{"id":11376,"date":"2022-04-06T08:00:00","date_gmt":"2022-04-06T06:00:00","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11376"},"modified":"2022-05-03T16:39:03","modified_gmt":"2022-05-03T14:39:03","slug":"redecouvertes-la-fondation-ateliers-dartiste","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/redecouvertes-la-fondation-ateliers-dartiste\/","title":{"rendered":"Red\u00e9couvertes \u2013 La Fondation Ateliers d\u2019Artiste"},"content":{"rendered":"\n

Un catalogue pour sortir des artistes r\u00e9gionaux de l\u2019oubli.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Depuis 2004, la Fondation Ateliers d\u2019Artiste (FAA) accueille des fonds entiers ou partiels de successions d\u2019artistes de toute la Suisse romande. Sculptures, peintures, gravures, dessins, ces \u0153uvres d\u00e9voilent un pan m\u00e9connu de l\u2019histoire artistique et culturelle du XXe si\u00e8cle et du XXIe si\u00e8cle naissant.<\/p>\n\n\n\n

Dirig\u00e9 par Philippe Kaenel (Section d\u2019histoire de l\u2019art<\/a>) et Walter Tschopp, ce catalogue pr\u00e9sente les \u0153uvres, trop longtemps n\u00e9glig\u00e9es, d\u2019une quarantaine d\u2019artistes parmi lesquels on peut citer Jean Apoth\u00e9loz, Christiane Cornuz-Molles, Nanette Genoud, Henry Meylan, Charles Meystre ou encore Denise Vo\u00efta. Des \u00e9tudiantes et des \u00e9tudiants en histoire de l’art ont particip\u00e9 \u00e0 l’\u00e9laboration de ce catalogue dans le cadre d’un s\u00e9minaire de bachelor.<\/p>\n\n\n\n

Publi\u00e9 \u00e0 l\u2019occasion de la premi\u00e8re exposition de la Fondation Ateliers d\u2019Artiste dans le b\u00e2timent qu\u2019elle a acquis \u00e0 Saint-Maurice et transform\u00e9 en espace culturel et de conservation, cet ouvrage collectif dresse une histoire in\u00e9dite de l\u2019art r\u00e9gional et suisse. Il contribue ainsi \u00e0 l\u2019histoire de la cr\u00e9ation artistique faite d\u2019oublis et de red\u00e9couvertes.<\/p>\n\n\n\n

Philippe Kaenel, Walter Tschopp (dir.), Red\u00e9couvertes \u2013 La Fondation Ateliers d\u2019Artiste<\/a><\/em>, Gollion, Infolio, 2021.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure><\/div>\n\n\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Philippe Kaenel<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Cultures paysannes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les livres d’artistes d’Edwin Engelberts. Un \u00e9diteur d’art, ses peintres et ses po\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Reproducing Images and Texts \/ La reproduction des images et des textes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La critique d\u2019art des po\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Red\u00e9couvertes \u2013 La Fondation Ateliers d\u2019Artiste<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Du papier aux autres m\u00e9dias : la presse vaudoise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Mus\u00e9e cantonal 1818-2018. Histoire et enjeux des mus\u00e9es encyclop\u00e9diques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La caricature en Suisse<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Acteurs de la vigne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pleins feux\u00a0! La Collection d\u2019art de la Ville de Lausanne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Eug\u00e8ne Burnand. La passion de peindre<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Marius Borgeaud<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Christ r\u00e9envisag\u00e9. Variations photographiques contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Dor\u00e9 : l’imaginaire au pouvoir<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Gustave Roud: La plume et le regard<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Narrations visuelles, visions narratives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Neige, blanc, papier: po\u00e9sie et arts visuels \u00e0 l\u2019\u00e2ge contemporain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

J\u00e9sus en repr\u00e9sentations. De la Belle \u00c9poque \u00e0 la postmodernit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les p\u00e9riodiques illustr\u00e9s (1890-1940): \u00e9crivains, artistes, photographes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Points de vue sur J\u00e9sus au XXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les images en guerre 1914-1945: De la Suisse \u00e0 l\u2019Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Salvador Dali \u00e0 la crois\u00e9e des savoirs<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Visions du r\u00eave<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Un catalogue pour sortir des artistes r\u00e9gionaux de l\u2019oubli.<\/p>\n","protected":false},"author":719,"featured_media":11377,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3057,1826,2785,3294,842,3293,3321,3292,51,3291,1214,227],"class_list":{"0":"post-11376","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3057","9":"tag-artiste","10":"tag-catalogue","11":"tag-dessins","12":"tag-exposition","13":"tag-gravures","14":"tag-newsletter-37","15":"tag-peintures","16":"tag-philippe-kaenel","17":"tag-sculptures","18":"tag-section-dhistoire-de-lart","19":"tag-suisse-romande"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11376"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11377"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}