{"id":13560,"date":"2025-03-26T16:23:09","date_gmt":"2025-03-26T15:23:09","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13560"},"modified":"2025-07-11T15:34:12","modified_gmt":"2025-07-11T13:34:12","slug":"live-performance-and-video-games-inspirations-appropriations-and-mutual-transfers","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/live-performance-and-video-games-inspirations-appropriations-and-mutual-transfers\/","title":{"rendered":"Live Performance and Video Games. Inspirations, Appropriations and Mutual Transfers"},"content":{"rendered":"\n

Spectacle vivant et jeu vid\u00e9o, ont-ils des points et des inspirations communs?<\/strong><\/p>\n\n\n\n\n\n\n\n

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Strat\u00e9gies narratives, immersion, interaction, participation, identification, multimodalit\u00e9, personnages et liens entre les mondes physiques et fictifs ou virtuels: les champs d’investigation de la relation complexe entre le spectacle vivant et le jeu vid\u00e9o sont nombreux. Pour la premi\u00e8re fois, un ouvrage rassemble des scientifiques et des artistes internationaux pour explorer cette relation dans sa grande vari\u00e9t\u00e9.<\/p>\n\n\n\n

Co\u00e9dit\u00e9 par Izabella Pluta (Centre d’\u00e9tudes th\u00e9\u00e2trales<\/a>), ce volume se concentre sur les inspirations r\u00e9ciproques, les appropriations et les transferts appliqu\u00e9s par les artistes de th\u00e9\u00e2tre, les concepteurs de jeux vid\u00e9o et les chercheurs. L\u2019ouvrage analyse plusieurs formes artistiques telles que la performance en r\u00e9alit\u00e9 virtuelle, le th\u00e9\u00e2tre immersif, le speedrunning <\/em>ou le Game-Theatre<\/em>. Plusieurs chercheurs et chercheuses ainsi que cr\u00e9atrices et cr\u00e9ateurs reconnus ont \u00e9t\u00e9 invit\u00e9s \u00e0 prendre part \u00e0 ce recueil qui est disponible en texte int\u00e9gral<\/a>.<\/p>\n\n\n\n

R\u00e9jane Dreifuss, Simon Hagemann, Izabella Pluta (eds), Live Performance and Video Games. Inspirations, Appropriations and Mutual Transfers<\/a><\/em>, Bielefeld, [transcript] Verlag, Subtexte 31, 2024.<\/p>\n<\/div>\n\n\n\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Izabella Pluta<\/strong><\/p>\n\n\n\n\n

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Live Performance and Video Games. Inspirations, Appropriations and Mutual Transfers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Quels r\u00f4les pour le spectateur \u00e0 l\u2019\u00e8re num\u00e9rique?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Sc\u00e8nes num\u00e9riques. Anthologie critique d\u2019\u00e9crits et d\u2019entretiens d\u2019artistes \/ Digital Stages. Critical anthology of artists\u2019 statements and interviews<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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\u00ab\u00a0Salle d’attente\u00a0\u00bb de Krystian Lupa. Cr\u00e9ation et transmission<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Spectacle vivant et jeu vid\u00e9o, ont-ils des points et des inspirations communs?<\/p>\n","protected":false},"author":1002938,"featured_media":13563,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3692,1222,3945,3747,3745,1759,2832,3943,2347,4092,3942,3944],"class_list":{"0":"post-13560","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3692","9":"tag-centre-detudes-theatrales-cet","10":"tag-hybridation-esthetique","11":"tag-immersion","12":"tag-interactivite","13":"tag-izabella-pluta","14":"tag-jeux-video","15":"tag-metavers","16":"tag-open-access","17":"tag-opena","18":"tag-performativite","19":"tag-spectacle-vivant"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13560"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13560\/revisions"}],"predecessor-version":[{"id":13825,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13560\/revisions\/13825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13563"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}