{"id":12906,"date":"2024-04-26T09:25:30","date_gmt":"2024-04-26T07:25:30","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=12906"},"modified":"2024-06-14T10:26:30","modified_gmt":"2024-06-14T08:26:30","slug":"quels-roles-pour-le-spectateur-a-lere-numerique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/quels-roles-pour-le-spectateur-a-lere-numerique\/","title":{"rendered":"Quels r\u00f4les pour le spectateur \u00e0 l\u2019\u00e8re num\u00e9rique?"},"content":{"rendered":"\n<p><strong>Comment rester un spectateur participatif au th\u00e9\u00e2tre num\u00e9rique?<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>L\u2019expression classique \u00aballer voir un spectacle de th\u00e9\u00e2tre\u00bb semble de plus en plus probl\u00e9matique pour d\u00e9crire l\u2019activit\u00e9 du public des cr\u00e9ations du XXIe si\u00e8cle. Les formes sc\u00e9niques de l\u2019\u00e8re num\u00e9rique testent en effet une multitude de nouvelles configurations int\u00e9grant les nouvelles technologies et bousculent de ce fait la d\u00e9finition m\u00eame du spectateur.<\/p>\n\n\n\n<p>\u00c0 partir de tr\u00e8s nombreux exemples de cr\u00e9ations comme Blast Theory, Gob Squad, Rimini Protokoll INVIVO, cet ouvrage d\u2019Izabella Pluta (<a href=\"https:\/\/www.unil.ch\/cet\/home.html\" data-type=\"link\" data-id=\"https:\/\/www.unil.ch\/cet\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Centre d&rsquo;\u00e9tudes th\u00e9\u00e2trales<\/a>) et Simon Hagemann aborde des notions capitales du champ th\u00e9\u00e2tral, mais \u00e9galement des id\u00e9es telles que l\u2019immersion, la participation, l\u2019interactivit\u00e9 ou l\u2019\u00e9mancipation. Il interroge par cons\u00e9quent la relation du spectacle vivant avec des techniques ou des formes m\u00e9diatiques sp\u00e9cifiques telles que l\u2019intelligence artificielle ou les jeux vid\u00e9o.<\/p>\n\n\n\n<p>Disponible en texte int\u00e9gral sur le <a href=\"https:\/\/www.epflpress.org\/produit\/1480\/9782889155699\/quels-roles-pour-le-spectateur-a-l-ere-numerique\" data-type=\"link\" data-id=\"https:\/\/www.epflpress.org\/produit\/1480\/9782889155699\/quels-roles-pour-le-spectateur-a-l-ere-numerique\" target=\"_blank\" rel=\"noreferrer noopener\">site web de l\u2019\u00e9diteur<\/a>, ce livre permet ainsi de se frayer un chemin parmi les univers sc\u00e9niques et m\u00e9diatiques de plus en plus complexes.<\/p>\n\n\n\n<p>Izabella Pluta, Simon Hagemann, <em><a href=\"https:\/\/www.epflpress.org\/produit\/1480\/9782889155699\/quels-roles-pour-le-spectateur-a-l-ere-numerique\" data-type=\"link\" data-id=\"https:\/\/www.epflpress.org\/produit\/1480\/9782889155699\/quels-roles-pour-le-spectateur-a-l-ere-numerique\" target=\"_blank\" rel=\"noreferrer noopener\">Quels r\u00f4les pour le spectateur \u00e0 l\u2019\u00e8re num\u00e9rique?<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes\/\u00c9pist\u00e9m\u00e9, 2024.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"744\" height=\"1106\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/PLUTA_2024_spectateur_cover.png\" alt=\"\" class=\"wp-image-12907\" style=\"width:300px\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/PLUTA_2024_spectateur_cover.png 744w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/PLUTA_2024_spectateur_cover-435x647.png 435w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.rts.ch\/play\/embed?urn=urn:rts:video:14581938&amp;subdivisions=false\" data-type=\"link\" data-id=\"https:\/\/www.rts.ch\/play\/embed?urn=urn:rts:video:14581938&amp;subdivisions=false\" target=\"_blank\" rel=\"noreferrer noopener\">Quel r\u00f4le pour le public dans le th\u00e9\u00e2tre num\u00e9rique?<\/a>, RTS La premi\u00e8re, \u00e9mission Forum, 26.12.2023.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.rts.ch\/audio-podcast\/2024\/audio\/le-role-du-public-dans-le-spectacle-vivant-28456184.html\" data-type=\"link\" data-id=\"https:\/\/www.rts.ch\/audio-podcast\/2024\/audio\/le-role-du-public-dans-le-spectacle-vivant-28456184.html\" target=\"_blank\" rel=\"noreferrer noopener\">Le r\u00f4le du public dans le spectacle vivant<\/a>, RTS La premi\u00e8re, \u00e9mission Tribu, 01.04.2024.<\/li>\n\n\n\n<li><a href=\"https:\/\/wp.unil.ch\/allezsavoir\/le-theatre-a-lere-numerique\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/allezsavoir\/le-theatre-a-lere-numerique\/\" target=\"_blank\" rel=\"noreferrer noopener\">Le th\u00e9\u00e2tre \u00e0 l\u2019\u00e8re num\u00e9rique<\/a>, <em>Allez Savoir!<\/em> Le magazine de l\u2019UNIL 86, mai 2024.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Izabella Pluta<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13560\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/live-performance-and-video-games-inspirations-appropriations-and-mutual-transfers\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1215\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2024-CET-Live-Performance-and-video-games.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2024-CET-Live-Performance-and-video-games.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2024-CET-Live-Performance-and-video-games-435x661.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/02\/2024-CET-Live-Performance-and-video-games-768x1166.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/live-performance-and-video-games-inspirations-appropriations-and-mutual-transfers\/\">Live Performance and Video Games. Inspirations, Appropriations and Mutual Transfers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12906\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/quels-roles-pour-le-spectateur-a-lere-numerique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"744\" height=\"1106\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/PLUTA_2024_spectateur_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/PLUTA_2024_spectateur_cover.png 744w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/04\/PLUTA_2024_spectateur_cover-435x647.png 435w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/quels-roles-pour-le-spectateur-a-lere-numerique\/\">Quels r\u00f4les pour le spectateur \u00e0 l\u2019\u00e8re num\u00e9rique?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11518\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/scenes-numeriques-anthologie-critique-decrits-et-dentretiens-dartistes-digital-stages-critical-anthology-of-artists-statements-and-interviews\/\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/PLUTA_2022_Scenes_numeriques_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/PLUTA_2022_Scenes_numeriques_cover.jpg 775w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/PLUTA_2022_Scenes_numeriques_cover-435x674.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/PLUTA_2022_Scenes_numeriques_cover-768x1189.jpg 768w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/scenes-numeriques-anthologie-critique-decrits-et-dentretiens-dartistes-digital-stages-critical-anthology-of-artists-statements-and-interviews\/\">Sc\u00e8nes num\u00e9riques. Anthologie critique d\u2019\u00e9crits et d\u2019entretiens d\u2019artistes \/ Digital Stages. Critical anthology of artists\u2019 statements and interviews<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5902\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/salle-dattente-de-krystian-lupa-creation-et-transmission\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1097\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/PLUTA_Salle_cover_1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/PLUTA_Salle_cover_1.jpg 724w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/05\/PLUTA_Salle_cover_1-435x659.jpg 435w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/salle-dattente-de-krystian-lupa-creation-et-transmission\/\">\u00ab\u00a0Salle d&rsquo;attente\u00a0\u00bb de Krystian Lupa. Cr\u00e9ation et transmission<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Comment rester un spectateur participatif au th\u00e9\u00e2tre num\u00e9rique?<\/p>\n","protected":false},"author":719,"featured_media":12907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3692,1222,3746,3749,3747,3745,1759,3769,2347,3748,1156],"class_list":{"0":"post-12906","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3692","9":"tag-centre-detudes-theatrales-cet","10":"tag-gaming","11":"tag-ia","12":"tag-immersion","13":"tag-interactivite","14":"tag-izabella-pluta","15":"tag-newsletter-55","16":"tag-open-access","17":"tag-spectacle-numerique","18":"tag-spectateur"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=12906"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12906\/revisions"}],"predecessor-version":[{"id":13059,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12906\/revisions\/13059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/12907"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=12906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=12906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=12906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}