{"id":13186,"date":"2024-09-03T09:09:13","date_gmt":"2024-09-03T07:09:13","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13186"},"modified":"2024-09-17T15:24:27","modified_gmt":"2024-09-17T13:24:27","slug":"valais-sound-system-sonorites-alpines-contemporaines","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/valais-sound-system-sonorites-alpines-contemporaines\/","title":{"rendered":"Valais Sound System. Sonorit\u00e9s alpines contemporaines"},"content":{"rendered":"\n

Quelles sont les sonorit\u00e9s du Valais?<\/strong><\/p>\n\n\n\n\n\n\n\n

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Des airs de fifres et tambours \u00e0 la rumeur de l\u2019autoroute, du tintement des cloches aux rugissements des FA-18, du clapotis de l\u2019eau des bisses au ronronnement des t\u00e9l\u00e9cabines, entre plaine et haute montagne, le Valais sonore est un v\u00e9ritable sound system<\/em> aux rythmiques contrast\u00e9es et aux sonorit\u00e9s tant\u00f4t harmonieuses, tant\u00f4t cacophoniques.<\/p>\n\n\n\n

L\u2019exposition Valais Sound System<\/a>, propos\u00e9e par le Mus\u00e9e d’histoire de Sion, invite \u00e0 placer l’\u00e9coute au centre de l’attention et \u00e0 pr\u00eater l’oreille aux \u00e9volutions du paysage sonore valaisan au cours du XXe si\u00e8cle.<\/p>\n\n\n\n

Co\u00e9dit\u00e9 par Nelly Valsangiacomo (Section d’histoire<\/a>), le catalogue de cette exposition r\u00e9unit une vingtaine de contributions r\u00e9dig\u00e9es par des chercheuses et des chercheurs issus d\u2019horizons diff\u00e9rents, tels l\u2019histoire, l\u2019ethnologie, la sociologie, la g\u00e9ographie, les arts sonores et acoustiques, l\u2019urbanisme et la musicologie, autour de cet objet de recherche pluridisciplinaire qu’est le monde sonore.<\/p>\n\n\n\n

Samuel Pont, Nelly Valsangiacomo (\u00e9ds), Valais Sound System. Sonorit\u00e9s alpines contemporaines<\/a><\/em>, Sion, Mus\u00e9e d’histoire du Valais\/Hier Und Jetzt, Cahiers du Mus\u00e9e d’histoire du Valais 14, 2024.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Nelly Valsangiacomo<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Archivio Storico Ticinese, dossier sur les sonorit\u00e9s dans les Alpes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La storia in gioco. Sedici documenti d’archivio tra ricostruzione storica e invenzione letteraria<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Valais Sound System. Sonorit\u00e9s alpines contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Paysages sensibles. Toucher, go\u00fbter, entendre, sentir, voir les Alpes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Italianit\u00e0 plurale. Analisi e prospettive elvetiche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

R\u00e9sonances. La dimension sonore des Alpes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Sinneslandschaften der Alpen. F\u00fchlen\/Schmecken\/Riechen\/H\u00f6ren\/Sehen<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Dare un corpo alla voce<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c0 l’italienne. Narrazioni dell’italianit\u00e0 dagli anni Ottanta a oggi<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Scioperare nel Duemila : Le Officine ferroviarie di Bellinzona e la memoria operaia<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Politique, culture et radio dans le monde francophone<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Alpi e patrimonio industriale\/Alpes et patrimoine industriel\/Alpen und industrielles Erbe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Dietro al microfono. Intellettuali italiani alla Radio svizzera (1930-1980)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes, Syndicats, Engagement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Quelles sont les sonorit\u00e9s du Valais?<\/p>\n","protected":false},"author":719,"featured_media":13187,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3692,1250,3391,1145,3817,3809,1217,3632,3808,3807,1254],"class_list":{"0":"post-13186","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3692","10":"tag-centre-des-sciences-historiques-de-la-culture","11":"tag-centre-interdisciplinaire-de-recherche-sur-la-montagne","12":"tag-nelly-valsangiacomo","13":"tag-newsletter-56","14":"tag-paysage-sonore","15":"tag-section-dhistoire","16":"tag-sonorites","17":"tag-soundscapes-studies","18":"tag-souns-studies","19":"tag-valais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13186"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13186\/revisions"}],"predecessor-version":[{"id":13188,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13186\/revisions\/13188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13187"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}