{"id":11518,"date":"2022-06-02T09:43:57","date_gmt":"2022-06-02T07:43:57","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11518"},"modified":"2024-05-24T16:26:10","modified_gmt":"2024-05-24T14:26:10","slug":"scenes-numeriques-anthologie-critique-decrits-et-dentretiens-dartistes-digital-stages-critical-anthology-of-artists-statements-and-interviews","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/scenes-numeriques-anthologie-critique-decrits-et-dentretiens-dartistes-digital-stages-critical-anthology-of-artists-statements-and-interviews\/","title":{"rendered":"Sc\u00e8nes num\u00e9riques. Anthologie critique d\u2019\u00e9crits et d\u2019entretiens d\u2019artistes \/ Digital Stages. Critical anthology of artists\u2019 statements and interviews"},"content":{"rendered":"\n

Les mutations num\u00e9riques du th\u00e9\u00e2tre du point de vue des artistes.<\/strong><\/p>\n\n\n\n\n\n\n\n

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S\u2019inscrivant dans la probl\u00e9matique actuelle des fronti\u00e8res entre l\u2019humain et le technologique, cette anthologie rassemble des \u00e9crits d\u2019artistes, ainsi que des entretiens de metteurs en sc\u00e8ne et performeurs travaillant avec la technologie num\u00e9rique.<\/p>\n\n\n\n

Dirig\u00e9e par Izabella Pluta (Centre d\u2019\u00e9tudes th\u00e9\u00e2trales<\/a>), elle r\u00e9unit 65 contributions group\u00e9es en sept parties consacr\u00e9es au temps, \u00e0 l\u2019espace, \u00e0 la dramaturgie, \u00e0 l\u2019acteur, au spectateur, \u00e0 l\u2019objet et au dispositif, ainsi qu\u2019au processus de cr\u00e9ation. Chaque partie est pr\u00e9c\u00e9d\u00e9e d\u2019un contexte th\u00e9orique cens\u00e9 esquisser une topographie des grandes transformations qui touchent le paradigme analys\u00e9.<\/p>\n\n\n\n

Les pr\u00e9sentes contributions \u00e9voquent les grandes mutations qui touchent le th\u00e9\u00e2tre, le transformant en sc\u00e8ne num\u00e9rique, ainsi que son passage vers le post-num\u00e9rique. Il s\u2019agit de t\u00e9moignages \u00e0 vif, sur le tas, venant de l\u2019exp\u00e9rience du plateau. Dans cette optique, ce recueil pr\u00e9sente une d\u00e9marche unique \u00e0 ce jour.<\/p>\n\n\n\n

Izabella Pluta (\u00e9d.), avec la collaboration de Margot Dacheux, Herv\u00e9 Guay, Simon Hagemann, Eug\u00e9nie Pastor, Sc\u00e8nes num\u00e9riques. Anthologie critique d\u2019\u00e9crits et d\u2019entretiens d\u2019artistes \/ Digital Stages. Critical anthology of artists\u2019 statements and interviews<\/a><\/em>, Rennes, Presses universitaires de Rennes, 2022.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Izabella Pluta<\/strong><\/p>\n\n\n\n\n

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Live Performance and Video Games. Inspirations, Appropriations and Mutual Transfers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Quels r\u00f4les pour le spectateur \u00e0 l\u2019\u00e8re num\u00e9rique?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Sc\u00e8nes num\u00e9riques. Anthologie critique d\u2019\u00e9crits et d\u2019entretiens d\u2019artistes \/ Digital Stages. Critical anthology of artists\u2019 statements and interviews<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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\u00ab\u00a0Salle d’attente\u00a0\u00bb de Krystian Lupa. Cr\u00e9ation et transmission<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Les mutations num\u00e9riques du th\u00e9\u00e2tre du point de vue des artistes.<\/p>\n","protected":false},"author":719,"featured_media":11519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3228,1342,1222,59,843,738,712,3328,1759,2832,3343,1491,3331,3329,1212,1156,1278,151],"class_list":{"0":"post-11518","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3228","9":"tag-acteur","10":"tag-centre-detudes-theatrales-cet","11":"tag-cinema","12":"tag-dispositif","13":"tag-dramaturgie","14":"tag-espace","15":"tag-hybridation","16":"tag-izabella-pluta","17":"tag-jeux-video","18":"tag-newsletter-38","19":"tag-numerique","20":"tag-processus-de-creation","21":"tag-robotique","22":"tag-section-de-francais","23":"tag-spectateur","24":"tag-temps","25":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11518"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11518\/revisions"}],"predecessor-version":[{"id":12979,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11518\/revisions\/12979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11519"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}