo;ai saign\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12520\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-primitivisme-des-avant-gardes-litteraires\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie.jpg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie-435x638.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie-768x1127.jpg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-primitivisme-des-avant-gardes-litteraires\/\">Le primitivisme des avant-gardes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11769\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/approches-pluridisciplinaires-et-postcoloniales-de-la-traduction-en-afrique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1825\" height=\"2755\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover.png 1825w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-1325x2000.png 1325w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-1341x2024.png 1341w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-435x657.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-768x1159.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-1017x1536.png 1017w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-1357x2048.png 1357w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/08\/STAMPFLI_2022_traduction-Afrique_cover-1320x1993.png 1320w\" sizes=\"auto, (max-width: 1825px) 100vw, 1825px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/approches-pluridisciplinaires-et-postcoloniales-de-la-traduction-en-afrique\/\">Approches pluridisciplinaires et postcoloniales de la traduction en Afrique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11653\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/africana-figures-de-femmes-et-formes-de-pouvoir\/\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_QUELLEC_2022_Africana_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_QUELLEC_2022_Africana_cover.jpg 809w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_QUELLEC_2022_Africana_cover-435x645.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_QUELLEC_2022_Africana_cover-768x1139.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/africana-figures-de-femmes-et-formes-de-pouvoir\/\">Africana. Figures de femmes et formes de pouvoir<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11143\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n5\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/12\/DENOGENT_2021_Cendrars_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/12\/DENOGENT_2021_Cendrars_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/12\/DENOGENT_2021_Cendrars_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/12\/DENOGENT_2021_Cendrars_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n5\/\">Constellation Cendrars n\u00b05<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9507\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/etudes-africaines-nouvelles-approches-nouveaux-enjeux\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1563\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Copie-de-Couverture-LabeLettres.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Copie-de-Couverture-LabeLettres.png 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Copie-de-Couverture-LabeLettres-435x680.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Copie-de-Couverture-LabeLettres-768x1200.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Copie-de-Couverture-LabeLettres-983x1536.png 983w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/etudes-africaines-nouvelles-approches-nouveaux-enjeux\/\">\u00c9tudes africaines : nouvelles approches, nouveaux enjeux<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6705\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars\/\"><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/10\/LEQUELLEC_constellation_cendrars_couv-3.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/10\/LEQUELLEC_constellation_cendrars_couv-3.jpg 796w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/10\/LEQUELLEC_constellation_cendrars_couv-3-435x656.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/10\/LEQUELLEC_constellation_cendrars_couv-3-768x1158.jpg 768w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars\/\">Constellation Cendrars n\u00b03<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6569\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/blaise-cendrars-un-homme-en-partance\/\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_BlaiseCendrars_Couv_2eEd_v4.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_BlaiseCendrars_Couv_2eEd_v4.jpg 791w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_BlaiseCendrars_Couv_2eEd_v4-435x660.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_BlaiseCendrars_Couv_2eEd_v4-768x1165.jpg 768w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/blaise-cendrars-un-homme-en-partance\/\">Blaise Cendrars.\u00a0Un homme en partance<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6506\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-terroriste-noir-de-tierno-monenembo\/\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_Terroriste_cover_highres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_Terroriste_cover_highres.jpg 766w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/LEQUELLEC_Terroriste_cover_highres-435x681.jpg 435w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-terroriste-noir-de-tierno-monenembo\/\">Le Terroriste noir de Tierno Mon\u00e9nembo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5864\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/loeuvre-de-yambo-ouologuem-un-carrefour-decritures-1968-2018\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/LEQUELLEC_Ouologuem_cover_2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/LEQUELLEC_Ouologuem_cover_2.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/LEQUELLEC_Ouologuem_cover_2-435x680.jpg 435w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/loeuvre-de-yambo-ouologuem-un-carrefour-decritures-1968-2018\/\">L\u2019\u0152uvre de Yambo Ouologuem. Un carrefour d\u2019\u00e9critures (1968-2018)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6755\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/LEQUELLEC_Constellation_2_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/LEQUELLEC_Constellation_2_couv.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/LEQUELLEC_Constellation_2_couv-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/LEQUELLEC_Constellation_2_couv-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n2\/\">Constellation Cendrars n\u00b02<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2010\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lequellec\/\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"581\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay.jpeg 480w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay-435x527.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/plat1CatalogueCendrarsDelaunay-248x300.jpeg 248w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lequellec\/\">Blaise Cendrars et Sonia Delaunay. La Prose du Transsib\u00e9rien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2025\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/voir-et-lire-lafrique-contemporaine-repenser-les-identites-et-les-appartenances-culturelles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"640\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/COUV.-EDL2017_3-4.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/COUV.-EDL2017_3-4.jpeg 441w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/COUV.-EDL2017_3-4-435x631.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/COUV.-EDL2017_3-4-207x300.jpeg 207w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/voir-et-lire-lafrique-contemporaine-repenser-les-identites-et-les-appartenances-culturelles\/\">Voir et lire l&rsquo;Afrique contemporaine. Repenser les identit\u00e9s et les appartenances culturelles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8899\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/ecrire-en-francophonie-une-prise-de-pouvoir\/\"><img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"475\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/1190893_f.jpg.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/ecrire-en-francophonie-une-prise-de-pouvoir\/\">\u00c9crire en francophonie : une prise de pouvoir ?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La Prose du Transsib\u00e9rien est l\u2019un des livres d\u2019artistes fondateurs de la modernit\u00e9 du XXe\u00a0si\u00e8cle.<\/p>\n","protected":false},"author":1001615,"featured_media":2233,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[530,526,504,531,283,217,14,528,1212,529,527],"class_list":{"0":"post-2010","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-avant-garde","10":"tag-blaise-cendrars","11":"tag-christine-le-quellec-cottier","12":"tag-livre-dartiste","13":"tag-paris","14":"tag-peinture","15":"tag-poesie","16":"tag-prose-du-transsiberien","17":"tag-section-de-francais","18":"tag-simultaneisme","19":"tag-sonia-delaunay"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=2010"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/2010\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/2233"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=2010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=2010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=2010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}