{"id":16610,"date":"2026-10-01T09:45:38","date_gmt":"2026-10-01T07:45:38","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=16610"},"modified":"2026-10-01T10:02:47","modified_gmt":"2026-10-01T08:02:47","slug":"la-sculpture-bourguignonne-du-xve-siecle-oeuvres-artistes-questions","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-sculpture-bourguignonne-du-xve-siecle-oeuvres-artistes-questions\/","title":{"rendered":"La sculpture bourguignonne du XVe si\u00e8cle. \u0152uvres, artistes, questions"},"content":{"rendered":"\n

Nouveaux regards sur une p\u00e9riode faste de la sculpture europ\u00e9enne.<\/strong><\/p>\n\n\n\n\n\n\n\n

\n
\n

La sculpture bourguignonne du XVe si\u00e8cle occupe une place centrale dans le canon de l\u2019histoire de l\u2019art et a \u00e9t\u00e9 au c\u0153ur de l\u2019int\u00e9r\u00eat de la recherche depuis la fin du XIXe si\u00e8cle. \u00c0 partir des ann\u00e9es 1990, son \u00e9tude a \u00e9t\u00e9 profond\u00e9ment renouvel\u00e9e. <\/p>\n\n\n\n

S\u2019inscrivant dans ce mouvement, cet ouvrage codirig\u00e9 par Michele Tomasi (Section d’histoire de l’art<\/a>) propose de nouveaux \u00e9clairages sur cet univers foisonnant. Traitant aussi bien des sculpteurs et des \u0153uvres m\u00e9connus que des plus c\u00e9l\u00e8bres, il valorise des restaurations r\u00e9centes, en s\u2019appuyant sur les sources autant que sur les analyses techniques et mat\u00e9rielles. Il accorde une large place au rayonnement des mod\u00e8les bourguignons et \u00e0 leur r\u00e9ception, que cela soit en Aragon, en Hongrie ou encore dans les mus\u00e9es \u00e9tats-uniens.<\/p>\n\n\n\n

Ainsi, cette publication explore les fonctions et les iconographies des sculptures, les parcours et les mani\u00e8res de travailler des imagiers et la circulation des artistes et des mod\u00e8les. Au travers de quinze dossiers, elle offre un \u00e9tat des lieux complet du savoir sur l\u2019un des chapitres les plus remarquables de l\u2019histoire de l\u2019art m\u00e9di\u00e9val europ\u00e9en.<\/p>\n\n\n\n

Michele Tomasi, Thomas Flum, Jean-Marie Guillou\u00ebt, Sophie Jugie (dir.), La sculpture bourguignonne du XVe si\u00e8cle. \u0152uvres, artistes, questions<\/a><\/em>, Rome, Viella, 2026.<\/p>\n<\/div>\n\n\n\n

\n
\"Couverture<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Michele Tomasi<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

La sculpture bourguignonne du XVe si\u00e8cle. \u0152uvres, artistes, questions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Dans le manuscrit et en dehors. \u00c9changes entre l\u2019enluminure et les autres arts (IXe-XVIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire l\u2019art en France au temps de Charles V et Charles VI (1360-1420). Le t\u00e9moignage des chroniqueurs<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Art et \u00e9conomie en France et en Italie au XVIe si\u00e8cle. Prix, valeurs, carri\u00e8res<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Per Enrico Castelnuovo. Da Losanna, le vie della storia dell’arte<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Survivals, revivals, rinascenze. Studi in onore di Serena Romano<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Orf\u00e8vrerie gothique en Europe: production et r\u00e9ception<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’arte del Trecento in Europa<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u00e9v\u00eaque, l\u2019image et la mort. Identit\u00e9 et m\u00e9moire au Moyen \u00c2ge<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le arche dei santi. Scultura, religione e politica nel Trecento veneto<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019 art multipli\u00e9. Production de masse, en s\u00e9rie, pour le march\u00e9 dans les arts entre Moyen \u00c2ge et Renaissance<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Nouveaux regards sur une p\u00e9riode faste de la sculpture europ\u00e9enne.<\/p>\n","protected":false},"author":1002938,"featured_media":16611,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[2,4],"tags":[4288,46,3511,3399,726,1110,2973,727,4659,640,1036,1205,102,560,2617,452,4656,4658,1214,404],"class_list":["post-16610","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-medias","category-sciences-historiques","tag-4288","tag-art","tag-art-europeen","tag-art-medieval","tag-arts","tag-bourgogne","tag-etudes-lausannoises-dhistoire-de-lart","tag-europe","tag-fin-du-moyen-age","tag-histoire-de-lart","tag-histoire-de-lart-medieval","tag-labelettres","tag-michele-tomasi","tag-moyen-age","tag-restauration","tag-sculpture","tag-sculpture-bourguignonne","tag-sculpture-gothique","tag-section-dhistoire-de-lart","tag-xve-siecle"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=16610"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16610\/revisions"}],"predecessor-version":[{"id":16627,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16610\/revisions\/16627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/16611"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=16610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=16610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=16610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}