{"id":11627,"date":"2022-06-27T11:56:27","date_gmt":"2022-06-27T09:56:27","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11627"},"modified":"2022-08-15T14:25:04","modified_gmt":"2022-08-15T12:25:04","slug":"le-paysage-originel-changer-de-regard-sur-les-litteratures-francophones","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-paysage-originel-changer-de-regard-sur-les-litteratures-francophones\/","title":{"rendered":"Le paysage originel. Changer de regard sur les litt\u00e9ratures francophones"},"content":{"rendered":"\n<p><strong>Un essai sur les paysages fondateurs dans la po\u00e9sie suisse romande (1900-1980).<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Dans un contexte de mondialisation culturelle, la notion de \u00ab paysage originel \u00bb permet de retrouver un sol. Dans cet essai, Antonio Rodriguez (<a href=\"https:\/\/www.unil.ch\/fra\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/fra\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section de fran\u00e7ais<\/a> et directeur du <a href=\"https:\/\/printempspoesie.lyricalvalley.org\/\" data-type=\"URL\" data-id=\"https:\/\/printempspoesie.lyricalvalley.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Printemps de la po\u00e9sie<\/a>) propose une travers\u00e9e critique de la po\u00e9sie romande, en convoquant ses plus grands repr\u00e9sentants : Blaise Cendrars, C. F. Ramuz, Gustave Roud, Philippe Jaccottet, Nicolas Bouvier, Maurice Chappaz, Alexandre Voisard, Jean-Georges Lossier, Pierre Chappuis, Anne Perrier\u2026<\/p>\n\n\n\n<p>Cet ouvrage montre combien l\u2019identit\u00e9 peut se construire par la litt\u00e9rature, car nous nous reconnaissons tous dans des lieux fondateurs avec des valeurs qui nous constituent. L\u2019\u00e9laboration dynamique de soi est explor\u00e9e par les po\u00e9sies dites \u00ab francophones \u00bb et l\u2019\u00e9tonnante construction d\u2019un \u00ab \u00e9tranger au sein de la m\u00eame langue \u00bb. Par-del\u00e0 les d\u00e9terminismes nationaux, l\u2019affirmation de l\u2019identit\u00e9 articule les \u00e9chelles de la diversit\u00e9, du \u00ab&nbsp;pluriversel \u00bb.<\/p>\n\n\n\n<p>De mani\u00e8re embl\u00e9matique, les po\u00e8tes provenant de Suisse romande tentent d\u2019\u00e9chapper \u00e0 un h\u00e9ritage particularisant ; ou, au contraire, de le revendiquer. Le choix des paysages originels souligne alors un trait commun : on ne na\u00eet pas \u00ab \u00e9crivain francophone \u00bb, on le devient.<\/p>\n\n\n\n<p>Antonio Rodriguez, <em><a href=\"https:\/\/www.editions-hermann.fr\/livre\/le-paysage-originel-antonio-rodriguez\" data-type=\"URL\" data-id=\"https:\/\/www.editions-hermann.fr\/livre\/le-paysage-originel-antonio-rodriguez\" target=\"_blank\" rel=\"noreferrer noopener\">Le paysage originel. Changer de regard sur les litt\u00e9ratures francophones<\/a><\/em>, Paris, Hermann, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/RODRIGUEZ_2022_paysage_couverture.jpeg\" alt=\"\" class=\"wp-image-11628\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/RODRIGUEZ_2022_paysage_couverture.jpeg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/RODRIGUEZ_2022_paysage_couverture-435x647.jpeg 435w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.24heures.ch\/la-poesie-romande-existe-t-elle-611044117209\" data-type=\"URL\" data-id=\"https:\/\/www.24heures.ch\/la-poesie-romande-existe-t-elle-611044117209\" target=\"_blank\">La po\u00e9sie romande existe-t-elle ?<\/a>, <em>24heures<\/em>, 29.06.2022.<\/li><li><a href=\"https:\/\/www.24heures.ch\/la-poesie-romande-na-jamais-regarde-son-nombril-342442129658\" data-type=\"URL\" data-id=\"https:\/\/www.24heures.ch\/la-poesie-romande-na-jamais-regarde-son-nombril-342442129658\" target=\"_blank\" rel=\"noreferrer noopener\">La po\u00e9sie romande n&rsquo;a jamais regard\u00e9 son nombril<\/a>, \u00e9ditorial, <em>24heures<\/em>, 29.06.2022.<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Antonio Rodriguez<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12832\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/dictionnaire-du-lyrique-poesie-arts-medias\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/03\/RODRIGUEZ_2024_dictionnaire-lyrique_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/dictionnaire-du-lyrique-poesie-arts-medias\/\">Dictionnaire du lyrique. Po\u00e9sie, arts, m\u00e9dias<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12520\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-primitivisme-des-avant-gardes-litteraires\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie.jpg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie-435x638.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/10\/LEQUELLEC_2023_primitivisme_cover-copie-768x1127.jpg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-primitivisme-des-avant-gardes-litteraires\/\">Le primitivisme des avant-gardes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11997\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lyre-multimedia-nouveaux-objets-pour-la-critique-de-la-poesie\/\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"654\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RODRIGUEZ_2022_EDL319_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RODRIGUEZ_2022_EDL319_cover.jpg 450w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/01\/RODRIGUEZ_2022_EDL319_cover-435x632.jpg 435w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lyre-multimedia-nouveaux-objets-pour-la-critique-de-la-poesie\/\">Lyre multim\u00e9dia. Nouveaux objets pour la critique de la po\u00e9sie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11627\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-paysage-originel-changer-de-regard-sur-les-litteratures-francophones\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"893\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/RODRIGUEZ_2022_paysage_couverture.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/RODRIGUEZ_2022_paysage_couverture.jpeg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/RODRIGUEZ_2022_paysage_couverture-435x647.jpeg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-paysage-originel-changer-de-regard-sur-les-litteratures-francophones\/\">Le paysage originel. Changer de regard sur les litt\u00e9ratures francophones<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5871\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-poeme-et-le-territoire-promenades-litteraires-en-suisse-romande\/\"><img loading=\"lazy\" decoding=\"async\" width=\"873\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/RODRIGUEZ_Po\u00e8mes_territoire_cover_lowres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/RODRIGUEZ_Po\u00e8mes_territoire_cover_lowres.jpg 873w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/RODRIGUEZ_Po\u00e8mes_territoire_cover_lowres-435x598.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/04\/RODRIGUEZ_Po\u00e8mes_territoire_cover_lowres-768x1056.jpg 768w\" sizes=\"auto, (max-width: 873px) 100vw, 873px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-poeme-et-le-territoire-promenades-litteraires-en-suisse-romande\/\">Le po\u00e8me et le territoire. Promenades litt\u00e9raires en Suisse romande<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3070\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/les-passions-en-litterature-de-la-theorie-a-lenseignement\/\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2014\/04\/RODRIGUEZ_passions_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2014\/04\/RODRIGUEZ_passions_couv_final.jpg 826w, https:\/\/wp.unil.ch\/labelettres\/files\/2014\/04\/RODRIGUEZ_passions_couv_final-435x632.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2014\/04\/RODRIGUEZ_passions_couv_final-207x300.jpg 207w, https:\/\/wp.unil.ch\/labelettres\/files\/2014\/04\/RODRIGUEZ_passions_couv_final-768x1116.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2014\/04\/RODRIGUEZ_passions_couv_final-705x1024.jpg 705w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/les-passions-en-litterature-de-la-theorie-a-lenseignement\/\">Les passions en litt\u00e9rature. De la th\u00e9orie \u00e0 l&rsquo;enseignement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9840\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/poesie-contemporaine-et-tensions-de-lidentification-de-1985-a-nos-jours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"493\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/Essais4couvab.gif\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/poesie-contemporaine-et-tensions-de-lidentification-de-1985-a-nos-jours\/\">Po\u00e9sie contemporaine et tensions de l\u2019identification de 1985 \u00e0 nos jours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Un essai sur les paysages fondateurs dans la po\u00e9sie suisse romande (1900-1980).<\/p>\n","protected":false},"author":719,"featured_media":11628,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3228,815,207,3366,1251,1212,227,331],"class_list":{"0":"post-11627","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3228","9":"tag-antonio-rodriguez","10":"tag-identite","11":"tag-newsletter-39","12":"tag-paysage","13":"tag-section-de-francais","14":"tag-suisse-romande","15":"tag-transnational"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11627"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11627\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11628"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}