{"id":11973,"date":"2022-12-23T16:25:15","date_gmt":"2022-12-23T15:25:15","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11973"},"modified":"2023-02-09T15:28:51","modified_gmt":"2023-02-09T14:28:51","slug":"politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/","title":{"rendered":"Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon"},"content":{"rendered":"\n<p><strong>Pour une g\u00e9opolitique et une \u00e9cologie des m\u00e9dias.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Penser les m\u00e9dias avec Gilbert Simondon conduit \u00e0 d\u00e9ployer l\u2019une des notions centrales de sa pens\u00e9e: la technicit\u00e9. D\u00e9crivant aussi bien les machines que les processus, elle permet de penser l\u2019interaction des objets avec les gestes op\u00e9ratoires, de montrer l\u2019impact environnemental de la fabrication et du fonctionnement des appareils m\u00e9diatiques et d\u2019en exhiber les enjeux sociaux, normatifs ou \u00e9mancipateurs.<\/p>\n\n\n\n<p>De l&rsquo;interaction corps-machine au poids de l&rsquo;histoire coloniale dans les \u00abr\u00e9seaux techniques\u00bb qui structurent la circulation mondiale des objets m\u00e9diatiques, de l&rsquo;histoire des op\u00e9rations \u00e0 la notion de corps technique, cet ouvrage de Beno\u00eet Turquety (<a href=\"https:\/\/www.unil.ch\/cin\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/cin\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>) se fonde sur l&rsquo;analyse d\u00e9taill\u00e9e de cas concrets issus de l&rsquo;histoire du cin\u00e9ma et des autres m\u00e9dias pour montrer non seulement la productivit\u00e9 des concepts technologiques de Simondon, mais la mani\u00e8re dont ils permettent de repolitiser les \u00e9tudes m\u00e9diatiques en fonction des enjeux contemporains.<\/p>\n\n\n\n<p>Cet ouvrage s\u2019inscrit dans la suite du projet de recherche <a href=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/bolex-et-le-cinema-amateur\/presentation\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/bolex-et-le-cinema-amateur\/presentation\/\" target=\"_blank\" rel=\"noreferrer noopener\">Histoire des machines et arch\u00e9ologie des pratiques: Bolex et le cin\u00e9ma amateur en Suisse<\/a>, soutenu par le Fonds national suisse.<\/p>\n\n\n\n<p>Beno\u00eet Turquety, <em><a href=\"https:\/\/www.editionsmimesis.fr\/catalogue\/politiques-de-la-technicite\/\" data-type=\"URL\" data-id=\"https:\/\/www.editionsmimesis.fr\/catalogue\/politiques-de-la-technicite\/\" target=\"_blank\" rel=\"noreferrer noopener\">Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/em>, Sesto San Giovanni, Mim\u00e9sis, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg\" alt=\"\" class=\"wp-image-11960\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>PROJET DE RECHERCHE ASSOCI\u00c9<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/bolex-et-le-cinema-amateur\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/bolex-et-le-cinema-amateur\/\" target=\"_blank\" rel=\"noreferrer noopener\">Histoire des machines et arch\u00e9ologie des pratiques: Bolex et le cin\u00e9ma amateur en Suisse<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Beno\u00eet Turquety<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11973\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/\">Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11416\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1500\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover.jpg 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/\">Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10731\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/08\/TURQUETY_Techniques_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\">Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8540\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0.jpg 815w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0-435x640.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0-768x1131.jpg 768w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/\">Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7295\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/\">Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7107\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/medium-format-configuration-the-displacements-of-film\/\"><img loading=\"lazy\" decoding=\"async\" width=\"856\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover.jpg 856w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover-435x610.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover-768x1077.jpg 768w\" sizes=\"auto, (max-width: 856px) 100vw, 856px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/medium-format-configuration-the-displacements-of-film\/\">Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6622\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover.jpg 933w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover-435x559.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover-768x988.jpg 768w\" sizes=\"auto, (max-width: 933px) 100vw, 933px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/\">Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6214\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-je-prononce-yeux-apres-des-je\/\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv.jpg 821w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv-435x636.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv-768x1123.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-je-prononce-yeux-apres-des-je\/\">Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5673\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1000\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv.jpg 759w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv-435x573.jpg 435w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/\">L&rsquo;amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Pour une g\u00e9opolitique et une \u00e9cologie des m\u00e9dias.<\/p>\n","protected":false},"author":719,"featured_media":11960,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3228,1647,59,11,3468,1233,549],"class_list":{"0":"post-11973","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3228","9":"tag-benoit-turquety","10":"tag-cinema","11":"tag-medias","12":"tag-newsletter-44","13":"tag-section-dhistoire-et-esthetique-du-cinema","14":"tag-technologie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11973"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11973\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11960"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}