{"id":16518,"date":"2026-09-03T09:21:45","date_gmt":"2026-09-03T07:21:45","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=16518"},"modified":"2026-09-03T09:21:46","modified_gmt":"2026-09-03T07:21:46","slug":"sociabilites-et-spectacles-chez-george-sand","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/sociabilites-et-spectacles-chez-george-sand\/","title":{"rendered":"Sociabilit\u00e9s et spectacles chez George Sand"},"content":{"rendered":"\n

Repenser une sociabilit\u00e9 sp\u00e9cifiquement sandienne \u00e0 la lumi\u00e8re du spectacle.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Quels sont les lieux, les formes et les fonctions des sociabilit\u00e9s qui se d\u00e9ploient autour de George Sand? Cet ouvrage propose de les aborder sous l\u2019angle du spectacle, dimension indissociable des dynamiques relationnelles de l\u2019\u00e9crivaine, en tenant compte aussi bien de ses pratiques sociales que de leurs repr\u00e9sentations dans ses \u0153uvres. <\/p>\n\n\n\n

\u00c0 la crois\u00e9e des \u00e9tudes litt\u00e9raires, des arts du spectacle, de l\u2019histoire culturelle et de la sociologie, les contributions ici r\u00e9unies par Valentina Ponzetto (Section de Fran\u00e7ais<\/a> et Centre d\u2019\u00e9tudes th\u00e9\u00e2trales<\/a>) et Corinne Fournier Kiss (Universit\u00e9 de Berne) analysent la place de Sand dans ses r\u00e9seaux d\u2019amiti\u00e9s internationales et interartistiques, soulignent la th\u00e9\u00e2tralit\u00e9 joyeuse qui irrigue ce vivre-ensemble et mettent au jour une conception du spectacle comme coop\u00e9ration cr\u00e9ative, \u00e9rig\u00e9e en mod\u00e8le de microsoci\u00e9t\u00e9 utopique.<\/p>\n\n\n\n

Corinne Fournier Kiss, Valentina Ponzetto (dir.), Sociabilit\u00e9s et spectacles chez George Sand<\/a><\/em>, Paris, Classiques Garnier, Lettres modernes Minard, coll. Carrefour des lettres modernes, 2026.<\/p>\n<\/div>\n\n\n\n

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\"Couverture<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Valentina Ponzetto<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Sociabilit\u00e9s et spectacles chez George Sand<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Esth\u00e9tique des th\u00e9\u00e2tres de soci\u00e9t\u00e9 (XVIIIe – XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle (danse, op\u00e9ra, th\u00e9\u00e2tre). Cr\u00e9ation, repr\u00e9sentation et sociabilit\u00e9 au f\u00e9minin, 1650-1914<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2024<\/a>\n\t\t\t\t\t\t\t\t

Les\u2009th\u00e9\u00e2tres\u2009de\u2009la\u2009nature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle au XIXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Th\u00e9\u00e2tre et soci\u00e9t\u00e9 : r\u00e9seaux de sociabilit\u00e9 et repr\u00e9sentations de la soci\u00e9t\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Espaces des th\u00e9\u00e2tres de soci\u00e9t\u00e9. D\u00e9finitions, enjeux, post\u00e9rit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Th\u00e9\u00e2tres en libert\u00e9 du XVIIIe au XXe si\u00e8cle. Genres nouveaux, sc\u00e8nes marginales ?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Repenser une sociabilit\u00e9 sp\u00e9cifiquement sandienne \u00e0 la lumi\u00e8re du spectacle.<\/p>\n","protected":false},"author":1002938,"featured_media":16519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[2,3],"tags":[3717,4288,726,1633,3834,4358,1222,4357,4603,469,3452,348,1205,8,4607,342,344,4608,18,2204,4605,4606,1212,4604,60,4610,151,737,4598,4597,52],"class_list":["post-16518","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-medias","category-langues-litteratures","tag-19e-siecle","tag-4288","tag-arts","tag-arts-de-la-scene","tag-arts-du-spectacle","tag-centre-detudes-theatrales","tag-centre-detudes-theatrales-cet","tag-cet","tag-george-sand","tag-histoire-culturelle","tag-histoire-culturelle-des-spectacles","tag-histoire-litteraire","tag-labelettres","tag-litterature","tag-litterature-19e","tag-litterature-comparee","tag-litterature-francaise","tag-litterature-francaise-du-xixe-siecle","tag-lumieres","tag-sand","tag-sandien","tag-sandienne","tag-section-de-francais","tag-sociabilites","tag-sociologie","tag-sociologie-de-la-litterature","tag-theatre","tag-valentina-ponzetto","tag-xix","tag-xixe","tag-xixe-siecle"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=16518"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16518\/revisions"}],"predecessor-version":[{"id":16527,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16518\/revisions\/16527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/16519"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=16518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=16518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=16518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}