{"id":11511,"date":"2022-05-20T16:21:06","date_gmt":"2022-05-20T14:21:06","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11511"},"modified":"2024-05-24T16:26:19","modified_gmt":"2024-05-24T14:26:19","slug":"crime-et-chatiment-la-mort-de-don-juan-moliere-et-mozart-1965-2019","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/crime-et-chatiment-la-mort-de-don-juan-moliere-et-mozart-1965-2019\/","title":{"rendered":"Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)"},"content":{"rendered":"\n

Un dialogue entre th\u00e9\u00e2tre et op\u00e9ra.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Foudroiement, flammes, trappes, accident de projecteur, coup de carton sur la t\u00eate ou d\u00e9fenestration : la mise en sc\u00e8ne de la mort de Don Juan dans Le Festin de pierre (Don Juan) <\/em>(1665) de Moli\u00e8re et dans le Don Giovanni<\/em> (1787) de Mozart a toujours repr\u00e9sent\u00e9 pour les metteurs en sc\u00e8ne une gageure sur le plan dramaturgique, qui n\u2019a d\u2019\u00e9gale que leur inventivit\u00e9, et parfois leur humour, \u00e0 la remotiver.<\/p>\n\n\n\n

Issues d\u2019une journ\u00e9e d\u2019\u00e9tude organis\u00e9e en 2020 par le Centre d\u2019\u00e9tudes th\u00e9\u00e2trales<\/a> de l\u2019Universit\u00e9 de Lausanne, les contributions r\u00e9unies par Gabriele Bucchi (Section d\u2019italien<\/a>) et Lise Michel (Section de fran\u00e7ais<\/a>) interrogent le d\u00e9nouement de la pi\u00e8ce de Moli\u00e8re et de l\u2019op\u00e9ra de Mozart dans les mises en sc\u00e8ne produites depuis les ann\u00e9es 1960.<\/p>\n\n\n\n

Aux \u00e9tudes de cas individuels s\u2019ajoutent deux entretiens avec des metteurs en sc\u00e8ne. L\u2019ensemble met en lumi\u00e8re les modalit\u00e9s de chaque mise en sc\u00e8ne singuli\u00e8re du ch\u00e2timent subi par Don Juan, mais aussi la mani\u00e8re dont th\u00e9\u00e2tre et op\u00e9ra ont pu se nourrir et se r\u00e9pondre.<\/p>\n\n\n\n

Ces textes sont disponibles en libre acc\u00e8s dans la section \u00ab Colloques en ligne \u00bb du site Fabula.org<\/a>.<\/p>\n\n\n\n

Gabriele Bucchi, Lise Michel (dir.), Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/em>, \u00a0avec notamment des contributions de Danielle Chaperon, Marc Escola, Aur\u00e9lien Maignant et Josefa Terribilini, Fabula, Colloques en ligne, 2022.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Gabriele Bucchi<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Il grido del pavone. Alessandro Tassoni tra fascinazione eroica e demistificazione scettica<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La critica letteraria nell\u2019Italia del Settecento. Forme e problemi<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’Op\u00e9ra en toutes lettres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’eroicomico dall’Italia all’Europa. Atti del convegno, Universit\u00e0 di Losanna, 9-10 settembre 2011<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00abMeraviglioso diletto\u00bb. La traduzione poetica del Cinquecento e le Metamorfosi d’Ovidio di Giovanni Andrea dell’Anguillara<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

Lise Michel<\/strong><\/p>\n\n\n\n\n

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\u00c9crire pour elles. Dramaturges et spectatrices en Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Retours sur Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moli\u00e8re, Le M\u00e9decin malgr\u00e9 lui<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire \u0153uvre d’une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVIe-XXIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moli\u00e8re, Les Femmes savantes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Naissance de la critique dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’id\u00e9e d’un th\u00e9\u00e2tre originaire dans la th\u00e9orie et la pratique dramatiques (XVII-XXIe si\u00e8cle)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Un dialogue entre th\u00e9\u00e2tre et op\u00e9ra.<\/p>\n","protected":false},"author":719,"featured_media":11512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[3228,1222,3324,3323,270,892,74,3343,2347,174,1240,1212,151],"class_list":{"0":"post-11511","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3228","10":"tag-centre-detudes-theatrales-cet","11":"tag-don-giovanni","12":"tag-don-juan","13":"tag-gabriele-bucchi","14":"tag-lise-michel","15":"tag-mise-en-scene","16":"tag-newsletter-38","17":"tag-open-access","18":"tag-opera","19":"tag-section-ditalien","20":"tag-section-de-francais","21":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11511"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11511\/revisions"}],"predecessor-version":[{"id":12980,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11511\/revisions\/12980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11512"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}