{"id":2001,"date":"2014-01-19T11:55:49","date_gmt":"2014-01-19T10:55:49","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=2001"},"modified":"2022-03-17T08:49:42","modified_gmt":"2022-03-17T07:49:42","slug":"cinema-machine-a-mondes","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/cinema-machine-a-mondes\/","title":{"rendered":"Cin\u00e9ma, machine \u00e0 mondes"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Comment s\u2019explique la propension du cin\u00e9ma \u00e0 construire des univers parall\u00e8les\u00a0?<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Au tournant du XXIe si\u00e8cle, \u00e0 l\u2019\u00e8re des \u00ab\u00a0r\u00e9alit\u00e9s virtuelles\u00a0\u00bb, le cin\u00e9ma hollywoodien conna\u00eet une inflation de r\u00e9alisations qui offrent au spectateur deux ou plusieurs mondes. Au-del\u00e0 des effets sp\u00e9ciaux, comment les films, notamment le cin\u00e9ma de science-fiction, cr\u00e9ent-ils diff\u00e9rents univers\u00a0?<\/p>\n<p>En analysant les caract\u00e9ristiques formelles de certaines productions embl\u00e9matiques, au cin\u00e9ma (<em>Dark City<\/em>,<em> Resident Evil\u00a0: Retribution<\/em>,<em> Fight Club<\/em>, <em>Jurassic Park<\/em>, <em>Avatar<\/em>,\u00a0<em>Total Recall, eXistenZ<\/em>, <em>Tron<\/em>, <em>Matrix<\/em>) et \u00e0 la t\u00e9l\u00e9vision (<em>Le Monde sur le fil<\/em>\u00a0de Fassbinder ou les s\u00e9ries\u00a0<em>Lost<\/em>\u00a0et\u00a0<em>Fringe<\/em>), Alain Boillat (<a href=\"https:\/\/www.unil.ch\/cin\/home.html\" target=\"_blank\" rel=\"noopener\">Section d&rsquo;histoire et esth\u00e9tique du cin\u00e9ma<\/a>) montre comment les \u00ab\u00a0machines \u00e0 mondes\u00a0\u00bb dupliquent, \u00e0 l\u2019int\u00e9rieur du film, certaines composantes du dispositif cin\u00e9matographique. L\u2019auteur examine ce ph\u00e9nom\u00e8ne dans ses implications th\u00e9oriques, esth\u00e9tiques et id\u00e9ologiques.<\/p>\n<p>L\u2019ouvrage est publi\u00e9 dans la collection <a href=\"https:\/\/www.georg.ch\/emprise-de-vue\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0Emprise de vue. Cin\u00e9ma contemporain et technologie\u00a0\u00bb<\/a>, consacr\u00e9e \u00e0 l\u2019impact des r\u00e9centes mutations technologiques sur les repr\u00e9sentations cin\u00e9matographiques dominantes. Il est disponible en libre acc\u00e8s sur le <a href=\"https:\/\/www.georg.ch\/cinema-machine-a-mondes\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/www.georg.ch\/livre-le-medium-au-cinema\">site web de l\u2019\u00e9diteur<\/a>.<\/p>\n<p>Une traduction anglaise de cet ouvrage, parue en 2022 sous le titre <a href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-as-a-worldbuilding-machine-in-the-digital-era-essay-on-multiverse-films-and-tv-series\/\" target=\"_blank\" rel=\"noopener\"><em>Cinema as a Worldbuilding Machine in the Digital Era Essay on Multiverse Films and TV Series<\/em><\/a>, en propose une version remani\u00e9e et actualis\u00e9e.<\/p>\n<p>Alain Boillat,\u00a0<a href=\"https:\/\/www.georg.ch\/cinema-machine-a-mondes\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Cin\u00e9ma, machine \u00e0 mondes. Essai sur les films \u00e0 univers multiples<\/i><\/a>, Gen\u00e8ve,\u00a0Georg, 2014.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2002\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv-218x300.jpg\" alt=\"\" width=\"300\" height=\"412\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv-218x300.jpg 218w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv-435x597.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv.jpg 595w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n<ul>\n<li><a href=\"https:\/\/www.rts.ch\/play\/radio\/vertigo\/audio\/alain-boillat-professeur-en-esthetique-du-cinema?id=5629605&amp;station=a9e7621504c6959e35c3ecbe7f6bed0446cdf8da\" target=\"_blank\" rel=\"noopener noreferrer\">Alain Boillat : Cin\u00e9ma, machine \u00e0 mondes<\/a>, RTS La Premi\u00e8re, Vertigo, 06.03.2014.<\/li>\n<li><a href=\"https:\/\/www.rts.ch\/play\/radio\/babylone\/audio\/le-cinema-machine-a-mondes?id=5733972&amp;station=a83f29dee7a5d0d3f9fccdb9c92161b1afb512db\" target=\"_blank\" rel=\"noopener noreferrer\">Le cin\u00e9ma, machine \u00e0 mondes<\/a>, RTS, Babylone, 14.04.2014.<\/li>\n<li><a href=\"https:\/\/avisdexperts.ch\/videos\/view\/2545\" target=\"_blank\" rel=\"noopener noreferrer\">L&rsquo;analyse du film Les Yeux jaunes des crocodiles<\/a>, RTS, La Puce \u00e0 l&rsquo;oreille, 27.03.2014.<\/li>\n<\/ul>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=911499&amp;LanCode=37\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Alain Boillat<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13580\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-pratiques-du-scenario-au-cinema-et-a-la-television\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1563\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2025-CIN-Techniques-et-pratiques-du-scenario-couv.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2025-CIN-Techniques-et-pratiques-du-scenario-couv.png 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2025-CIN-Techniques-et-pratiques-du-scenario-couv-435x680.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2025-CIN-Techniques-et-pratiques-du-scenario-couv-768x1200.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2025-CIN-Techniques-et-pratiques-du-scenario-couv-983x1536.png 983w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-pratiques-du-scenario-au-cinema-et-a-la-television\/\">Techniques et pratiques du sc\u00e9nario au cin\u00e9ma et \u00e0 la t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12918\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/variantes-la-declinaison-des-possibles-comme-objet-de-la-recherche\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1563\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_Variantes_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_Variantes_cover.png 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_Variantes_cover-435x680.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_Variantes_cover-768x1200.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_Variantes_cover-983x1536.png 983w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/variantes-la-declinaison-des-possibles-comme-objet-de-la-recherche\/\">Variantes. La d\u00e9clinaison des possibles comme objet de la recherche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12915\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/adaptation\/\"><img loading=\"lazy\" decoding=\"async\" width=\"978\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_adaptatio_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_adaptatio_cover.jpg 978w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_adaptatio_cover-435x534.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/BOILLAT_2024_adaptatio_cover-768x942.jpg 768w\" sizes=\"auto, (max-width: 978px) 100vw, 978px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/adaptation\/\">Adaptation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12377\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/alain-tanner-50-ans-de-cinema-dauteur\/\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_Tanner_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_Tanner_cover-1.jpg 805w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_Tanner_cover-1-435x648.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_Tanner_cover-1-768x1145.jpg 768w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/alain-tanner-50-ans-de-cinema-dauteur\/\">Alain Tanner. 50 ans de cin\u00e9ma d&rsquo;auteur<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12382\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/impact-de-la-serialite-sur-le-recit-audiovisuel\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_serialite_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_serialite_cover.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/08\/BOILLAT_2023_serialite_cover-435x680.jpg 435w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/impact-de-la-serialite-sur-le-recit-audiovisuel\/\">Impact de la s\u00e9rialit\u00e9 sur le r\u00e9cit audiovisuel<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11527\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1563\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/BARONI_2022_Lena_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/BARONI_2022_Lena_cover.png 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/BARONI_2022_Lena_cover-435x680.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/BARONI_2022_Lena_cover-768x1200.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/BARONI_2022_Lena_cover-983x1536.png 983w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee\/\">\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11341\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-as-a-worldbuilding-machine-in-the-digital-era-essay-on-multiverse-films-and-tv-series\/\"><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/03\/BOILLAT_2022_Worldbuilding_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/03\/BOILLAT_2022_Worldbuilding_cover.jpg 796w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/03\/BOILLAT_2022_Worldbuilding_cover-435x656.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/03\/BOILLAT_2022_Worldbuilding_cover-768x1158.jpg 768w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-as-a-worldbuilding-machine-in-the-digital-era-essay-on-multiverse-films-and-tv-series\/\">Cinema as a Worldbuilding Machine in the Digital Era. Essay on Multiverse Films and TV Series<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8244\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/en-cas-de-malheur-de-simenon-a-autant-lara-1956-1958-essai-de-genetique-scenaristique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"707\" height=\"1000\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/06\/BOILLAT_Simenon_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/06\/BOILLAT_Simenon_cover.jpg 707w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/06\/BOILLAT_Simenon_cover-435x615.jpg 435w\" sizes=\"auto, (max-width: 707px) 100vw, 707px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/en-cas-de-malheur-de-simenon-a-autant-lara-1956-1958-essai-de-genetique-scenaristique\/\">\u00ab\u00a0En cas de malheur\u00a0\u00bb, de Simenon \u00e0 Autant-Lara (1956-1958). Essai de g\u00e9n\u00e9tique sc\u00e9naristique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7165\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/presence-de-la-science-fiction-dans-la-bande-dessinee-dexpression-francaise\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/BOILLAT_Res_Futurae_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/BOILLAT_Res_Futurae_cover.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/BOILLAT_Res_Futurae_cover-435x680.jpg 435w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/presence-de-la-science-fiction-dans-la-bande-dessinee-dexpression-francaise\/\">Pr\u00e9sence de la science-fiction dans la bande dessin\u00e9e d\u2019expression fran\u00e7aise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5990\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/loin-des-yeux-le-cinema-de-la-telephonie-a-internet-imaginaires-mediatiques-des-telecommunications-et-de-la-surveillance\/\"><img loading=\"lazy\" decoding=\"async\" width=\"824\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/Boillat_GUIDO_finale-1_lowres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/Boillat_GUIDO_finale-1_lowres.jpg 824w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/Boillat_GUIDO_finale-1_lowres-435x633.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/Boillat_GUIDO_finale-1_lowres-768x1118.jpg 768w\" sizes=\"auto, (max-width: 824px) 100vw, 824px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/loin-des-yeux-le-cinema-de-la-telephonie-a-internet-imaginaires-mediatiques-des-telecommunications-et-de-la-surveillance\/\">Loin des yeux\u2026 le cin\u00e9ma. De la t\u00e9l\u00e9phonie \u00e0 Internet : imaginaires m\u00e9diatiques des t\u00e9l\u00e9communications et de la surveillance<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1988\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/adaptation-des-livres-aux-scenarios\/\"><img loading=\"lazy\" decoding=\"async\" width=\"865\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/BOILLAT_AdaptationCOUVD_final_2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/BOILLAT_AdaptationCOUVD_final_2.jpg 865w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/BOILLAT_AdaptationCOUVD_final_2-435x603.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/BOILLAT_AdaptationCOUVD_final_2-768x1065.jpg 768w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/adaptation-des-livres-aux-scenarios\/\">L&rsquo;Adaptation. Des livres aux sc\u00e9narios<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1723\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/bd-us-les-comics-vus-par-leurope\/\"><img loading=\"lazy\" decoding=\"async\" width=\"459\" height=\"595\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/12\/bd-us-les-comics-vus-par-l-Europe.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/12\/bd-us-les-comics-vus-par-l-Europe.jpg 459w, https:\/\/wp.unil.ch\/labelettres\/files\/2017\/12\/bd-us-les-comics-vus-par-l-Europe-435x564.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2017\/12\/bd-us-les-comics-vus-par-l-Europe-231x300.jpg 231w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/bd-us-les-comics-vus-par-leurope\/\">BD &#8211; US : les comics vus par l&rsquo;Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4475\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/star-wars-un-monde-en-expansion\/\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_Star_Wars_Couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_Star_Wars_Couv_final.jpg 821w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_Star_Wars_Couv_final-435x636.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_Star_Wars_Couv_final-768x1123.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/star-wars-un-monde-en-expansion\/\">Star Wars, un monde en expansion<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6140\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/dialogues-avec-le-cinema-approches-interdisciplinaires-de-loralite-cinematographique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BOILLAT_Dialogues_cin\u00e9ma_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BOILLAT_Dialogues_cin\u00e9ma_cover.jpg 828w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BOILLAT_Dialogues_cin\u00e9ma_cover-435x630.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BOILLAT_Dialogues_cin\u00e9ma_cover-768x1113.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/dialogues-avec-le-cinema-approches-interdisciplinaires-de-loralite-cinematographique\/\">Dialogues avec le cin\u00e9ma. Approches interdisciplinaires de l\u2019oralit\u00e9 cin\u00e9matographique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-197\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/case-strip-action\/\"><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"529\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/05\/case-strip-action.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/05\/case-strip-action.jpg 425w, https:\/\/wp.unil.ch\/labelettres\/files\/2017\/05\/case-strip-action-241x300.jpg 241w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/case-strip-action\/\">Case, strip, action ! Les feuilletons en bandes dessin\u00e9es dans les magazines pour la jeunesse (1946-1959)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5711\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/dubbing-die-ubersetzung-im-kino-la-traduction-audiovisuelle\/\"><img loading=\"lazy\" decoding=\"async\" width=\"846\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BOILLAT_HENKING_Dubbing_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BOILLAT_HENKING_Dubbing_cover.jpg 846w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BOILLAT_HENKING_Dubbing_cover-435x617.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BOILLAT_HENKING_Dubbing_cover-768x1089.jpg 768w\" sizes=\"auto, (max-width: 846px) 100vw, 846px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/dubbing-die-ubersetzung-im-kino-la-traduction-audiovisuelle\/\">Dubbing. Die \u00dcbersetzung im Kino \/ La traduction audiovisuelle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6268\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-doublage\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1142\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv23_24_hd.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv23_24_hd.jpg 1142w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv23_24_hd-435x457.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv23_24_hd-768x807.jpg 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-doublage\/\">Le doublage<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4435\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/du-bonimenteur-a-la-voix-over-voix-attraction-et-voix-narration-au-cinema\/\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_voix-over_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_voix-over_couv_final.jpg 788w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_voix-over_couv_final-435x662.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_voix-over_couv_final-768x1170.jpg 768w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/du-bonimenteur-a-la-voix-over-voix-attraction-et-voix-narration-au-cinema\/\">Du bonimenteur \u00e0 la voix-over. Voix-attraction et voix-narration au cin\u00e9ma<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2001\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-machine-a-mondes\/\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"817\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv.jpg 595w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv-435x597.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/cinemonde_978-2-8257-1017-3_couv-218x300.jpg 218w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-machine-a-mondes\/\">Cin\u00e9ma, machine \u00e0 mondes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4502\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-monde-de-star-wars\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1142\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/Decadrages_couv8-9-hd_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/Decadrages_couv8-9-hd_final.jpg 1142w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/Decadrages_couv8-9-hd_final-435x457.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/Decadrages_couv8-9-hd_final-768x807.jpg 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-monde-de-star-wars\/\">Le monde de Star Wars<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6278\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/autour-d-elephant-de-gus-van-sant\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1142\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv19_hd.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv19_hd.jpg 1142w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv19_hd-435x457.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/couv19_hd-768x807.jpg 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/autour-d-elephant-de-gus-van-sant\/\">Autour d\u2019 \u00ab\u00a0Elephant\u00a0\u00bb de Gus Van Sant<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1979\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/jesus-en-representations-de-la-belle-epoque-a-la-postmodernite\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"760\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/jesus-en-representations.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/jesus-en-representations.jpg 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/jesus-en-representations-435x661.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/01\/jesus-en-representations-197x300.jpg 197w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/jesus-en-representations-de-la-belle-epoque-a-la-postmodernite\/\">J\u00e9sus en repr\u00e9sentations. De la Belle \u00c9poque \u00e0 la postmodernit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4451\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/les-cases-a-lecran-bande-dessinee-et-cinema-en-dialogue\/\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"941\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_cases_ecran_595_1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_cases_ecran_595_1.jpg 595w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/10\/BOILLAT_cases_ecran_595_1-435x688.jpg 435w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/les-cases-a-lecran-bande-dessinee-et-cinema-en-dialogue\/\">Les cases \u00e0 l&rsquo;\u00e9cran. 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