{"id":11334,"date":"2022-03-18T13:42:07","date_gmt":"2022-03-18T12:42:07","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11334"},"modified":"2022-04-19T16:33:44","modified_gmt":"2022-04-19T14:33:44","slug":"limage-verticale-politiques-de-la-vue-aerienne","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/limage-verticale-politiques-de-la-vue-aerienne\/","title":{"rendered":"L’image verticale. Politiques de la vue a\u00e9rienne"},"content":{"rendered":"\n

Une histoire mat\u00e9rielle et m\u00e9diatique des vues a\u00e9riennes.<\/strong><\/p>\n\n\n\n\n\n\n\n

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Des premi\u00e8res montgolfi\u00e8res aux drones contemporains, les dispositifs de vision a\u00e9rienne g\u00e9n\u00e8rent une iconographie au croisement de l\u2019exp\u00e9rimentation militaire, scientifique et artistique qui nourrit depuis longtemps la culture populaire.<\/p>\n\n\n\n

Dirig\u00e9 par Marie Sandoz (Section d\u2019histoire<\/a>) et Anne-Katrin Weber (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>), ce num\u00e9ro de la revue Transbordeur<\/em> revisite l’histoire de la vue d\u2019en haut en \u00e9clairant en particulier sa dimension politique et \u00e9pist\u00e9mologique. Dans cette perspective, la notion d\u2019\u00ab image verticale \u00bb est privil\u00e9gi\u00e9e \u00e0 celle, plus g\u00e9n\u00e9rique, de vue a\u00e9rienne.<\/p>\n\n\n\n

Cette notion permet non seulement de renvoyer \u00e0 un arrangement spatial sp\u00e9cifique, mais \u00e9galement de souligner les relations de pouvoir qui le soutiennent et le mod\u00e9lisent. \u00c0 la fois repr\u00e9sentation et mat\u00e9rialisation de rapports de domination coloniale et imp\u00e9rialiste ou de politiques de surveillance polici\u00e8re et militaire, l\u2019image verticale est productrice d\u2019un savoir qui forge ces rapports et les rend possibles.<\/p>\n\n\n\n

Marie Sandoz, Anne-Katrin Weber (\u00e9ds), L’image verticale. Politiques de la vue a\u00e9rienne<\/a><\/em>, Transbordeur : photographie, histoire, soci\u00e9t\u00e9<\/em>, n\u00b06, Paris, Macula, 2022.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Marie Sandoz<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

De l\u2019orbite au territoire helv\u00e9tique. Une histoire des communications par satellite en Suisse des ann\u00e9es 1960 \u00e0 nos jours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’image verticale. Politiques de la vue a\u00e9rienne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

Anne-Katrin Weber<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Images op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Echoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pour une histoire \u00e9largie de la t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’image verticale. Politiques de la vue a\u00e9rienne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La guerre des drones<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Une histoire mat\u00e9rielle et m\u00e9diatique des vues a\u00e9riennes.<\/p>\n","protected":false},"author":719,"featured_media":11335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3228,2299,3272,361,1086,3271,3310,1217,1233,3274,3273],"class_list":{"0":"post-11334","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3228","10":"tag-anne-katrin-weber","11":"tag-histoire-de-la-photographie","12":"tag-histoire-des-medias","13":"tag-histoire-materielle","14":"tag-marie-sandoz","15":"tag-newsletter-36","16":"tag-section-dhistoire","17":"tag-section-dhistoire-et-esthetique-du-cinema","18":"tag-technologies-mediatiques","19":"tag-vue-aerienne"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11334"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11334\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11335"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}