{"id":15866,"date":"2026-01-20T16:49:44","date_gmt":"2026-01-20T15:49:44","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=15866"},"modified":"2026-02-10T10:52:03","modified_gmt":"2026-02-10T09:52:03","slug":"echoes-and-frequencies-tele-visions-and-wireless-technologies-19th-21st-centuries","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/echoes-and-frequencies-tele-visions-and-wireless-technologies-19th-21st-centuries\/","title":{"rendered":"Echoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries"},"content":{"rendered":"\n

Voir \u00e0 distance: technologies, fantasmes et politique du t\u00e9l\u00e9visuel, XIXe-XXIe si\u00e8cle.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Ce num\u00e9ro de View. Journal of European Television History and Culture<\/em> propose une exploration de l\u2019arch\u00e9ologie de la t\u00e9l\u00e9vision \u00e0 travers l\u2019histoire des technologies sans fil, depuis les t\u00e9l\u00e9graphes optiques du XIX\u1d49 si\u00e8cle jusqu\u2019aux environnements num\u00e9riques contemporains.<\/p>\n\n\n\n

L\u2019essor des t\u00e9l\u00e9communications sans fil a entra\u00een\u00e9 de profondes transformations, non seulement techniques, mais aussi perceptives et conceptuelles. Les neuf essais r\u00e9unis ici analysent les dimensions historiques, mat\u00e9rielles et artistiques de cette mutation, dont les implications politiques, philosophiques et environnementales s\u2019inscrivent dans la dur\u00e9e. R\u00e9dig\u00e9es par des historiennes et historiens de l\u2019art et des m\u00e9dias, ainsi que par des artistes, ces contributions offrent des perspectives renouvel\u00e9es sur les infrastructures et les imaginaires du wireless<\/em>.<\/p>\n\n\n\n

Co\u00e9dit\u00e9 par Anne-Katrin Weber (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>), ce num\u00e9ro, disponible en texte int\u00e9gral<\/a>, est issu d’une collaboration entre le groupe de recherche IMAGO \u2013 Cultures Visuelles de l’Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne<\/a> et le Collectif de recherche sur le t\u00e9l\u00e9visuel de l’Universit\u00e9 de Lausanne<\/a>.<\/p>\n\n\n\n

L\u00e9a Dreyer, Evgenii Kozlov, Pierre J. Pernuit, Clara M. Royer & Anne-Katrin Weber (eds), Echoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries<\/em><\/a>, View. Journal of European Television History and Culture<\/em>, Hilversum, Sound&Vision, vol. 14, 2025.<\/p>\n<\/div>\n\n\n\n

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\"Couverture<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Anne-Katrin Weber<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Images op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Echoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pour une histoire \u00e9largie de la t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’image verticale. Politiques de la vue a\u00e9rienne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La guerre des drones<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Voir \u00e0 distance: technologies, fantasmes et politique du t\u00e9l\u00e9visuel, XIXe-XXIe si\u00e8cle.<\/p>\n","protected":false},"author":1002938,"featured_media":15870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3918,2299,2367,62,727,640,2366,11,4279,1233,1792,141,4278],"class_list":{"0":"post-15866","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3918","9":"tag-anne-katrin-weber","10":"tag-archeologie-des-medias","11":"tag-culture","12":"tag-europe","13":"tag-histoire-de-lart","14":"tag-histoire-de-la-television","15":"tag-medias","16":"tag-sans-fil","17":"tag-section-dhistoire-et-esthetique-du-cinema","18":"tag-telecommunications","19":"tag-television","20":"tag-view"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=15866"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15866\/revisions"}],"predecessor-version":[{"id":15975,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15866\/revisions\/15975"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/15870"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=15866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=15866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=15866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}