{"id":12010,"date":"2023-01-31T13:42:38","date_gmt":"2023-01-31T12:42:38","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=12010"},"modified":"2023-06-05T21:41:36","modified_gmt":"2023-06-05T19:41:36","slug":"la-quatrieme-case-essai-sur-le-roman-au-nous","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/","title":{"rendered":"La quatri\u00e8me case. Essai sur le roman au \u00abnous\u00bb"},"content":{"rendered":"\n<p><strong>Qui parle, au fond, lorsqu\u2019un texte dit <em>nous<\/em>?<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>\u00abQui est ce nous?\u00bb C\u2019est la question que pose cet essai \u00e0 la narratologie contemporaine, en envisageant l\u2019absence des romans au <em>nous<\/em> dans les mod\u00e8les th\u00e9oriques existants. Faut-il alors inventer de nouvelles cat\u00e9gories pour ranger ces textes o\u00f9 un collectif, plut\u00f4t qu\u2019un individu, prend en charge la narration?<\/p>\n\n\n\n<p>En s\u2019int\u00e9ressant \u00e0 une forme rare, mais attest\u00e9e dans la litt\u00e9rature fran\u00e7aise, Arthur Br\u00fcgger (<a href=\"https:\/\/www.unil.ch\/fra\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/fra\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section de fran\u00e7ais<\/a>) souhaite r\u00e9habiliter la puissance des marges pour r\u00e9\u00e9crire l\u2019histoire. D\u2019une mani\u00e8re g\u00e9n\u00e9rale, les romans au <em>nous<\/em> th\u00e9matisent la dimension paradoxale et ambivalente du rapport de l\u2019individu \u00e0 un collectif, v\u00e9cu \u00e0 la fois comme espace de coh\u00e9sion et d\u2019ali\u00e9nation. Si certains textes insistent davantage sur la port\u00e9e inclusive ou excluante du collectif pour l\u2019individu, la narration \u00e0 la quatri\u00e8me personne rejoue toujours, en v\u00e9rit\u00e9, cette dynamique en tension.<\/p>\n\n\n\n<p>Issu d\u2019un m\u00e9moire de Master en litt\u00e9rature fran\u00e7aise moderne, cet essai est accompagn\u00e9 d\u2019une <a href=\"https:\/\/www.fabula.org\/actualites\/documents\/112250_46d16d3559fad1aa10ea9c734d13e411.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.fabula.org\/actualites\/documents\/112250_46d16d3559fad1aa10ea9c734d13e411.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">postface<\/a> de Gilles Philippe disponible sur le site <a href=\"https:\/\/www.fabula.org\" data-type=\"URL\" data-id=\"https:\/\/www.fabula.org\" target=\"_blank\" rel=\"noreferrer noopener\">Fabula.org<\/a>.<\/p>\n\n\n\n<p>Arthur Br\u00fcgger, <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/archipelessais\/volume-32\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/archipelessais\/volume-32\/\" target=\"_blank\">La quatri\u00e8me case. Essai sur le roman au \u00abnous\u00bb<\/a><\/em>, Lausanne, Archipel, vol. 32, coll. \u00abEssais\u00bb, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg\" alt=\"\" class=\"wp-image-12011\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg 721w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover-435x724.jpg 435w\" sizes=\"(max-width: 721px) 100vw, 721px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/wp.unil.ch\/allezsavoir\/le-jeu-video-au-dela-de-lecran\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/allezsavoir\/le-jeu-video-au-dela-de-lecran\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nous est un autre<\/a>, <em>Allez Savoir!<\/em> Le magazine de l\u2019UNIL 83, mai 2023.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Arthur Br\u00fcgger<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12010\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg 721w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover-435x724.jpg 435w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/\">La quatri\u00e8me case. Essai sur le roman au \u00abnous\u00bb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<p><strong>Archipel Essais<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12786\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover.jpg 704w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/ZINDER_2023_Hugo_cover-435x741.jpg 435w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/faire-voir-victor-hugo-une-correspondance-avec-nadar-de-la-photographie-a-laeronautique\/\">Faire voir Victor Hugo. Une correspondance avec Nadar, de la photographie \u00e0 l&rsquo;a\u00e9ronautique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12789\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-theatre-des-fees-les-scenes-du-merveilleux-feerique-de-la-comedie-italienne-aux-boulevards-1762-1789\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/CHEVALLEY_2023_fees_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/CHEVALLEY_2023_fees_cover.jpg 724w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/02\/CHEVALLEY_2023_fees_cover-435x721.jpg 435w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-theatre-des-fees-les-scenes-du-merveilleux-feerique-de-la-comedie-italienne-aux-boulevards-1762-1789\/\">Le th\u00e9\u00e2tre des f\u00e9es. Les sc\u00e8nes du merveilleux f\u00e9erique de la Com\u00e9die-Italienne aux boulevards (1762-1789)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12036\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/les-feintes-dune-fin-boris-vian-continue-par-loulipo\/\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RIME_2022_-Vian_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RIME_2022_-Vian_cover.jpg 719w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RIME_2022_-Vian_cover-435x726.jpg 435w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/les-feintes-dune-fin-boris-vian-continue-par-loulipo\/\">Les feintes d&rsquo;une fin. Boris Vian continu\u00e9 par l&rsquo;Oulipo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12010\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover.jpg 721w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/BRUGGER_2022_quatrieme-case_cover-435x724.jpg 435w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-quatrieme-case-essai-sur-le-roman-au-nous\/\">La quatri\u00e8me case. Essai sur le roman au \u00abnous\u00bb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11230\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-rap-litterature-du-monde-social-du-featuring-au-mythe-de-la-banlieue\/\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/CELA_2021_rap_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/CELA_2021_rap_cover.jpg 722w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/CELA_2021_rap_cover-435x723.jpg 435w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-rap-litterature-du-monde-social-du-featuring-au-mythe-de-la-banlieue\/\">Le Rap, litt\u00e9rature du monde social. Du featuring au mythe de la banlieue<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11217\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/une-contradiction-fondamentale-dans-la-litterature-du-travail-les-spectres-du-conflit-dans-la-litterature-contemporaine-1980-2020\/\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"1376\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover.jpg 836w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover-435x716.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/01\/POLTIER_2021_contradiction_cover-768x1264.jpg 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/une-contradiction-fondamentale-dans-la-litterature-du-travail-les-spectres-du-conflit-dans-la-litterature-contemporaine-1980-2020\/\">Une contradiction fondamentale dans la litt\u00e9rature du travail. Les spectres du conflit dans la litt\u00e9rature contemporaine (1980-2020)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9812\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/cohabiter-la-fiction-lecture-ordinaire-univers-de-croyances-et-interpretation-des-mondes-litteraires\/\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-28_DEFcopie_Labelettres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-28_DEFcopie_Labelettres.jpg 738w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-28_DEFcopie_Labelettres-435x707.jpg 435w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/cohabiter-la-fiction-lecture-ordinaire-univers-de-croyances-et-interpretation-des-mondes-litteraires\/\">Cohabiter la fiction. Lecture ordinaire, univers de croyances et interpr\u00e9tation des mondes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9821\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/a-choeur-perdu-les-traces-du-choeur-antique-dans-la-tragedie-francaise-du-xviie-siecle\/\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-29-DEF_Labelettres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-29-DEF_Labelettres.jpg 740w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/COUV-AE-29-DEF_Labelettres-435x705.jpg 435w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/a-choeur-perdu-les-traces-du-choeur-antique-dans-la-tragedie-francaise-du-xviie-siecle\/\">\u00c0 ch\u0153ur perdu. Les traces du ch\u0153ur antique dans la trag\u00e9die fran\u00e7aise du XVIIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5510\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-science-plus-immediate-du-reve\/\"><img loading=\"lazy\" decoding=\"async\" width=\"697\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/ROELLI_SCIENCE_REVE_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/ROELLI_SCIENCE_REVE_couv.jpg 697w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/ROELLI_SCIENCE_REVE_couv-435x749.jpg 435w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-science-plus-immediate-du-reve\/\">La science plus imm\u00e9diate du r\u00eave<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5454\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/faire-litterature-usages-et-pratiques-du-litteraire-xixe-xxie-siecles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BIONDA_ET_AL_Faire_litt_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BIONDA_ET_AL_Faire_litt_couv_final.jpg 608w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/BIONDA_ET_AL_Faire_litt_couv_final-435x733.jpg 435w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/faire-litterature-usages-et-pratiques-du-litteraire-xixe-xxie-siecles\/\">Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9870\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/dhelene-a-lilith-figures-de-femmes-etrangeres-en-suisse-romande-1890-1914\/\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcde.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcde.jpg 618w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcde-435x721.jpg 435w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/dhelene-a-lilith-figures-de-femmes-etrangeres-en-suisse-romande-1890-1914\/\">D\u2019H\u00e9l\u00e8ne \u00e0 Lilith. Figures de femmes \u00e9trang\u00e8res en Suisse romande (1890-1914)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9867\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-mondes-possibles-des-romans-de-jerome-ferrari\/\"><img loading=\"lazy\" decoding=\"async\" width=\"383\" height=\"638\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabcd.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-mondes-possibles-des-romans-de-jerome-ferrari\/\">Des mondes possibles, des romans de J\u00e9r\u00f4me Ferrari<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9864\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/les-femmes-qui-se-parfument-doivent-etre-admirees-de-loin-les-odeurs-feminines-dans-nana-de-zola-notre-coeur-de-maupassant-et-leve-future-de-villiers-de-lisle-adam\/\"><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabc.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabc.jpg 481w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webabc-435x723.jpg 435w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/les-femmes-qui-se-parfument-doivent-etre-admirees-de-loin-les-odeurs-feminines-dans-nana-de-zola-notre-coeur-de-maupassant-et-leve-future-de-villiers-de-lisle-adam\/\">\u00ab Les femmes qui se parfument doivent \u00eatre admir\u00e9es de loin \u00bb. Les odeurs f\u00e9minines dans Nana de Zola, Notre c\u0153ur de Maupassant et L\u2019\u00c8ve future de Villiers de L\u2019Isle-Adam<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9857\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/pour-une-poetique-de-limplicitation-cristal-et-clarie-ou-lart-de-faire-du-neuf-avec-de-lancien\/\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webab.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webab.jpg 480w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_webab-435x725.jpg 435w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/pour-une-poetique-de-limplicitation-cristal-et-clarie-ou-lart-de-faire-du-neuf-avec-de-lancien\/\">Pour une po\u00e9tique de l\u2019implicitation. Cristal et Clarie ou l\u2019art de faire du neuf avec de l\u2019ancien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9853\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-croisee-des-souffles-la-horde-du-contrevent-dalain-damasio\/\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_weba.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_weba.jpg 479w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_weba-435x727.jpg 435w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-croisee-des-souffles-la-horde-du-contrevent-dalain-damasio\/\">La Crois\u00e9e des souffles. La Horde du Contrevent d\u2019Alain Damasio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9849\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/variations-sur-un-standard-jeux-et-metamorphoses-dans-les-trois-romans-biographiques-de-jean-echenoz\/\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_web.jpg 479w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/1e_couv_web-435x727.jpg 435w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/variations-sur-un-standard-jeux-et-metamorphoses-dans-les-trois-romans-biographiques-de-jean-echenoz\/\">Variations sur un standard. Jeux et m\u00e9tamorphoses dans les trois romans biographiques de Jean Echenoz<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9845\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/tensions-toniques-les-recits-de-marie-helene-lafon\/\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couvabc.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/tensions-toniques-les-recits-de-marie-helene-lafon\/\">Tensions toniques. Les r\u00e9cits de Marie-H\u00e9l\u00e8ne Lafon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9840\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/poesie-contemporaine-et-tensions-de-lidentification-de-1985-a-nos-jours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"493\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couvab.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/poesie-contemporaine-et-tensions-de-lidentification-de-1985-a-nos-jours\/\">Po\u00e9sie contemporaine et tensions de l\u2019identification de 1985 \u00e0 nos jours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9835\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/objets-en-liberte\/\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couva.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/objets-en-liberte\/\">Objets en libert\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9829\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/je-nen-feray-que-che-que-jen-aye-empense-le-nain-tronc-dans-ysaye-le-triste\/\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couv.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/je-nen-feray-que-che-que-jen-aye-empense-le-nain-tronc-dans-ysaye-le-triste\/\">\u00ab Je n\u2019en feray que che que j\u2019en aye empens\u00e9! \u00bb Le nain Tronc dans Ysa\u00ffe le Triste<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Qui parle, au fond, lorsqu\u2019un texte dit \u00ab\u00a0nous\u00a0\u00bb?<\/p>\n","protected":false},"author":719,"featured_media":12011,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3228,2868,3444,119,3468,3445,535,122,87,1212],"class_list":{"0":"post-12010","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3228","9":"tag-archipel-essais","10":"tag-arthur-brugger","11":"tag-narratologie","12":"tag-newsletter-44","13":"tag-nous","14":"tag-poetique","15":"tag-polyphonie","16":"tag-roman","17":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=12010"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/12010\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/12011"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=12010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=12010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=12010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}