{"id":12032,"date":"2023-02-02T13:38:16","date_gmt":"2023-02-02T12:38:16","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=12032"},"modified":"2023-02-09T15:26:40","modified_gmt":"2023-02-09T14:26:40","slug":"retours-sur-moliere","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/retours-sur-moliere\/","title":{"rendered":"Retours sur Moli\u00e8re"},"content":{"rendered":"\n

Moli\u00e8re au travail<\/strong>.<\/p>\n\n\n\n\n\n\n\n

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Le retour sur Moli\u00e8re, 400 ans apr\u00e8s sa naissance, nous ram\u00e8ne aux origines de la cr\u00e9ation des com\u00e9dies et nous fait porter un regard renouvel\u00e9 sur la mani\u00e8re dont s\u2019est \u00e9labor\u00e9e notre conception de l\u2019\u0153uvre.<\/p>\n\n\n\n

Codirig\u00e9 par Lise Michel (Section de fran\u00e7ais<\/a>, Centre d\u2019\u00e9tudes th\u00e9\u00e2trales<\/a>), cet ouvrage r\u00e9unit des contributions qui s\u2019inscrivent sous le signe de ce double retour sur Moli\u00e8re: d\u2019une part, un retour fond\u00e9 sur une recherche documentaire renouvel\u00e9e, sur les modalit\u00e9s concr\u00e8tes de l\u2019activit\u00e9 du com\u00e9dien-po\u00e8te et de sa troupe au travail entre 1643, date de ses d\u00e9buts comme com\u00e9dien, et 1680, date de la fondation de la Com\u00e9die-Fran\u00e7aise, sept ans apr\u00e8s sa mort; d\u2019autre part, et dans le prolongement chronologique du premier volet, un retour sur Moli\u00e8re auteur, au prisme du discours critique de 1680 \u00e0 1980.<\/p>\n\n\n\n

Les contributions r\u00e9unies dans ce volume sont disponibles en ligne sur la plateforme Cairn<\/a>.<\/p>\n\n\n\n

Claude Bourqui, Georges Forestier, B\u00e9n\u00e9dicte Louvat, Lise Michel, Agathe Sanjuan, Retours sur Moli\u00e8re<\/a><\/em>, Paris, Hermann, 2022.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Lise Michel<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire pour elles. Dramaturges et spectatrices en Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Retours sur Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moli\u00e8re, Le M\u00e9decin malgr\u00e9 lui<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire \u0153uvre d’une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVIe-XXIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moli\u00e8re, Les Femmes savantes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Naissance de la critique dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’id\u00e9e d’un th\u00e9\u00e2tre originaire dans la th\u00e9orie et la pratique dramatiques (XVII-XXIe si\u00e8cle)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Moli\u00e8re au travail.<\/p>\n","protected":false},"author":719,"featured_media":12064,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4],"tags":[3228,1222,3457,892,1192,3468,1212,151,3456,345],"class_list":{"0":"post-12032","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"tag-3228","11":"tag-centre-detudes-theatrales-cet","12":"tag-histoire-de-la-critique","13":"tag-lise-michel","14":"tag-moliere","15":"tag-newsletter-44","16":"tag-section-de-francais","17":"tag-theatre","18":"tag-troupes","19":"tag-xviie-siecle"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=12032"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12032\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/12064"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=12032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=12032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=12032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}