{"id":11913,"date":"2022-11-21T16:55:58","date_gmt":"2022-11-21T15:55:58","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11913"},"modified":"2022-12-02T15:32:41","modified_gmt":"2022-12-02T14:32:41","slug":"scrivere-poesia-nel-rinascimento-leredita-classica-nella-lirica-della-prima-meta-del-cinquecento","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/scrivere-poesia-nel-rinascimento-leredita-classica-nella-lirica-della-prima-meta-del-cinquecento\/","title":{"rendered":"Scrivere poesia nel Rinascimento. L&rsquo;eredit\u00e0 classica nella lirica della prima met\u00e0 del Cinquecento"},"content":{"rendered":"\n<p><strong>L&rsquo;\u00e9criture \u00e0 la Renaissance entre crise politique et red\u00e9couverte des classiques.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Dans le <em>De honesta disciplina<\/em>, Pietro Crinito \u00e9crivait: \u00abCelui qui a fait l&rsquo;exp\u00e9rience de l&rsquo;antiquit\u00e9 comprend le pr\u00e9sent et pr\u00e9voit l&rsquo;avenir\u00bb. Cette phrase d\u00e9finit le d\u00e9roulement de la Renaissance entre la fin du XVe si\u00e8cle et le milieu du XVIe si\u00e8cle, alors que l\u2019horizon politique et socio-culturel italien subit un changement radical li\u00e9 \u00e0 la disparition du syst\u00e8me des cours et aux guerres d\u2019Italie.<\/p>\n\n\n\n<p>Le classicisme offre une cl\u00e9 de lecture en ce moment de crise o\u00f9 les \u00e9crivains ont vu leur r\u00f4le social changer et ont d\u00fb le reconfigurer, tout en d\u00e9fendant la valeur de l\u2019\u00e9criture et en n\u00e9gociant entre les exigences du pouvoir et la vocation lyrique.<\/p>\n\n\n\n<p>Apr\u00e8s une introduction critique et m\u00e9thodologique, Amelia Juri (<a href=\"https:\/\/www.unil.ch\/ital\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/ital\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section d\u2019italien<\/a>) aborde trois th\u00e8mes essentiels, circonscrits gr\u00e2ce \u00e0 un dialogue entre po\u00e9sie, histoire, art et classiques: le po\u00e8te dans la soci\u00e9t\u00e9 et face \u00e0 l\u2019histoire, les strat\u00e9gies de l\u2019\u00e9loge et la red\u00e9couverte des genres anciens, le th\u00e8me \u00e9rotique et la veine sensuelle.<\/p>\n\n\n\n<p>Cet ouvrage est \u00e9galement disponible en libre acc\u00e8s sur le <a href=\"https:\/\/www.ledizioni.it\/prodotto\/scrivere-poesia-rinascimento\/\" data-type=\"URL\" data-id=\"https:\/\/www.ledizioni.it\/prodotto\/scrivere-poesia-rinascimento\/\" target=\"_blank\" rel=\"noreferrer noopener\">site web de l\u2019\u00e9diteur<\/a>.<\/p>\n\n\n\n<p>Amelia Juri, <em><a href=\"https:\/\/www.ledizioni.it\/prodotto\/scrivere-poesia-rinascimento\/\" data-type=\"URL\" data-id=\"https:\/\/www.ledizioni.it\/prodotto\/scrivere-poesia-rinascimento\/\" target=\"_blank\" rel=\"noreferrer noopener\">Scrivere poesia nel Rinascimento. L&rsquo;eredit\u00e0 classica nella lirica della prima met\u00e0 del Cinquecento<\/a><\/em>, Milano, Ledizioni, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover.jpg\" alt=\"\" class=\"wp-image-11914\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover.jpg 851w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover-435x613.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover-768x1083.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Amelia Juri<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12402\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/nuove-prospettive-su-intertestualita-e-studi-della-ricezione-il-rinascimento-italiano\/\"><img loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/09\/JURI_2023_prospettive_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/09\/JURI_2023_prospettive_cover.jpg 866w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/09\/JURI_2023_prospettive_cover-435x603.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/09\/JURI_2023_prospettive_cover-768x1064.jpg 768w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/nuove-prospettive-su-intertestualita-e-studi-della-ricezione-il-rinascimento-italiano\/\">Nuove prospettive su intertestualit\u00e0 e studi della ricezione. Il Rinascimento italiano<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11913\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/scrivere-poesia-nel-rinascimento-leredita-classica-nella-lirica-della-prima-meta-del-cinquecento\/\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover.jpg 851w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover-435x613.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/11\/JURI_2022_scrivere_cover-768x1083.jpg 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/scrivere-poesia-nel-rinascimento-leredita-classica-nella-lirica-della-prima-meta-del-cinquecento\/\">Scrivere poesia nel Rinascimento. L&rsquo;eredit\u00e0 classica nella lirica della prima met\u00e0 del Cinquecento<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8031\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/p-bembo-stanze\/\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/07\/bembo-cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/07\/bembo-cover.jpg 764w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/07\/bembo-cover-435x683.jpg 435w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/p-bembo-stanze\/\">Pietro Bembo, Stanze<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5023\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\"><img loading=\"lazy\" decoding=\"async\" width=\"908\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg 908w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-435x575.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-768x1015.jpg 768w\" sizes=\"auto, (max-width: 908px) 100vw, 908px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\">Misure del testo. Metodi, problemi e frontiere della metrica italiana<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8023\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lottavia-di-pietro-bembo-sintassi-metrica-retorica\/\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/05\/JURI_Ottavia_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/05\/JURI_Ottavia_cover.jpg 850w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/05\/JURI_Ottavia_cover-435x614.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/05\/JURI_Ottavia_cover-768x1084.jpg 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lottavia-di-pietro-bembo-sintassi-metrica-retorica\/\">L&rsquo;Ottava di Pietro Bembo. Sintassi, metrica, retorica<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;\u00e9criture \u00e0 la Renaissance entre crise politique et red\u00e9couverte des classiques.<\/p>\n","protected":false},"author":719,"featured_media":11914,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4,5],"tags":[3228,1411,36,46,1437,10,3179,3418,3424,2347,14,176],"class_list":{"0":"post-11913","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"category-sciences-theoriques","11":"tag-3228","12":"tag-amelia-juri","13":"tag-antiquite","14":"tag-art","15":"tag-classicisme","16":"tag-histoire","17":"tag-imitation","18":"tag-litterature-et-pouvoir","19":"tag-newsletter-42","20":"tag-open-access","21":"tag-poesie","22":"tag-renaissance"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11913"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11913\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11914"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}