{"id":12155,"date":"2023-03-27T06:48:51","date_gmt":"2023-03-27T04:48:51","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=12155"},"modified":"2023-04-28T10:29:59","modified_gmt":"2023-04-28T08:29:59","slug":"il-grido-del-pavone-alessandro-tassoni-tra-fascinazione-eroica-e-demistificazione-scettica","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/il-grido-del-pavone-alessandro-tassoni-tra-fascinazione-eroica-e-demistificazione-scettica\/","title":{"rendered":"Il grido del pavone. Alessandro Tassoni tra fascinazione eroica e demistificazione scettica"},"content":{"rendered":"\n<p><strong>Comment penser l&rsquo;h\u00e9ro\u00efsme quand il n&rsquo;y a plus de h\u00e9ros?<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u00c9crivain, po\u00e8te et pol\u00e9miste, Alessandro Tassoni (1565-1635) est consid\u00e9r\u00e9 comme un des initiateurs de la querelle des Anciens et des Modernes. Aujourd&rsquo;hui, il est surtout connu par son po\u00e8me \u00abLe seau enlev\u00e9\u00bb (arch\u00e9type du genre l&rsquo;h\u00e9ro\u00ef-comique moderne), publi\u00e9 \u00e0 Paris en 1622.<\/p>\n\n\n\n<p>L\u2019\u0153uvre de Tassoni touche plusieurs domaines: de la litt\u00e9rature \u00e0 la pens\u00e9e politique, de la morale \u00e0 la religion. Dans cette monographie, Gabriele Bucchi (<a href=\"https:\/\/www.unil.ch\/ital\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/ital\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section d\u2019italien<\/a>) aborde trois th\u00e8mes centraux dans la production de l&rsquo;\u00e9crivain: l&rsquo;h\u00e9ro\u00efsme, le comique et l&rsquo;histoire, en essayant de mettre en valeur la culture h\u00e9t\u00e9rodoxe et libertine de l&rsquo;auteur.<\/p>\n\n\n\n<p>Gabriele Bucchi, <em><a href=\"https:\/\/www.sefeditrice.it\/catalogo\/il-grido-del-pavone\/14600\" data-type=\"URL\" data-id=\"https:\/\/www.sefeditrice.it\/catalogo\/il-grido-del-pavone\/14600\" target=\"_blank\" rel=\"noreferrer noopener\">Il grido del pavone. Alessandro Tassoni tra fascinazione eroica e demistificazione scettica<\/a><\/em>, Firenze, Societ\u00e0 Editrice Fiorentina, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover.jpg\" alt=\"\" class=\"wp-image-12156\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover.jpg 788w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover-435x662.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover-768x1170.jpg 768w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Gabriele Bucchi<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12155\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/il-grido-del-pavone-alessandro-tassoni-tra-fascinazione-eroica-e-demistificazione-scettica\/\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover.jpg 788w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover-435x662.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/03\/BUCCHI_2023_Tassoni_cover-768x1170.jpg 768w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/il-grido-del-pavone-alessandro-tassoni-tra-fascinazione-eroica-e-demistificazione-scettica\/\">Il grido del pavone. Alessandro Tassoni tra fascinazione eroica e demistificazione scettica<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11511\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/crime-et-chatiment-la-mort-de-don-juan-moliere-et-mozart-1965-2019\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1563\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover.png 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover-435x680.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover-768x1200.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover-983x1536.png 983w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/crime-et-chatiment-la-mort-de-don-juan-moliere-et-mozart-1965-2019\/\">Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6240\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-critica-letteraria-nellitalia-del-settecento-forme-e-problemi\/\"><img loading=\"lazy\" decoding=\"async\" width=\"733\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BUCCHI_Indice-critica-Settecento_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BUCCHI_Indice-critica-Settecento_cover.jpg 733w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/BUCCHI_Indice-critica-Settecento_cover-435x712.jpg 435w\" sizes=\"auto, (max-width: 733px) 100vw, 733px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-critica-letteraria-nellitalia-del-settecento-forme-e-problemi\/\">La critica letteraria nell\u2019Italia del Settecento. Forme e problemi<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1467\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lopera-en-toutes-lettres\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"934\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/11\/edl2016_4.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/11\/edl2016_4.jpg 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2017\/11\/edl2016_4-435x625.jpg 435w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lopera-en-toutes-lettres\/\">L&rsquo;Op\u00e9ra en toutes lettres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9001\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/leroicomico-dallitalia-alleuropa-atti-del-convegno-universita-di-losanna-9-10-settembre-2011\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"718\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3447.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3447.jpg 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3447-435x625.jpg 435w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/leroicomico-dallitalia-alleuropa-atti-del-convegno-universita-di-losanna-9-10-settembre-2011\/\">L&rsquo;eroicomico dall&rsquo;Italia all&rsquo;Europa. Atti del convegno, Universit\u00e0 di Losanna, 9-10 settembre 2011<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9191\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/meraviglioso-diletto-la-traduzione-poetica-del-cinquecento-e-le-metamorfosi-dovidio-di-giovanni-andrea-dellanguillara\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"707\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/2551.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/2551.jpg 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/2551-435x615.jpg 435w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/meraviglioso-diletto-la-traduzione-poetica-del-cinquecento-e-le-metamorfosi-dovidio-di-giovanni-andrea-dellanguillara\/\">\u00abMeraviglioso diletto\u00bb. La traduzione poetica del Cinquecento e le Metamorfosi d&rsquo;Ovidio di Giovanni Andrea dell&rsquo;Anguillara<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Comment penser l&rsquo;h\u00e9ro\u00efsme quand il n&rsquo;y a plus de h\u00e9ros?<\/p>\n","protected":false},"author":719,"featured_media":12156,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3469,3486,931,270,2713,10,3504,3487,1240],"class_list":{"0":"post-12155","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3469","9":"tag-alessandro-tassoni","10":"tag-comique","11":"tag-gabriele-bucchi","12":"tag-heroisme","13":"tag-histoire","14":"tag-newsletter-46","15":"tag-pensee-libertine","16":"tag-section-ditalien"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=12155"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12155\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/12156"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=12155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=12155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=12155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}