{"id":13135,"date":"2024-07-05T17:14:34","date_gmt":"2024-07-05T15:14:34","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=13135"},"modified":"2024-09-17T15:20:28","modified_gmt":"2024-09-17T13:20:28","slug":"progetto-e-struttura-della-commedia-dantesca","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/","title":{"rendered":"Progetto e struttura della Commedia dantesca"},"content":{"rendered":"\n<p><strong>Un recueil d\u2019\u00e9tudes in\u00e9dites sur la structure de la \u00abCommedia\u00bb de Dante.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Les recherches propos\u00e9es dans ce livre incitent \u00e0 r\u00e9fl\u00e9chir d\u2019une nouvelle mani\u00e8re sur la fa\u00e7on dont Dante a con\u00e7u et construit son chef-d\u2019\u0153uvre, tant dans ses aspects g\u00e9n\u00e9raux que dans ses choix formels ponctuels.<\/p>\n\n\n\n<p>R\u00e9unies \u00e0 la suite d\u2019un colloque organis\u00e9 \u00e0 Lausanne en 2021, les diff\u00e9rentes contributions pr\u00e9sentent les r\u00e9flexions d\u2019un groupe d\u2019experts sur la structure de la <em>Commedia<\/em> de Dante par rapport aux mod\u00e8les bibliques, \u00e0 la chronologie externe et interne du r\u00e9cit, \u00e0 la situation politique et, donc, \u00e0 la position de l\u2019auteur, aux temps de composition de l\u2019\u0153uvre et \u00e0 la forme de l\u2019univers imagin\u00e9 par Dante.<\/p>\n\n\n\n<p>L\u2019attention s\u2019est \u00e9galement port\u00e9e sur la r\u00e9ception des aspects structurels par Benedetto Croce, tandis que Simone Albonico et Giacomo Stanga (tous deux de la <a href=\"https:\/\/www.unil.ch\/ital\/home.html\" data-type=\"link\" data-id=\"https:\/\/www.unil.ch\/ital\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section d\u2019italien<\/a>), \u00e9diteurs de cet ouvrage, ont ajout\u00e9 des r\u00e9flexions sur les \u00e9l\u00e9ments r\u00e9currents de la narration dantesque qui structurent les <em>canti<\/em> et les <em>cantiche<\/em>, ainsi que sur le r\u00f4le des rimes dans la distribution de la mati\u00e8re.<\/p>\n\n\n\n<p>Simone Albonico, Giacomo Stanga (a cura di), <em><a href=\"https:\/\/www.editriceantenore.com\/prodotto\/progetto-e-struttura-della-commedia-dantesca\/\" data-type=\"link\" data-id=\"https:\/\/www.editriceantenore.com\/prodotto\/progetto-e-struttura-della-commedia-dantesca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Progetto e struttura della Commedia dantesca. Atti del Convegno di Losanna, 17 novembre 2021<\/a><\/em>, Padova, Antenore, 2024.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg\" alt=\"\" class=\"wp-image-13136\" style=\"width:300px\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-435x638.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-768x1127.jpeg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Simone Albonico<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13135\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-435x638.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-768x1127.jpeg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\">Progetto e struttura della Commedia dantesca<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11282\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\"><img loading=\"lazy\" decoding=\"async\" width=\"906\" height=\"1280\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg 906w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-768x1085.jpg 768w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\">La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10283\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"837\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover-435x607.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/\">Gaspare Ambrogio Visconti e la Milano di fine Quattrocento. Politica, arti e lettere<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5023\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\"><img loading=\"lazy\" decoding=\"async\" width=\"908\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg 908w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-435x575.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-768x1015.jpg 768w\" sizes=\"auto, (max-width: 908px) 100vw, 908px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\">Misure del testo. Metodi, problemi e frontiere della metrica italiana<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2543\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/santi-santita-e-agiografie-nellitalia-settentrionale-percorsi-letterari-e-storico-artistici-tra-medioevo-e-eta-moderna\/\"><img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1.jpg 830w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-435x629.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-208x300.jpg 208w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-768x1110.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-708x1024.jpg 708w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/santi-santita-e-agiografie-nellitalia-settentrionale-percorsi-letterari-e-storico-artistici-tra-medioevo-e-eta-moderna\/\">Santi, santit\u00e0 e agiografie nell\u2019Italia settentrionale. Percorsi letterari e storico-artistici tra Medioevo e et\u00e0 moderna<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10156\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/courts-and-courtly-cultures-in-early-modern-italy-and-europe-models-and-languages\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"846\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy-435x613.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/courts-and-courtly-cultures-in-early-modern-italy-and-europe-models-and-languages\/\">Courts and Courtly Cultures in Early Modern Italy and Europe. Models and Languages<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6235\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lautore-e-il-suo-archivio\/\"><img loading=\"lazy\" decoding=\"async\" width=\"519\" height=\"827\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover.png 519w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover-435x693.png 435w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lautore-e-il-suo-archivio\/\">L&rsquo;autore e il suo archivio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8954\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/marco-praloran-1955-2011-lo-stile-di-uno-studioso-atti-del-convegno-universita-di-losanna-8-9-settembre-2012\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"705\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446.jpg 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446-435x613.jpg 435w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/marco-praloran-1955-2011-lo-stile-di-uno-studioso-atti-del-convegno-universita-di-losanna-8-9-settembre-2012\/\">Marco Praloran 1955-2011. Lo stile di uno studioso. Atti del convegno, Universit\u00e0 di Losanna, 8-9 settembre 2012<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<p><strong>Giacomo Stanga<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13384\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/in-principio-era-pulci-studi-sulla-fortuna-di-luigi-pulci-in-italia-e-in-europa\/\"><img loading=\"lazy\" decoding=\"async\" width=\"857\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1.jpg 857w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1-435x609.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1-768x1075.jpg 768w\" sizes=\"auto, (max-width: 857px) 100vw, 857px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/in-principio-era-pulci-studi-sulla-fortuna-di-luigi-pulci-in-italia-e-in-europa\/\">In principio era Pulci. Studi sulla fortuna di Luigi Pulci in Italia e in Europa<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13135\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-435x638.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-768x1127.jpeg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\">Progetto e struttura della Commedia dantesca<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11282\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\"><img loading=\"lazy\" decoding=\"async\" width=\"906\" height=\"1280\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg 906w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-768x1085.jpg 768w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\">La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Un recueil d\u2019\u00e9tudes in\u00e9dites sur la structure de la \u00abCommedia\u00bb de Dante.<\/p>\n","protected":false},"author":719,"featured_media":13136,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[3],"tags":[3692,3790,3241,3240,3244,3817,1240,708,3243],"class_list":{"0":"post-13135","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3692","9":"tag-actes-de-colloque","10":"tag-commedia","11":"tag-dante","12":"tag-giacomo-stanga","13":"tag-newsletter-56","14":"tag-section-ditalien","15":"tag-simone-albonico","16":"tag-structure"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=13135"}],"version-history":[{"count":2,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13135\/revisions"}],"predecessor-version":[{"id":13139,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/13135\/revisions\/13139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/13136"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=13135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=13135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=13135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}