{"id":1799,"date":"2017-12-12T16:01:00","date_gmt":"2017-12-12T15:01:00","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=1799"},"modified":"2018-12-06T12:54:45","modified_gmt":"2018-12-06T11:54:45","slug":"apres-le-texte-de-la-reecriture-apres-publication","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/apres-le-texte-de-la-reecriture-apres-publication\/","title":{"rendered":"Apr\u00e8s le texte. De la r\u00e9\u00e9criture apr\u00e8s publication"},"content":{"rendered":"
\n
Pourquoi un \u00e9crivain r\u00e9\u00e9crit-il son \u0153uvre apr\u00e8s sa publication\u00a0?<\/b><\/p>\n

<\/p>\n

Il est assez raisonnable de finir un texte avant de le mettre en circulation. L\u2019histoire litt\u00e9raire regorge pourtant d\u2019\u0153uvres qui ont \u00e9t\u00e9 continu\u00e9es, ou achev\u00e9es autrement, apr\u00e8s leur publication. Que change-t-on \u00e0 une \u0153uvre\u00a0pourtant \u00ab\u00a0finie\u00a0\u00bb et d\u00e9j\u00e0 livr\u00e9e au public\u00a0? Et pourquoi changer\u00a0encore\u00a0?<\/p>\n

Balzac, Mallarm\u00e9, Ramuz, Andersen, Schopenhauer, Cendrars, Reverdy, Derrida, Duras, nombreux sont les auteurs qui ont poursuivi le processus cr\u00e9atif apr\u00e8s la premi\u00e8re publication de leurs ouvrages. C\u2019est \u00e0 ce moment \u2013 post\u00e9ditorial \u2013 de l\u2019\u00e9criture des \u0153uvres qu\u2019est consacr\u00e9 ce num\u00e9ro de la revue\u00a0Genesis<\/em>. Richement illustr\u00e9, il propose de\u00a0r\u00e9envisager les relations entre\u00a0philologie\u00a0et\u00a0g\u00e9n\u00e9tique, entre\u00a0\u00e9criture\u00a0et\u00a0publication.<\/p>\n

Cette publication s\u2019inscrit dans le cadre des recherches de l\u2019\u00e9quipe de linguistique fran\u00e7aise<\/a> de la Section de fran\u00e7ais.<\/p>\n

On trouvera sur la plateforme\u00a0Variance.ch<\/a>, r\u00e9alis\u00e9e par Rudolf Mahrer et Jo\u00ebl Zufferey (Section de fran\u00e7ais<\/a>), un comparateur de textes appliqu\u00e9 aux diff\u00e9rentes versions publi\u00e9es d\u2019une m\u00eame \u0153uvre. La premi\u00e8re \u00e9dition en ligne est celle des huit versions de\u00a0La Peau de chagrin<\/em>\u00a0de Balzac.<\/p>\n

Rudolf Mahrer (\u00e9d.),\u00a0Apr\u00e8s le texte. <\/i>De la r\u00e9\u00e9criture apr\u00e8s publication<\/i><\/a>, revue Genesis<\/em>, n\u00b044, 2017.<\/p>\n<\/div><\/div>\n

\"\"
\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Rudolf Mahrer<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u0153uvre recompos\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Machines \u00e0 \u00e9crire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Th\u00e9orie et linguistique de l\u2019\u00e9criture. Des manuscrits aux processus scripturaux (1983-2018)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Apr\u00e8s le texte. De la r\u00e9\u00e9criture apr\u00e8s publication<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Phonographie. La repr\u00e9sentation \u00e9crite de l’oral en fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Pourquoi un \u00e9crivain r\u00e9\u00e9crit-il son \u0153uvre apr\u00e8s sa publication\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":1800,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3,5],"tags":[414,415,417,358,416,413,162,360,1212],"class_list":{"0":"post-1799","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"category-sciences-theoriques","9":"tag-comparaison","10":"tag-critique-genetique","11":"tag-edition-numerique","12":"tag-manuscrit","13":"tag-philologie","14":"tag-production-ecrite","15":"tag-reecriture","16":"tag-rudolf-mahrer","17":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/1799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=1799"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/1799\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/1800"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=1799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=1799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=1799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}