{"id":16493,"date":"2026-08-31T18:32:48","date_gmt":"2026-08-31T16:32:48","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=16493"},"modified":"2026-08-31T18:32:49","modified_gmt":"2026-08-31T16:32:49","slug":"esthetique-des-theatres-de-societe-xviiie-xixe-siecles","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/esthetique-des-theatres-de-societe-xviiie-xixe-siecles\/","title":{"rendered":"Esth\u00e9tique des th\u00e9\u00e2tres de soci\u00e9t\u00e9 (XVIIIe – XIXe si\u00e8cles)"},"content":{"rendered":"\n

Esth\u00e9tique, genres et jeu des th\u00e9\u00e2tres de soci\u00e9t\u00e9.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Existe-t-il une esth\u00e9tique propre aux th\u00e9\u00e2tres de soci\u00e9t\u00e9, distincte de celle des th\u00e9\u00e2tres publics et officiels? L\u2019objectif de ce volume codirig\u00e9 par Valentina Ponzetto (Section de fran\u00e7ais<\/a>, Centre d\u2019\u00e9tudes th\u00e9\u00e2trales<\/a>) est d\u2019apporter une r\u00e9ponse \u00e0 cette question \u00e0 travers une approche descriptive et pragmatique de la production des spectacles de soci\u00e9t\u00e9. Quels sont les r\u00e9pertoires de ces th\u00e9\u00e2tres? Quels genres y sont adopt\u00e9s, privil\u00e9gi\u00e9s, modifi\u00e9s par rapport aux sc\u00e8nes publiques? Comment jouent com\u00e9diennes et com\u00e9diens amateurs ? Quelle place occupe la connivence dans ces soci\u00e9t\u00e9s partageant go\u00fbts et questionnements esth\u00e9tiques?<\/p>\n\n\n\n

Dans un dialogue constant avec celle des th\u00e9\u00e2tres \u00e0 recettes, tant\u00f4t par imitation, tant\u00f4t par contraste, l\u2019esth\u00e9tique des th\u00e9\u00e2tres de soci\u00e9t\u00e9 se distingue par son caract\u00e8re tr\u00e8s libre, propice aux exp\u00e9rimentations, aux hybridations et au renouvellement des formes et des genres existants. Les contributions ici r\u00e9unies sont issues du projet de recherche \u00abTh\u00e9\u00e2tres de soci\u00e9t\u00e9. Entre Lumi\u00e8res et Second Empire\u00bb<\/a> et en apportent la preuve, gr\u00e2ce \u00e0 l\u2019\u00e9tude d\u2019un \u00e9chantillon significatif de r\u00e9pertoires et d\u2019exp\u00e9riences entre le XVIIIe et le XIXe si\u00e8cles.<\/p>\n\n\n\n

Valentina Ponzetto, Jennifer Ruimi (dir.), Esth\u00e9tique des th\u00e9\u00e2tres de soci\u00e9t\u00e9 (XVIIIe – XIXe si\u00e8cles)<\/a><\/em>, Montpellier, Presses universitaires de la M\u00e9diterran\u00e9e, 2026.<\/p>\n<\/div>\n\n\n\n

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\"Titre<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Valentina Ponzetto<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Esth\u00e9tique des th\u00e9\u00e2tres de soci\u00e9t\u00e9 (XVIIIe – XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle (danse, op\u00e9ra, th\u00e9\u00e2tre). Cr\u00e9ation, repr\u00e9sentation et sociabilit\u00e9 au f\u00e9minin, 1650-1914<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2024<\/a>\n\t\t\t\t\t\t\t\t

Les\u2009th\u00e9\u00e2tres\u2009de\u2009la\u2009nature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle au XIXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Th\u00e9\u00e2tre et soci\u00e9t\u00e9 : r\u00e9seaux de sociabilit\u00e9 et repr\u00e9sentations de la soci\u00e9t\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Espaces des th\u00e9\u00e2tres de soci\u00e9t\u00e9. D\u00e9finitions, enjeux, post\u00e9rit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Th\u00e9\u00e2tres en libert\u00e9 du XVIIIe au XXe si\u00e8cle. Genres nouveaux, sc\u00e8nes marginales ?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Esth\u00e9tique, genres et jeu des th\u00e9\u00e2tres de soci\u00e9t\u00e9.<\/p>\n","protected":false},"author":1002938,"featured_media":16494,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[2,3],"tags":[4288,3834,4358,1222,4357,738,189,4594,1137,4243,4595,1205,2903,535,4599,1212,4596,3340,737,4598,4597,52,4198,2493,49],"class_list":["post-16493","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-medias","category-langues-litteratures","tag-4288","tag-arts-du-spectacle","tag-centre-detudes-theatrales","tag-centre-detudes-theatrales-cet","tag-cet","tag-dramaturgie","tag-esthetique","tag-genres","tag-histoire-du-theatre","tag-histoire-litteraire-du-xixe-sicele","tag-jeu-dacteur","tag-labelettres","tag-litterature-du-xixe-siecle","tag-poetique","tag-repertoire","tag-section-de-francais","tag-thatre","tag-theatre-de-societe","tag-valentina-ponzetto","tag-xix","tag-xixe","tag-xixe-siecle","tag-xviii","tag-xviiie","tag-xviiie-siecle"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=16493"}],"version-history":[{"count":2,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16493\/revisions"}],"predecessor-version":[{"id":16496,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16493\/revisions\/16496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/16494"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=16493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=16493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=16493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}