{"id":13490,"date":"2025-02-20T10:34:07","date_gmt":"2025-02-20T09:34:07","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13490"},"modified":"2025-07-11T15:39:01","modified_gmt":"2025-07-11T13:39:01","slug":"tacit-cinematic-knowledge-approaches-and-practices","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/tacit-cinematic-knowledge-approaches-and-practices\/","title":{"rendered":"Tacit Cinematic Knowledge. Approaches and Practices"},"content":{"rendered":"\n

Ouvrage sur les implications \u00e9pist\u00e9mologiques des images en mouvement.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Les images anim\u00e9es trouvent de plus en plus leur place dans les laboratoires, les cabinets dentaires, les cliniques, les a\u00e9roports et les gymnases. Dans ces lieux et institutions, les technologies du film et de l’image en mouvement servent \u00e0 faire progresser les connaissances, \u00e0 montrer comment les choses sont faites, \u00e0 former, enseigner, \u00e9duquer, mobiliser les gens, ainsi qu’\u00e0 imaginer des faits sociaux complexes et \u00e0 visualiser des mod\u00e8les et des sch\u00e9mas dynamiques. Toutefois, le r\u00f4le de ces images en mouvement va au-del\u00e0 de l’instruction, de l’illustration et de l’\u00e9ducation visuelle.<\/p>\n\n\n\n

Co\u00e9dit\u00e9e par Guilherme Machado (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>), cette publication introduit le concept de connaissance cin\u00e9matographique tacite pour d\u00e9signer une grande vari\u00e9t\u00e9 d’environnements \u00e9pist\u00e9miques dans lesquels la connaissance est configur\u00e9e dans et par les pratiques cin\u00e9matographiques, et dans l’interaction avec les images en mouvement. Le concept d\u00e9crit donc un d\u00e9fi non seulement pour les sp\u00e9cialistes du cin\u00e9ma et des m\u00e9dias, mais aussi pour les chercheurs en sciences sociales, les \u00e9conomistes, les analystes de donn\u00e9es et les artistes.<\/p>\n\n\n\n

Disponibles en libre acc\u00e8s<\/a>, les contributions de cet ouvrage collectif portent ainsi sur divers environnements \u00e9pist\u00e9miques tels que les campagnes politiques, les soins m\u00e9dicaux, la communication d’entreprise, l’ing\u00e9nierie c\u00f4ti\u00e8re et les observations astronomiques. Elles mettent en lumi\u00e8re diff\u00e9rentes formes de connaissances cin\u00e9matographiques et d\u00e9cryptent la vari\u00e9t\u00e9 des op\u00e9rations \u00e9pist\u00e9mologiques du cin\u00e9ma.<\/p>\n\n\n\n

Rebecca Boguska, Guilherme Machado, Rebecca Puchta, Marin Relji\u0107 (dir.), Tacit Cinematic Knowledge. Approaches and Practices<\/a><\/em>, L\u00fcneburg, Meson Press, 2024.<\/p>\n<\/div>\n\n\n\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Guilherme Machado<\/strong><\/p>\n\n\n\n\n

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Tacit Cinematic Knowledge. Approaches and Practices<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ouvrage sur les implications \u00e9pist\u00e9mologiques des images en mouvement.<\/p>\n","protected":false},"author":1002938,"featured_media":13491,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3692,3838,59,3921,3922,3920,3919,3987,2347,3352,1233,3923],"class_list":{"0":"post-13490","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3692","9":"tag-centre-detudes-cinematographiques","10":"tag-cinema","11":"tag-connaissance-tacite","12":"tag-dispositifs-de-vision","13":"tag-epistemologie-des-dispositifs","14":"tag-guilherme-machado","15":"tag-newsletter-58","16":"tag-open-access","17":"tag-openaccess","18":"tag-section-dhistoire-et-esthetique-du-cinema","19":"tag-theorie-des-medias"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002938"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13490"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13490\/revisions"}],"predecessor-version":[{"id":13646,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13490\/revisions\/13646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13491"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}