{"id":11824,"date":"2022-09-12T06:26:16","date_gmt":"2022-09-12T04:26:16","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11824"},"modified":"2022-10-25T08:44:42","modified_gmt":"2022-10-25T06:44:42","slug":"una-finestra-su-roma-altomedievale-pitture-e-mosaici","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/una-finestra-su-roma-altomedievale-pitture-e-mosaici\/","title":{"rendered":"Una finestra su Roma altomedievale. Pitture e mosaici"},"content":{"rendered":"\n

Rome au haut Moyen \u00c2ge: une ville en couleurs.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Longtemps n\u00e9glig\u00e9e en raison de pr\u00e9jug\u00e9s historiographiques consid\u00e9rant le haut Moyen \u00c2ge comme un trou noir de l\u2019histoire, cette p\u00e9riode s\u2019av\u00e8re d\u00e9cisive pour la mise en place d\u2019un syst\u00e8me de communication visuelle qui marquera de mani\u00e8re durable la culture occidentale. Les monuments \u00e9tudi\u00e9s dans ce livre en offrent un clair t\u00e9moignage gr\u00e2ce aux nombreuses strat\u00e9gies figuratives d\u00e9velopp\u00e9es selon le type de commande, la forme et la fonction des espaces.<\/p>\n\n\n\n

Sept \u00e9tudes de cas illustrent les outils m\u00e9thodologiques et les premiers r\u00e9sultats obtenus par une \u00e9quipe multidisciplinaire dans le cadre d\u2019une recherche visant \u00e0 renouveler l\u2019image de la culture visuelle de Rome au haut Moyen \u00c2ge (Ve-XIe s.).<\/p>\n\n\n\n

Cet ouvrage constitue le premier jalon d\u2019une plus ample recherche conduite dans le cadre du projet FNS Rome aux si\u00e8cles \u00ab\u00a0obscurs\u00a0\u00bb. Les lumi\u00e8res de la communication visuelle<\/a>, dirig\u00e9 par Chiara Croci et Irene Quadri (toutes deux de la Section d\u2019histoire de l\u2019art<\/a>), et accompagn\u00e9e d\u2019une base de donn\u00e9es en libre acc\u00e8s.<\/p>\n\n\n\n

Chiara Croci, Manuela Gianandrea, Irene Quadri , Serena Romano (\u00e9ds), Una finestra su Roma altomedievale. Pitture e mosaici<\/a><\/em>, \u00c9tudes lausannoises d\u2019histoire de l\u2019art 31, Rome, Viella, 2022.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Chiara Croci<\/strong><\/p>\n\n\n\n\n

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Una finestra su Roma altomedievale. Pitture e mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Rome on the Borders. Visual Cultures during the Carolingian Transition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Tessere per un nuovo inizio. Il battistero paleocristiano di Napoli e i suoi mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Entre terre et ciel. Les \u00e9difices \u00e0 coupole et leur d\u00e9cor entre l’Antiquit\u00e9 tardive et le haut Moyen \u00c2ge<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Una \u201cquestione campana\u201d. La prima arte monumentale cristiana tra Napoli, Nola e Capua (secc. IV-VI)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

Irene Quadri<\/strong><\/p>\n\n\n\n\n

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Una finestra su Roma altomedievale. Pitture e mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La pittura murale tra XI e XIII secolo in Canton Ticino. Tra gli intonaci medievali di un’altra Lombardia<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

Serena Romano<\/strong><\/p>\n\n\n\n\n

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Una finestra su Roma altomedievale. Pitture e mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Per Enrico Castelnuovo. Da Losanna, le vie della storia dell’arte<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Colosseo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Courts and Courtly Cultures in Early Modern Italy and Europe. Models and Languages<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Rome au haut Moyen \u00c2ge: une ville en couleurs.<\/p>\n","protected":false},"author":719,"featured_media":11819,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3228,3387,633,586,2038,290,2353,3386,1829,3397,217,804,1214,100],"class_list":{"0":"post-11824","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3228","10":"tag-archeometrie","11":"tag-chiara-croci","12":"tag-epigraphie","13":"tag-haut-moyen-age","14":"tag-iconographie","15":"tag-irene-quadri","16":"tag-lieux-de-culte","17":"tag-mosaique","18":"tag-newsletter-41","19":"tag-peinture","20":"tag-rome","21":"tag-section-dhistoire-de-lart","22":"tag-serena-romano"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11824"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11819"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}