{"id":15909,"date":"2026-02-02T11:01:04","date_gmt":"2026-02-02T10:01:04","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=15909"},"modified":"2026-02-02T15:00:26","modified_gmt":"2026-02-02T14:00:26","slug":"images-operationnelles-agencements-utilitaires-des-images-en-mouvement","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/images-operationnelles-agencements-utilitaires-des-images-en-mouvement\/","title":{"rendered":"Images op\u00e9rationnelles: agencements utilitaires des images en mouvement"},"content":{"rendered":"\n

Histoire et th\u00e9orie des images op\u00e9rationnelles<\/strong><\/p>\n\n\n\n\n\n\n\n

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Ce num\u00e9ro d\u2019Images secondes<\/em> cherche \u00e0 explorer l\u2019histoire et la th\u00e9orie des images op\u00e9rationnelles du point de vue des \u00e9tudes cin\u00e9matographiques, en proposant un pont entre la recherche francophone et des d\u00e9bats qui se d\u00e9roulent actuellement principalement dans des sph\u00e8res non francophones (notamment en anglais et en allemand). Il s\u2019agit \u00e0 la fois de montrer l\u2019\u00e9mergence d\u2019un domaine d\u2019\u00e9tudes \u00e0 l\u2019intersection de plusieurs disciplines qui s\u2019int\u00e9ressent aux m\u00e9dias (audio)visuels, et de faire conna\u00eetre des chercheurs et des chercheuses francophones qui se penchent actuellement sur les enjeux esth\u00e9tiques, \u00e9pist\u00e9miques et politiques des images r\u00e9alis\u00e9es dans des contextes industriels, militaires, \u00e9ducatifs ou encore m\u00e9dicaux, contribuant aux d\u00e9bats internationaux avec une pluralit\u00e9 d\u2019approches et de champs d\u2019investigation.<\/p>\n\n\n\n

R\u00e9sultat des activit\u00e9s du Collectif de recherche sur le t\u00e9l\u00e9visuel<\/a> et du projet de recherche FNS Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s-1990s<\/a>, ce num\u00e9ro est co\u00e9dit\u00e9 par Guilherme da Silva Machado et Anne-Katrin Weber (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>) et il inclut notamment les contributions d\u2019\u00c9lodie Murtas et Marie Sandoz (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>). Ce volume est disponible en texte int\u00e9gral sur le site de l’\u00e9diteur<\/a>.<\/p>\n\n\n\n

Guilherme da Silva Machado, Anne-Katrin Weber (dir.), Images op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a><\/em>, Paris, Images secondes, 2025.<\/p>\n<\/div>\n\n\n\n

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\"2025<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Guilherme da Silva Machado<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Images op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

Anne-Katrin Weber<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Images op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Echoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pour une histoire \u00e9largie de la t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’image verticale. Politiques de la vue a\u00e9rienne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La guerre des drones<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"

Histoire et th\u00e9orie des images op\u00e9rationnelles<\/p>\n","protected":false},"author":1002938,"featured_media":15948,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3918,2299,59,4311,4307,4310,3554,189,3888,4306,4305,4301,4308,4304,2810,4313,4312,4309,130,1233,141,4303,4302],"class_list":{"0":"post-15909","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3918","9":"tag-anne-katrin-weber","10":"tag-cinema","11":"tag-collectif-de-recherche-sur-le-televisuel","12":"tag-ecran","13":"tag-educatif","14":"tag-epistemique","15":"tag-esthetique","16":"tag-fns","17":"tag-guilherme-da-silva-machado","18":"tag-harun-farocki","19":"tag-images-operationnelles","20":"tag-images-secondes","21":"tag-images-utilitaires","22":"tag-militaire","23":"tag-operative-tv-audiovisual-closed-circuits-from-the-military-to-the-classroom","24":"tag-opertative-tv","25":"tag-pedagogique","26":"tag-politique","27":"tag-section-dhistoire-et-esthetique-du-cinema","28":"tag-television","29":"tag-useful-cinema","30":"tag-useful-tv"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=15909"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15909\/revisions"}],"predecessor-version":[{"id":15949,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15909\/revisions\/15949"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/15948"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=15909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=15909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=15909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}