{"id":11568,"date":"2022-06-27T09:37:19","date_gmt":"2022-06-27T07:37:19","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11568"},"modified":"2022-08-09T13:49:51","modified_gmt":"2022-08-09T11:49:51","slug":"la-critique-dart-des-poetes","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-critique-dart-des-poetes\/","title":{"rendered":"La critique d\u2019art des po\u00e8tes"},"content":{"rendered":"\n

Quelle relation entre po\u00e9sie et peinture ?<\/strong><\/p>\n\n\n\n\n\n\n\n

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\u00c0 travers des exemples de po\u00e8tes (Baudelaire, Gautier, Musset, Banville, Verlaine et bien d’autres au XXe si\u00e8cle), cet ouvrage collectif, codirig\u00e9 par Philippe Kaenel (Section d\u2019histoire de l\u2019art<\/a>), examine la relation entre po\u00e9sie et peinture autour de deux axes : \u00ab la critique d\u2019art \u00bb et \u00ab le po\u00e8me d\u2019art \u00bb.<\/p>\n\n\n\n

En premier lieu, les contributions r\u00e9unies cernent la r\u00e9invention de la critique d\u2019art par les po\u00e8tes. Il s\u2019agit de sonder les caract\u00e9ristiques de cette prose d\u2019id\u00e9es esth\u00e9tiques, qui articule r\u00e9ception et r\u00e9flexion, mais aussi observation et imagination. Le va-et-vient entre prose et po\u00e9sie nourrit une critique d\u2019art dont la port\u00e9e cr\u00e9atrice aboutit \u00e0 la collaboration du po\u00e8te et du peintre. Ces compagnonnages entre les exp\u00e9riences cr\u00e9atrices contribuent \u00e0 singulariser la critique d\u2019art des po\u00e8tes par rapport \u00e0 la critique d\u2019art sp\u00e9cialis\u00e9e.<\/p>\n\n\n\n

Les auteurs se proposent ensuite d\u2019\u00e9valuer le retour de ces pratiques dans la po\u00e9sie, afin d\u2019\u00e9tablir les enjeux et les modalit\u00e9s du po\u00e8me d\u2019art, un po\u00e8me inspir\u00e9 par le(s) tableau(x), englobant la r\u00eaverie esth\u00e9tique, un genre \u00e0 part, hybride et vagabond. L\u2019id\u00e9e m\u00eame de po\u00e8me trouve alors \u00e0 se renouveler, loin des clivages traditionnels, \u00e0 la faveur d\u2019un d\u00e9placement du paradigme musical vers le paradigme pictural, jusqu\u2019\u00e0 \u00e9maner parfois de po\u00e8tes-peintres ou de peintres-po\u00e8tes.<\/p>\n\n\n\n

Corinne Bayle, Philippe Kaenel, Serge Linar\u00e8s (dir.), La critique d\u2019art des po\u00e8tes<\/a><\/em>, Paris, \u00c9ditions Kim\u00e9, 2022.<\/p>\n<\/div>\n\n\n\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Philippe Kaenel<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Cultures paysannes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les livres d’artistes d’Edwin Engelberts. Un \u00e9diteur d’art, ses peintres et ses po\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Reproducing Images and Texts \/ La reproduction des images et des textes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La critique d\u2019art des po\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Red\u00e9couvertes \u2013 La Fondation Ateliers d\u2019Artiste<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Du papier aux autres m\u00e9dias : la presse vaudoise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Mus\u00e9e cantonal 1818-2018. Histoire et enjeux des mus\u00e9es encyclop\u00e9diques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La caricature en Suisse<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Acteurs de la vigne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pleins feux\u00a0! La Collection d\u2019art de la Ville de Lausanne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Eug\u00e8ne Burnand. La passion de peindre<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Marius Borgeaud<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Christ r\u00e9envisag\u00e9. Variations photographiques contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Dor\u00e9 : l’imaginaire au pouvoir<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Gustave Roud: La plume et le regard<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Narrations visuelles, visions narratives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Neige, blanc, papier: po\u00e9sie et arts visuels \u00e0 l\u2019\u00e2ge contemporain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

J\u00e9sus en repr\u00e9sentations. De la Belle \u00c9poque \u00e0 la postmodernit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les p\u00e9riodiques illustr\u00e9s (1890-1940): \u00e9crivains, artistes, photographes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Points de vue sur J\u00e9sus au XXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les images en guerre 1914-1945: De la Suisse \u00e0 l\u2019Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Salvador Dali \u00e0 la crois\u00e9e des savoirs<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Visions du r\u00eave<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Quelle relation entre po\u00e9sie et peinture?<\/p>\n","protected":false},"author":719,"featured_media":11569,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[3228,46,679,577,3366,217,51,14,3342,1214],"class_list":{"0":"post-11568","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3228","10":"tag-art","11":"tag-critique","12":"tag-critique-dart","13":"tag-newsletter-39","14":"tag-peinture","15":"tag-philippe-kaenel","16":"tag-poesie","17":"tag-poete","18":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11568"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11568\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11569"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}