{"id":11416,"date":"2022-04-28T11:54:54","date_gmt":"2022-04-28T09:54:54","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11416"},"modified":"2022-05-03T16:38:10","modified_gmt":"2022-05-03T14:38:10","slug":"le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/","title":{"rendered":"Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s"},"content":{"rendered":"\n

Les m\u00e9dias num\u00e9riques, utopies et mat\u00e9rialit\u00e9s.<\/strong><\/p>\n\n\n\n\n\n\n\n

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\u00c0 travers des \u00e9tudes de cin\u00e9matographies nationales (Chine, Iran, Syrie, Mozambique), de projets communautaires (aux USA, en France, en Suisse ou parmi les nations autochtones canadiennes), et de projets artistiques (de J. van der Keuken \u00e0 J. Perconte), ce livre propose de replacer les m\u00e9dias contemporains au sein d’une certaine histoire politique des images et des sons.<\/p>\n\n\n\n

\u00c0 la base de cet ouvrage co\u00e9dit\u00e9 par Beno\u00eet Turquety (Section d\u2019histoire et d\u2019esth\u00e9tique du cin\u00e9ma<\/a>, Centre d\u2019\u00e9tudes cin\u00e9matographiques<\/a>) est pos\u00e9e l\u2019hypoth\u00e8se que les probl\u00e8mes agen\u00e7ant d\u00e9colonisation et politiques participatives, techniques m\u00e9diatiques et d\u00e9centralisation, se sont pos\u00e9s de mani\u00e8re continue jusqu\u2019\u00e0 la p\u00e9riode contemporaine, au-del\u00e0 de la fronti\u00e8re entre analogique et num\u00e9rique ou de toute s\u00e9paration de principe entre cin\u00e9ma, t\u00e9l\u00e9vision et radio.<\/p>\n\n\n\n

Les renouvellements id\u00e9ologiques les plus pr\u00e9gnants aujourd\u2019hui obligent \u00e0 prendre la mesure, dans l\u2019histoire des m\u00e9dias, de cette force souterraine qu\u2019ont \u00e9t\u00e9 et que sont encore leurs formes p\u00e9riph\u00e9riques, pauvres, minoritaires, d\u00e9centralis\u00e9es.<\/p>\n\n\n\n

Beno\u00eet Turquety, Caroline Z\u00e9au (dir.), Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/em>, Sesto San Giovanni, \u00c9ditions Mim\u00e9sis, 2022.<\/p>\n<\/div>\n\n\n\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Beno\u00eet Turquety<\/strong><\/p>\n\n\n\n\n

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Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Les m\u00e9dias num\u00e9riques, utopies et mat\u00e9rialit\u00e9s.<\/p>\n","protected":false},"author":719,"featured_media":11417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3228,1647,1374,59,3303,11,3321,1233,61],"class_list":{"0":"post-11416","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3228","9":"tag-benoit-turquety","10":"tag-centre-detudes-cinematographiques-cec","11":"tag-cinema","12":"tag-decentralisation","13":"tag-medias","14":"tag-newsletter-37","15":"tag-section-dhistoire-et-esthetique-du-cinema","16":"tag-technique"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11416"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11416\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11417"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}