{"id":13742,"date":"2025-04-01T10:41:14","date_gmt":"2025-04-01T08:41:14","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13742"},"modified":"2025-07-28T10:55:32","modified_gmt":"2025-07-28T08:55:32","slug":"spectatrices-du-cinema-aux-origines-dun-imaginaire","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/spectatrices-du-cinema-aux-origines-dun-imaginaire\/","title":{"rendered":"Spectatrices du cin\u00e9ma. Aux origines d’un imaginaire"},"content":{"rendered":"\n

Dans les salles de cin\u00e9ma, les spectatrices d\u00e9fient les normes sociales.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Cet ouvrage raconte, avec l\u2019appui de nombreux documents textuels et visuels, une histoire des spectatrices qui, dans les ann\u00e9es 1910, d\u00e9rangent ou bousculent la projection \u00e0 travers leurs chapeaux, leurs b\u00e9b\u00e9s, leurs commentaires, leur sex appeal<\/em> ou leur vuln\u00e9rabilit\u00e9 \u00e0 l\u2019agression. L\u2019imaginaire qui en d\u00e9coule est complexe, tiss\u00e9 par une diversit\u00e9 de points de vue. D\u2019o\u00f9 ce paradoxe: alors que la salle de cin\u00e9ma offre un espace de libert\u00e9 aux femmes, elle est aussi un reflet (m\u00eame d\u00e9form\u00e9) des hi\u00e9rarchies sociales qu\u2019elle contribue parfois \u00e0 renforcer.<\/p>\n\n\n\n

Dans cette nouvelle publication, Mireille Berton (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) d\u00e9crypte la mani\u00e8re dont la pr\u00e9sence des femmes a \u00e9t\u00e9 per\u00e7ue dans les premi\u00e8res salles de cin\u00e9ma et, plus particuli\u00e8rement, les cons\u00e9quences contrast\u00e9es de leur pr\u00e9sence et de leur visibilit\u00e9 dans l’espace public.<\/p>\n\n\n\n

Mireille Berton, Spectatrices du cin\u00e9ma. Aux origines d’un imaginaire<\/a><\/em>, Paris, Classiques Garnier, 2025.<\/p>\n<\/div>\n\n\n\n

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\"Couverture<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Mireille Berton<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

L’outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Spectatrices du cin\u00e9ma. Aux origines d’un imaginaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le m\u00e9dium (au) cin\u00e9ma. Le spiritisme \u00e0 l\u2019\u00e9cran<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema, sogno e allucinazione dalle origini agli anni venti<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Circulation des images : cin\u00e9ma, photographie et nouveaux m\u00e9dias \/ Die Zirkulation der Bilder : Film, Fotografie und neue Medien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

S\u00e9ries t\u00e9l\u00e9vis\u00e9es contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Corps nerveux des spectateurs. Cin\u00e9ma et sciences du psychisme autour de 1900<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Dans les salles de cin\u00e9ma, les spectatrices d\u00e9fient les normes sociales.<\/p>\n","protected":false},"author":1002938,"featured_media":13743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3918,3986,3838,59,3983,736,727,1014,231,469,3169,1205,4093,847,3984,3985,1233,3474],"class_list":{"0":"post-13742","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3918","10":"tag-annees-1910","11":"tag-centre-detudes-cinematographiques","12":"tag-cinema","13":"tag-culture-vernaculaire","14":"tag-etats-unis","15":"tag-europe","16":"tag-femmes","17":"tag-genre","18":"tag-histoire-culturelle","19":"tag-histoire-des-femmes","20":"tag-labelettres","21":"tag-lire-a-lausanne-2025","22":"tag-mireille-berton","23":"tag-publics-feminins","24":"tag-salles-de-cinema","25":"tag-section-dhistoire-et-esthetique-du-cinema","26":"tag-spectatrices"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13742"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13742\/revisions"}],"predecessor-version":[{"id":13746,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13742\/revisions\/13746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13743"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}