{"id":1459,"date":"2017-07-14T12:29:06","date_gmt":"2017-07-14T10:29:06","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=1459"},"modified":"2019-01-07T09:45:56","modified_gmt":"2019-01-07T08:45:56","slug":"nachreife-des-fremden-wortes-holderlins-halfte-des-lebens-und-die-poetik-des-ubersetzens","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/nachreife-des-fremden-wortes-holderlins-halfte-des-lebens-und-die-poetik-des-ubersetzens\/","title":{"rendered":"\u00ab\u00a0Nachreife des fremden Wortes\u00a0\u00bb\u00a0: H\u00f6lderlins \u00ab\u00a0H\u00e4lfte des Lebens\u00a0\u00bb und die Poetik des \u00dcbersetzens"},"content":{"rendered":"
\n
Que nous apprennent les traductions d\u2019un po\u00e8me sur l\u2019original\u00a0?<\/strong><\/p>\n

Le po\u00e8me \u00ab\u00a0H\u00e4lfte des Lebens\u00a0\u00bb (1803) de Friedrich H\u00f6lderlin\u00a0(1770-1843) est aujourd\u2019hui un classique de la litt\u00e9rature allemande, maintes fois traduit durant le XXe si\u00e8cle alors qu\u2019il est red\u00e9couvert.<\/p>\n

Peter Utz (Section d\u2019allemand<\/a>) r\u00e9unit les traductions fran\u00e7aises et anglaises du po\u00e8me de H\u00f6lderlin, en \u00e9tudie le contexte historique et leur r\u00e9ception. Comment, par exemple, traduire le c\u00e9l\u00e8bre vers \u00ab\u00a0Ins heilign\u00fcchterne Wasser\u00a0\u00bb form\u00e9 d\u2019un mot compos\u00e9 en allemand (\u00ab\u00a0heilig\u00a0\u00bb \u2013 sacr\u00e9, \u00ab\u00a0n\u00fcchtern\u00a0\u00bb \u2013 sobre), a priori \u00ab\u00a0intraduisible\u00a0\u00bb en fran\u00e7ais ou en anglais\u00a0? L\u2019anthologie des traductions du po\u00e8me r\u00e9v\u00e8le les multiples voix et les multiples dimensions du po\u00e8me original lorsqu\u2019il est transpos\u00e9 dans une autre langue.\u00a0L\u2019auteur nous montre les divers \u00e9chos \u00e9manant de l\u2019original au travers de ses traductions, soulignant par la m\u00eame que les traducteurs apportent une lumi\u00e8re particuli\u00e8re sur l\u2019original.<\/p>\n

L\u2019ouvrage s\u2019inscrit dans le cadre des activit\u00e9s men\u00e9es au Centre de traduction litt\u00e9raire<\/a> de la Facult\u00e9 des lettres.<\/p>\n

Peter Utz,\u00a0\u00ab\u00a0Nachreife des fremden Wortes\u00a0\u00bb : H\u00f6lderlins <\/i>H\u00e4lfte des Lebens und die Poetik des \u00dcbersetzens<\/i><\/a>,\u00a0Paderborn, Wilhelm Fink Verlag,\u00a02017.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Peter Utz<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Mr. Feuilleton: Josef Viktor Widmann<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser: Feuilletons<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser : La buveuse de larmes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser: Jakob von Gunten<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Carl Seelig: Promenades avec Robert Walser<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Carl Seelig: Wanderungen mit Robert Walser<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser : Vie de po\u00e8te<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser: Poetenleben<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser: Fritz Kocher’s Aufs\u00e4tze<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser : Briefe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Tanz auf den R\u00e4ndern. Robert Walsers \u00ab\u00a0Jetztzeitstil\u00a0\u00bb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Culture de la catastrophe. Les litt\u00e9ratures suisses face aux cataclysmes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00ab\u00a0Nachreife des fremden Wortes\u00a0\u00bb\u00a0: H\u00f6lderlins \u00ab\u00a0H\u00e4lfte des Lebens\u00a0\u00bb und die Poetik des \u00dcbersetzens<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser : Lettres de 1897 \u00e0 1949<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Robert Walser : danser dans les marges<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Que nous apprennent les traductions d\u2019un po\u00e8me sur l\u2019original\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":1460,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[3],"tags":[294,951,296,292,297,41,14,172,1207,69,293,295],"class_list":{"0":"post-1459","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-alterite","9":"tag-centre-de-traduction-litteraire","10":"tag-gustave-roud","11":"tag-holderlin","12":"tag-michael-hamburger","13":"tag-peter-utz","14":"tag-poesie","15":"tag-reception","16":"tag-section-dallemand","17":"tag-traduction","18":"tag-traduction-litteraire","19":"tag-walter-benjamin"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/1459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=1459"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/1459\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/1460"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=1459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=1459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=1459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}