{"id":13242,"date":"2024-11-11T17:52:30","date_gmt":"2024-11-11T16:52:30","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13242"},"modified":"2024-12-20T10:52:43","modified_gmt":"2024-12-20T09:52:43","slug":"crafts-trades-and-techniques-of-early-cinema","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/crafts-trades-and-techniques-of-early-cinema\/","title":{"rendered":"Crafts, Trades, and Techniques of Early Cinema"},"content":{"rendered":"\n

Quels m\u00e9tiers s’inventent et se transforment avec l’apparition du cin\u00e9ma?<\/strong><\/p>\n\n\n\n\n\n\n\n

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En enqu\u00eatant sur les m\u00e9tiers et les techniques qui ont d\u00e9fini le cin\u00e9ma dans ses premi\u00e8res d\u00e9cennies, cet ouvrage collectif vise \u00e0 favoriser une meilleure compr\u00e9hension du m\u00e9dium cin\u00e9matographique dans ses aspects industriels et professionnels.<\/p>\n\n\n\n

Co\u00e9dit\u00e9 par Valentine Robert (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>, Centre d’\u00e9tudes cin\u00e9matographiques<\/a>), ce livre met l’accent sur la circulation interm\u00e9diale des personnes et des pratiques, avec des ph\u00e9nom\u00e8nes d\u2019hybridation, d\u2019appropriation et de r\u00e9invention des m\u00e9tiers (notamment li\u00e9s \u00e0 la sc\u00e8ne, ou \u00e0 la projection). Il traite \u00e9galement des questions de professionnalisation et de la mani\u00e8re dont l’industrialisation du cin\u00e9ma implique une standardisation du travail. La technique y est d\u00e9finie et \u00e9tudi\u00e9e \u00e0 la fois \u00e0 l’aune d’une histoire mat\u00e9rielle et dans sa dimension humaine et culturelle, engageant des gestes, des traditions, des formations.<\/p>\n\n\n\n

Disponible en texte int\u00e9gral sur le site web de l\u2019\u00e9diteur<\/a>, cet ouvrage pr\u00e9sente des illustrations in\u00e9dites r\u00e9v\u00e9lant la part anonyme des femmes, et combien les premiers travailleurs du cin\u00e9ma \u00e9taient en r\u00e9alit\u00e9 des travailleuses.<\/p>\n\n\n\n

Valentine Robert et al.<\/em> (eds), Crafts, Trades, and Techniques of Early Cinema<\/a><\/em>, Ann Arbour (MI), Michigan Publishing, 2024.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Valentine Robert<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

La r\u00e9appropriation des images dans l\u2019art et les m\u00e9dias contemporains<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Crafts, Trades, and Techniques of Early Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Corporeality in Early Cinema : Viscera, Skin, and Physical Form<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le film sur l’art : entre histoire de l’art et documentaire de cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

J\u00e9sus en repr\u00e9sentations. De la Belle \u00c9poque \u00e0 la postmodernit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Points de vue sur J\u00e9sus au XXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Quels m\u00e9tiers s’inventent et se transforment avec l’apparition du cin\u00e9ma?<\/p>\n","protected":false},"author":719,"featured_media":13243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3692,1162,1014,1311,2690,11,3626,3878,2347,765,3830,1233,549,497],"class_list":{"0":"post-13242","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3692","10":"tag-cinema-des-premiers-temps","11":"tag-femmes","12":"tag-histoire-du-travail","13":"tag-industrialisation","14":"tag-medias","15":"tag-metiers","16":"tag-newsletter-57","17":"tag-open-access","18":"tag-profession","19":"tag-reseau","20":"tag-section-dhistoire-et-esthetique-du-cinema","21":"tag-technologie","22":"tag-valentine-robert"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13242"}],"version-history":[{"count":2,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13242\/revisions"}],"predecessor-version":[{"id":13293,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13242\/revisions\/13293"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13243"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}