{"id":15543,"date":"2025-10-27T15:22:33","date_gmt":"2025-10-27T14:22:33","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=15543"},"modified":"2026-03-19T17:23:30","modified_gmt":"2026-03-19T16:23:30","slug":"loutre-humain-automates-performances-mecaniques-et-cultures-spectaculaires","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/loutre-humain-automates-performances-mecaniques-et-cultures-spectaculaires\/","title":{"rendered":"L&rsquo;outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires"},"content":{"rendered":"\n<p><strong>Comment l&rsquo;automate se d\u00e9ploie-t-il dans l&rsquo;imaginaire du tournant du XXe si\u00e8cle?<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Automates, andro\u00efdes, poup\u00e9es m\u00e9caniques et autres mannequins vivants constituent un monde \u00e0 la fois fascinant et inqui\u00e9tant dans l&rsquo;imaginaire du d\u00e9but du XXe si\u00e8cle. De la sc\u00e8ne lyrique au th\u00e9\u00e2tre de magie en passant par le cin\u00e9ma des premiers temps, ce livre dirig\u00e9 par Mireille Berton et St\u00e9phane Tralongo (<a href=\"https:\/\/www.unil.ch\/cin\/fr\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section d&rsquo;histoire et esth\u00e9tique du cin\u00e9ma<\/a>, <a href=\"https:\/\/www.unil.ch\/cec\/fr\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Centre d&rsquo;\u00e9tudes cin\u00e9matographiques<\/a>, <a href=\"https:\/\/www.unil.ch\/cet\/\" target=\"_blank\" rel=\"noreferrer noopener\">Centre d&rsquo;\u00e9tudes th\u00e9\u00e2trales<\/a>) cherche \u00e0 comprendre comment des \u00eatres m\u00e9caniques ont habit\u00e9 les sc\u00e8nes et captiv\u00e9 les publics de leur \u00e9poque, testant d\u00e9j\u00e0 l\u2019hypoth\u00e8se d\u2019une outre-humanit\u00e9, d\u2019un au-del\u00e0 de l\u2019humain.<\/p>\n\n\n\n<p>\u00c0 la crois\u00e9e des \u00e9tudes litt\u00e9raires, th\u00e9\u00e2trales, cin\u00e9matographiques et m\u00e9diatiques, l&rsquo;ouvrage offre une perspective historique, multidisciplinaire et interm\u00e9diale sur les relations entre humains et machines, mais aussi sur les tensions qu\u2019elles ont suscit\u00e9es. Il est issu des recherches men\u00e9es dans le cadre du projet <a href=\"https:\/\/www.crilcq.org\/wp-content\/uploads\/2019\/06\/CRILCQ\/pdf\/Lesartstrompeurs.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Labex Arts-H2H \u00abLes Arts trompeurs. Machines, Magie, M\u00e9dias\u00bb<\/a>.<\/p>\n\n\n\n<p>Mireille Berton, St\u00e9phane Tralongo (dir.), <em><a href=\"https:\/\/www.septentrion.com\/fr\/book\/?GCOI=27574100668080\" data-type=\"link\" data-id=\"www.septentrion.com\/fr\/book\/?GCOI=27574100668080\" target=\"_blank\" rel=\"noreferrer noopener\">L&rsquo;outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a><\/em>, Villeneuve-d&rsquo;Ascq, Presses universitaires du Septentrion, 2025.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"886\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv.jpeg\" alt=\"Couverture de L'Outre-humain\" class=\"wp-image-15544\" style=\"width:300px;height:auto\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv.jpeg 591w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv-435x652.jpeg 435w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/lecourrier.ch\/2026\/03\/18\/le-cinema-comme-par-magie\/\" target=\"_blank\" rel=\"noreferrer noopener\">Le cin\u00e9ma, comme par magie<\/a>, <em>Le Courrier<\/em>, 18.03.2026.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>PROJET DE RECHERCHE ASSOCI\u00c9<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.crilcq.org\/wp-content\/uploads\/2019\/06\/CRILCQ\/pdf\/Lesartstrompeurs.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Labex Arts-H2H \u00abLes Arts trompeurs. Machines, Magie, M\u00e9dias\u00bb<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Mireille Berton<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-15543\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/loutre-humain-automates-performances-mecaniques-et-cultures-spectaculaires\/\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"886\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"2025 cin l&#039;outre humain couv\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv.jpeg 591w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv-435x652.jpeg 435w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/loutre-humain-automates-performances-mecaniques-et-cultures-spectaculaires\/\">L&rsquo;outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13742\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/spectatrices-du-cinema-aux-origines-dun-imaginaire\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/03\/2025-cine-spectatrices.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"2025 cine spectatrices\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/spectatrices-du-cinema-aux-origines-dun-imaginaire\/\">Spectatrices du cin\u00e9ma. Aux origines d&rsquo;un imaginaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10878\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-medium-au-cinema-le-spiritisme-a-lecran\/\"><img loading=\"lazy\" decoding=\"async\" width=\"792\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/09\/BERTON_medium_cinema_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/09\/BERTON_medium_cinema_cover.jpg 792w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/09\/BERTON_medium_cinema_cover-435x659.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/09\/BERTON_medium_cinema_cover-768x1164.jpg 768w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-medium-au-cinema-le-spiritisme-a-lecran\/\">Le m\u00e9dium (au) cin\u00e9ma. Le spiritisme \u00e0 l\u2019\u00e9cran<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5892\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-sogno-e-allucinazione-dalle-origini-agli-anni-venti\/\"><img loading=\"lazy\" decoding=\"async\" width=\"864\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/BERTON_Immagine_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/BERTON_Immagine_cover.jpg 864w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/BERTON_Immagine_cover-435x604.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/BERTON_Immagine_cover-768x1067.jpg 768w\" sizes=\"auto, (max-width: 864px) 100vw, 864px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/cinema-sogno-e-allucinazione-dalle-origini-agli-anni-venti\/\">Cinema, sogno e allucinazione dalle origini agli anni venti<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3221\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-circulation-des-images-cinema-photographie-et-nouveaux-medias-die-zirkulation-der-bilder-film-fotografie-und-neue-medien\/\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/04\/BERTON_zirkulation.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/04\/BERTON_zirkulation.jpg 805w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/04\/BERTON_zirkulation-435x648.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/04\/BERTON_zirkulation-201x300.jpg 201w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/04\/BERTON_zirkulation-768x1145.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/04\/BERTON_zirkulation-687x1024.jpg 687w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-circulation-des-images-cinema-photographie-et-nouveaux-medias-die-zirkulation-der-bilder-film-fotografie-und-neue-medien\/\">La Circulation des images : cin\u00e9ma, photographie et nouveaux m\u00e9dias \/ Die Zirkulation der Bilder : Film, Fotografie und neue Medien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3795\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/series-televisees-contemporaines\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"840\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/couv32-33.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/couv32-33.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/couv32-33-435x457.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/couv32-33-286x300.jpg 286w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/couv32-33-768x806.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/series-televisees-contemporaines\/\">S\u00e9ries t\u00e9l\u00e9vis\u00e9es contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4097\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-corps-nerveux-des-spectateurs-cinema-et-sciences-du-psychisme-autour-de-1900\/\"><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"578\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/BERTON_Corps_nerveux_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/BERTON_Corps_nerveux_couv_final.jpg 413w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/08\/BERTON_Corps_nerveux_couv_final-214x300.jpg 214w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-corps-nerveux-des-spectateurs-cinema-et-sciences-du-psychisme-autour-de-1900\/\">Le Corps nerveux des spectateurs. Cin\u00e9ma et sciences du psychisme autour de 1900<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7831\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-television-du-telephonoscope-a-youtube-pour-une-archeologie-de-laudiovision\/\"><img loading=\"lazy\" decoding=\"async\" width=\"314\" height=\"475\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/04\/WEBER_BERTON_t\u00e9l\u00e9_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-television-du-telephonoscope-a-youtube-pour-une-archeologie-de-laudiovision\/\">La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<p><strong>St\u00e9phane Tralongo<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-15543\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/loutre-humain-automates-performances-mecaniques-et-cultures-spectaculaires\/\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"886\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"2025 cin l&#039;outre humain couv\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv.jpeg 591w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/09\/2025-cin-loutre-humain-couv-435x652.jpeg 435w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/loutre-humain-automates-performances-mecaniques-et-cultures-spectaculaires\/\">L&rsquo;outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Comment l&rsquo;automate se d\u00e9ploie-t-il dans l&rsquo;imaginaire du tournant du XXe si\u00e8cle?<\/p>\n","protected":false},"author":1002938,"featured_media":15544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4],"tags":[3918,4172,2367,3834,4173,59,469,273,1205,8,847,177,2279,1159,4174],"class_list":{"0":"post-15543","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"tag-3918","11":"tag-androide","12":"tag-archeologie-des-medias","13":"tag-arts-du-spectacle","14":"tag-automate","15":"tag-cinema","16":"tag-histoire-culturelle","17":"tag-intermedialite","18":"tag-labelettres","19":"tag-litterature","20":"tag-mireille-berton","21":"tag-modernite","22":"tag-robot","23":"tag-spectacle","24":"tag-stephane-tralongo"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=15543"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15543\/revisions"}],"predecessor-version":[{"id":16121,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/15543\/revisions\/16121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/15544"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=15543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=15543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=15543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}