{"id":12786,"date":"2024-02-19T07:15:53","date_gmt":"2024-02-19T06:15:53","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=12786"},"modified":"2024-06-03T10:28:27","modified_gmt":"2024-06-03T08:28:27","slug":"faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/","title":{"rendered":"Faire voir Victor Hugo. Une correspondance avec Nadar, de la photographie \u00e0 l&rsquo;a\u00e9ronautique"},"content":{"rendered":"\n<p><strong>Victor Hugo: homme total d&rsquo;un progr\u00e8s total.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>La correspondance entre Victor Hugo et Nadar, dont un certain nombre de lettres reposent aux archives de la Maison Victor Hugo \u00e0 Paris, r\u00e9serve de nombreuses surprises. L\u2019\u00e9change ne porte pas tant sur la photographie, comme on aurait pu attendre qu\u2019il le f\u00eet, mais bien plut\u00f4t sur l\u2019a\u00e9ronautique, passion commune des deux hommes.<\/p>\n\n\n\n<p>\u00c0 partir de cette correspondance, Ga\u00ebtan Zinder (<a href=\"https:\/\/www.unil.ch\/fra\/home.html\" data-type=\"link\" data-id=\"https:\/\/www.unil.ch\/fra\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section de fran\u00e7ais<\/a>) se donne pour objectif de r\u00e9\u00e9valuer le rapport de Victor Hugo \u00e0 la technique, sugg\u00e9rant l\u2019hypoth\u00e8se suivante: la photographie et l\u2019a\u00e9ronautique ne m\u00e9diatisent pas tant la vision po\u00e9tique du cr\u00e9ateur, mais contribuent surtout \u00e0 sa visibilit\u00e9 posturale. La puissance de leur faire voir va du monde au po\u00e8te, et non l\u2019inverse.<\/p>\n\n\n\n<p>Sur la base d\u2019une correspondance en partie in\u00e9dite, ce volume m\u00e8ne une double d\u00e9marche d\u2019histoire et d\u2019historiographie litt\u00e9raire, r\u00e9interrogeant le rapport entre litt\u00e9rature, technique et critique.<\/p>\n\n\n\n<p>On retrouvera la postface de Marta Caraion sur le site <a href=\"https:\/\/www.fabula.org\/actualites\/118480\/gaetan-zinder-faire-voir-victor-hugo-une-correspondance-avec-nadar.html\" data-type=\"link\" data-id=\"https:\/\/www.fabula.org\/actualites\/118480\/gaetan-zinder-faire-voir-victor-hugo-une-correspondance-avec-nadar.html\" target=\"_blank\" rel=\"noreferrer noopener\">Fabula.org<\/a>.<\/p>\n\n\n\n<p>Ga\u00ebtan Zinder, <em><a href=\"https:\/\/wp.unil.ch\/archipelessais\/volume-35\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/archipelessais\/volume-35\/\" target=\"_blank\" rel=\"noreferrer noopener\">Faire voir Victor Hugo. Une correspondance avec Nadar, de la photographie \u00e0 l&rsquo;a\u00e9ronautique<\/a><\/em>, Lausanne, Archipel, vol. 35, coll. \u00abEssais\u00bb, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg\" alt=\"\" class=\"wp-image-12787\" style=\"width:300px\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg 704w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover-435x741.jpg 435w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/wp.unil.ch\/allezsavoir\/charbons-ardents\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/allezsavoir\/charbons-ardents\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nadar et Hugo, il n\u2019y a pas photo<\/a>, <em>Allez Savoir!<\/em> Le magazine de l\u2019UNIL 86, mai 2024.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Ga\u00ebtan Zinder<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12786\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg 704w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover-435x741.jpg 435w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/\">Faire voir Victor Hugo. Une correspondance avec Nadar, de la photographie \u00e0 l&rsquo;a\u00e9ronautique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<p><strong>Archipel Essais<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12786\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg 704w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover-435x741.jpg 435w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/\">Faire voir Victor Hugo. Une correspondance avec Nadar, de la photographie \u00e0 l&rsquo;a\u00e9ronautique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12789\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-theatre-des-fees-les-scenes-du-merveilleux-feerique-de-la-comedie-italienne-aux-boulevards-1762-1789\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/CHEVALLEY_2023_fees_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/CHEVALLEY_2023_fees_cover.jpg 724w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/CHEVALLEY_2023_fees_cover-435x721.jpg 435w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-theatre-des-fees-les-scenes-du-merveilleux-feerique-de-la-comedie-italienne-aux-boulevards-1762-1789\/\">Le th\u00e9\u00e2tre des f\u00e9es. Les sc\u00e8nes du merveilleux f\u00e9erique de la Com\u00e9die-Italienne aux boulevards (1762-1789)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12036\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/les-feintes-dune-fin-boris-vian-continue-par-loulipo\/\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RIME_2022_-Vian_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RIME_2022_-Vian_cover.jpg 719w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RIME_2022_-Vian_cover-435x726.jpg 435w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/les-feintes-dune-fin-boris-vian-continue-par-loulipo\/\">Les feintes d&rsquo;une fin. Boris Vian continu\u00e9 par l&rsquo;Oulipo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12010\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg 721w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover-435x724.jpg 435w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/\">La quatri\u00e8me case. Essai sur le roman au \u00abnous\u00bb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11230\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-rap-litterature-du-monde-social-du-featuring-au-mythe-de-la-banlieue\/\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/CELA_2021_rap_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/CELA_2021_rap_cover.jpg 722w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/CELA_2021_rap_cover-435x723.jpg 435w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-rap-litterature-du-monde-social-du-featuring-au-mythe-de-la-banlieue\/\">Le Rap, litt\u00e9rature du monde social. Du featuring au mythe de la banlieue<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11217\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/une-contradiction-fondamentale-dans-la-litterature-du-travail-les-spectres-du-conflit-dans-la-litterature-contemporaine-1980-2020\/\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"1376\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover.jpg 836w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover-435x716.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover-768x1264.jpg 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/une-contradiction-fondamentale-dans-la-litterature-du-travail-les-spectres-du-conflit-dans-la-litterature-contemporaine-1980-2020\/\">Une contradiction fondamentale dans la litt\u00e9rature du travail. Les spectres du conflit dans la litt\u00e9rature contemporaine (1980-2020)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9812\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/cohabiter-la-fiction-lecture-ordinaire-univers-de-croyances-et-interpretation-des-mondes-litteraires\/\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-28_DEFcopie_Labelettres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-28_DEFcopie_Labelettres.jpg 738w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-28_DEFcopie_Labelettres-435x707.jpg 435w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/cohabiter-la-fiction-lecture-ordinaire-univers-de-croyances-et-interpretation-des-mondes-litteraires\/\">Cohabiter la fiction. Lecture ordinaire, univers de croyances et interpr\u00e9tation des mondes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9821\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/a-choeur-perdu-les-traces-du-choeur-antique-dans-la-tragedie-francaise-du-xviie-siecle\/\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-29-DEF_Labelettres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-29-DEF_Labelettres.jpg 740w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-29-DEF_Labelettres-435x705.jpg 435w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/a-choeur-perdu-les-traces-du-choeur-antique-dans-la-tragedie-francaise-du-xviie-siecle\/\">\u00c0 ch\u0153ur perdu. Les traces du ch\u0153ur antique dans la trag\u00e9die fran\u00e7aise du XVIIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5510\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-science-plus-immediate-du-reve\/\"><img loading=\"lazy\" decoding=\"async\" width=\"697\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/ROELLI_SCIENCE_REVE_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/ROELLI_SCIENCE_REVE_couv.jpg 697w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/ROELLI_SCIENCE_REVE_couv-435x749.jpg 435w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-science-plus-immediate-du-reve\/\">La science plus imm\u00e9diate du r\u00eave<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5454\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/faire-litterature-usages-et-pratiques-du-litteraire-xixe-xxie-siecles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BIONDA_ET_AL_Faire_litt_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BIONDA_ET_AL_Faire_litt_couv_final.jpg 608w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BIONDA_ET_AL_Faire_litt_couv_final-435x733.jpg 435w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/faire-litterature-usages-et-pratiques-du-litteraire-xixe-xxie-siecles\/\">Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9870\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/dhelene-a-lilith-figures-de-femmes-etrangeres-en-suisse-romande-1890-1914\/\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcde.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcde.jpg 618w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcde-435x721.jpg 435w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/dhelene-a-lilith-figures-de-femmes-etrangeres-en-suisse-romande-1890-1914\/\">D\u2019H\u00e9l\u00e8ne \u00e0 Lilith. Figures de femmes \u00e9trang\u00e8res en Suisse romande (1890-1914)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9867\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-mondes-possibles-des-romans-de-jerome-ferrari\/\"><img loading=\"lazy\" decoding=\"async\" width=\"383\" height=\"638\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcd.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-mondes-possibles-des-romans-de-jerome-ferrari\/\">Des mondes possibles, des romans de J\u00e9r\u00f4me Ferrari<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9864\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/les-femmes-qui-se-parfument-doivent-etre-admirees-de-loin-les-odeurs-feminines-dans-nana-de-zola-notre-coeur-de-maupassant-et-leve-future-de-villiers-de-lisle-adam\/\"><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabc.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabc.jpg 481w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabc-435x723.jpg 435w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/les-femmes-qui-se-parfument-doivent-etre-admirees-de-loin-les-odeurs-feminines-dans-nana-de-zola-notre-coeur-de-maupassant-et-leve-future-de-villiers-de-lisle-adam\/\">\u00ab Les femmes qui se parfument doivent \u00eatre admir\u00e9es de loin \u00bb. Les odeurs f\u00e9minines dans Nana de Zola, Notre c\u0153ur de Maupassant et L\u2019\u00c8ve future de Villiers de L\u2019Isle-Adam<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9857\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/pour-une-poetique-de-limplicitation-cristal-et-clarie-ou-lart-de-faire-du-neuf-avec-de-lancien\/\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webab.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webab.jpg 480w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webab-435x725.jpg 435w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/pour-une-poetique-de-limplicitation-cristal-et-clarie-ou-lart-de-faire-du-neuf-avec-de-lancien\/\">Pour une po\u00e9tique de l\u2019implicitation. Cristal et Clarie ou l\u2019art de faire du neuf avec de l\u2019ancien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9853\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-croisee-des-souffles-la-horde-du-contrevent-dalain-damasio\/\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_weba.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_weba.jpg 479w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_weba-435x727.jpg 435w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-croisee-des-souffles-la-horde-du-contrevent-dalain-damasio\/\">La Crois\u00e9e des souffles. La Horde du Contrevent d\u2019Alain Damasio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9849\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/variations-sur-un-standard-jeux-et-metamorphoses-dans-les-trois-romans-biographiques-de-jean-echenoz\/\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_web.jpg 479w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_web-435x727.jpg 435w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/variations-sur-un-standard-jeux-et-metamorphoses-dans-les-trois-romans-biographiques-de-jean-echenoz\/\">Variations sur un standard. Jeux et m\u00e9tamorphoses dans les trois romans biographiques de Jean Echenoz<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9845\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/tensions-toniques-les-recits-de-marie-helene-lafon\/\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couvabc.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/tensions-toniques-les-recits-de-marie-helene-lafon\/\">Tensions toniques. Les r\u00e9cits de Marie-H\u00e9l\u00e8ne Lafon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9840\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/poesie-contemporaine-et-tensions-de-lidentification-de-1985-a-nos-jours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"493\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couvab.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/poesie-contemporaine-et-tensions-de-lidentification-de-1985-a-nos-jours\/\">Po\u00e9sie contemporaine et tensions de l\u2019identification de 1985 \u00e0 nos jours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9835\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/objets-en-liberte\/\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couva.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/objets-en-liberte\/\">Objets en libert\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9829\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/je-nen-feray-que-che-que-jen-aye-empense-le-nain-tronc-dans-ysaye-le-triste\/\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couv.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/je-nen-feray-que-che-que-jen-aye-empense-le-nain-tronc-dans-ysaye-le-triste\/\">\u00ab Je n\u2019en feray que che que j\u2019en aye empens\u00e9! \u00bb Le nain Tronc dans Ysa\u00ffe le Triste<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Victor Hugo: homme total d&rsquo;un progr\u00e8s total.<\/p>\n","protected":false},"author":719,"featured_media":12787,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3469,3688,2868,1250,3686,3687,3716,38,1212],"class_list":{"0":"post-12786","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3469","9":"tag-aeronautique","10":"tag-archipel-essais","11":"tag-centre-des-sciences-historiques-de-la-culture","12":"tag-gaetan-zinder","13":"tag-hugo","14":"tag-newsletter-53","15":"tag-photographie","16":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=12786"}],"version-history":[{"count":2,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12786\/revisions"}],"predecessor-version":[{"id":13072,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12786\/revisions\/13072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/12787"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=12786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=12786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=12786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}