{"id":13239,"date":"2024-11-08T09:21:12","date_gmt":"2024-11-08T08:21:12","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13239"},"modified":"2024-12-20T10:52:36","modified_gmt":"2024-12-20T09:52:36","slug":"celebrer-et-paraitre-medaillons-et-portraits-sculptes-dans-le-decor-monumental-de-la-renaissance","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/celebrer-et-paraitre-medaillons-et-portraits-sculptes-dans-le-decor-monumental-de-la-renaissance\/","title":{"rendered":"C\u00e9l\u00e9brer et para\u00eetre. M\u00e9daillons et portraits sculpt\u00e9s dans le d\u00e9cor monumental de la Renaissance"},"content":{"rendered":"\n

\u00c9tude des portraits sculpt\u00e9s dans les monuments de la Renaissance en France.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Les m\u00e9daillons sculpt\u00e9s occupent une place majeure au sein des motifs \u00ab\u00e0 l\u2019antique\u00bb et abondent dans les monuments fran\u00e7ais de la Renaissance. Inspir\u00e9s de l\u2019Antiquit\u00e9 et d\u2019abord diffus\u00e9s depuis l\u2019Italie, ils repr\u00e9sentaient un gage de modernit\u00e9 et de culture pour les commanditaires.<\/p>\n\n\n\n

Gr\u00e2ce \u00e0 son caract\u00e8re figuratif, cet ornement offre une diversit\u00e9 de repr\u00e9sentations. Dans un contexte soucieux de la repr\u00e9sentation de soi et c\u00e9l\u00e9brant l\u2019\u00eatre au service du para\u00eetre, ces effigies permettaient d\u2019exprimer sa culture humaniste, sa pi\u00e9t\u00e9, son all\u00e9geance au roi ou encore son propre statut. Les propri\u00e9taires allaient ainsi jusqu\u2019\u00e0 afficher leur portrait aux murs de leur demeure.<\/p>\n\n\n\n

Analysant les sources, la diffusion, les m\u00e9tamorphoses et les usages des m\u00e9daillons, Sarah Munoz (Section d\u2019histoire de l\u2019art<\/a>) explore, dans ce livre abondamment illustr\u00e9, le th\u00e8me du portrait sculpt\u00e9 \u00e0 travers l’analyse d’un ornement essentiel de la Renaissance diffus\u00e9 dans toute l’Europe aux XVe et XVIe si\u00e8cles.<\/p>\n\n\n\n

Sarah Munoz, C\u00e9l\u00e9brer et para\u00eetre. M\u00e9daillons et portraits sculpt\u00e9s dans le d\u00e9cor monumental de la Renaissance<\/a><\/em>, Tours, Presses universitaires Fran\u00e7ois-Rabelais, 2024.<\/p>\n<\/div>\n\n\n\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Sarah Munoz<\/strong><\/p>\n\n\n\n\n

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C\u00e9l\u00e9brer et para\u00eetre. M\u00e9daillons et portraits sculpt\u00e9s dans le d\u00e9cor monumental de la Renaissance<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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\u00c9tude des portraits sculpt\u00e9s dans les monuments de la Renaissance en France.<\/p>\n","protected":false},"author":719,"featured_media":13240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3692,446,3826,3878,1527,3828,176,3827,452,1214],"class_list":{"0":"post-13239","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3692","10":"tag-france","11":"tag-humanisme","12":"tag-newsletter-57","13":"tag-ornement","14":"tag-portraits","15":"tag-renaissance","16":"tag-sarah-munoz","17":"tag-sculpture","18":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13239"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13239\/revisions"}],"predecessor-version":[{"id":13241,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13239\/revisions\/13241"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13240"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}