{"id":16235,"date":"2026-05-27T15:32:42","date_gmt":"2026-05-27T13:32:42","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=16235"},"modified":"2026-05-27T15:32:43","modified_gmt":"2026-05-27T13:32:43","slug":"el-dispositivo-no-existe-por-una-espistemologia-de-los-medios","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/el-dispositivo-no-existe-por-una-espistemologia-de-los-medios\/","title":{"rendered":"El dispositivo no existe. Por una espistemolog\u00eda de los medios"},"content":{"rendered":"\n

Lorsque \u00abdispositif\u00bb ne renvoie plus absolument \u00e0 un dispositif de pouvoir<\/strong>.<\/p>\n\n\n\n\n\n\n\n

\n
\n

Quand on pense \u00abdispositif\u00bb, on pense assemblage technique, militaire, l\u00e9gal, spectaculaire, repr\u00e9sentationnel. On pense \u00e0 Michel Foucault et aux dispositifs de pouvoir; on pense, si on s\u2019en tient au champ du cin\u00e9ma, \u00e0 la th\u00e9orie des dispositifs des ann\u00e9es 70. \u00abDispositif\u00bb peut \u00eatre un synonyme de m\u00e9dia. Un m\u00e9dia-objet, qui met en relation et qui fonctionne. Mais il est encore plus que cela. Il devient dans cet ouvrage, sign\u00e9 Maria Tortajada (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>, Centre des sciences historiques de la culture<\/a>, Centre d’\u00e9tudes cin\u00e9matographiques<\/a>) et Fran\u00e7ois Albera (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>), un assemblage de dispositifs, de pratiques, de techniques, de th\u00e9ories, de concepts, qui permettent de saisir tout moment historique \u00e0 partir des interactions multiples qui le constituent.<\/p>\n\n\n\n

L\u2019\u00e9pist\u00e9mologie des dispositifs pr\u00e9sent\u00e9e ici est d\u2019abord une m\u00e9thode h\u00e9rit\u00e9e de l\u2019\u00e9pist\u00e9mologie fran\u00e7aise des sciences: Bachelard, Canguilhem, Simondon. Et si l\u2019on peut dire que le \u00abdispositif n\u2019existe pas\u00bb, c\u2019est parce que la m\u00e9thode nous fait \u00e9chapper \u00e0 l\u2019objet concret, mat\u00e9riel, voire imaginaire, pour reconstruire des r\u00e9seaux de relations qui dessinent les conditions de possibilit\u00e9 de notre exp\u00e9rience. Cette m\u00e9thode permet d\u2019aborder tout dispositif repr\u00e9sentationnel qu\u2019il rel\u00e8ve de la sc\u00e8ne th\u00e9\u00e2trale ou de la t\u00e9l\u00e9vision, de l\u2019internet ou des vid\u00e9os, quels que soient les sens auxquels la repr\u00e9sentation fait appel, quel que soit le moment historique \u00e9tudi\u00e9.<\/p>\n\n\n\n

Maria Tortajada, Fran\u00e7ois Albera, El dispositivo no existe. Por una espistemolog\u00eda de los medios<\/a><\/em>, Santiago (Chili), Metales pesados, 2025.<\/p>\n<\/div>\n\n\n\n

\n
\"2025<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Fran\u00e7ois Albera<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

El dispositivo no existe. Por una espistemolog\u00eda de los medios<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Puissances du cin\u00e9ma. \u00c9criture et parole – Espace et regard – Montage<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9-dispositifs. Spectacles, cin\u00e9ma, t\u00e9l\u00e9vision, litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le film sur l’art : entre histoire de l’art et documentaire de cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema Beyond Film. Media Epistemology in the Modern Era<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

Maria Tortajada<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

El dispositivo no existe. Por una espistemolog\u00eda de los medios<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9ric Rohmer\u00a0: Le spectateur s\u00e9duit. De la repr\u00e9sentation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9-dispositifs. Spectacles, cin\u00e9ma, t\u00e9l\u00e9vision, litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema Beyond Film. Media Epistemology in the Modern Era<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Lorsque \u00abdispositif\u00bb ne renvoie plus absolument \u00e0 un dispositif de pouvoir.<\/p>\n","protected":false},"author":1002938,"featured_media":16236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"categories":[2,4],"tags":[3918,4464,46,4465,3838,1374,1250,1373,59,1953,755,70,10,8,1642,11,17,2662,1233,151],"class_list":["post-16235","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-medias","category-sciences-historiques","tag-3918","tag-analyse-des-discours-et-des-pratiques","tag-art","tag-bergson","tag-centre-detudes-cinematographiques","tag-centre-detudes-cinematographiques-cec","tag-centre-des-sciences-historiques-de-la-culture","tag-centre-des-sciences-historiques-de-la-culture-shc","tag-cinema","tag-dispositifs","tag-epistemologie","tag-francois-albera","tag-histoire","tag-litterature","tag-maria-tortajada","tag-medias","tag-philosophie","tag-reseaux","tag-section-dhistoire-et-esthetique-du-cinema","tag-theatre"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=16235"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16235\/revisions"}],"predecessor-version":[{"id":16240,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/16235\/revisions\/16240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/16236"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=16235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=16235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=16235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}