{"id":11282,"date":"2022-02-22T09:43:52","date_gmt":"2022-02-22T08:43:52","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11282"},"modified":"2024-11-08T09:09:17","modified_gmt":"2024-11-08T08:09:17","slug":"la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/","title":{"rendered":"La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale"},"content":{"rendered":"\n<p><strong>Un point de vue nouveau sur l\u2019outil traditionnel du dictionnaire de rimes.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Ce volume de la <em>Nuova Edizione Commmentata delle Opere di Dante (NECOD)<\/em>, qui para\u00eet l\u2019ann\u00e9e du 700e anniversaire de la disparition du po\u00e8te florentin, propose des instruments utiles tant pour l\u2019analyse des rimes de la <em>Commedia<\/em> que pour une \u00e9tude des relations entre les choix rimiques de Dante et la construction de la structure de ses cent <em>canti<\/em>.<\/p>\n\n\n\n<p>Divis\u00e9 en deux parties, cet ouvrage s\u2019ouvre sur une nouvelle \u00e9dition du texte complet de <em>La Divina Commedia<\/em>, r\u00e9vis\u00e9e par Enrico Malato \u00e0 la lumi\u00e8re des \u00e9tudes les plus r\u00e9centes sur Dante.<\/p>\n\n\n\n<p>La seconde partie, \u00e9dit\u00e9e par Simone Albonico et Giacomo Stanga (tous les deux de la <a rel=\"noreferrer noopener\" href=\"https:\/\/www.unil.ch\/ital\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/ital\/home.html\" target=\"_blank\">Section d\u2019italien<\/a>), pr\u00e9sente un index des rimes dont la logique d\u2019organisation a \u00e9t\u00e9 r\u00e9cup\u00e9r\u00e9e en \u00e9tudiant des mod\u00e8les du XVIIe si\u00e8cle : on peut lire, pour chaque rime, toutes les occurrences ordonn\u00e9es non plus alphab\u00e9tiquement, comme c\u2019est le cas dans toutes les \u00e9ditions modernes, mais selon leur position dans le texte original. Un deuxi\u00e8me index offre le sch\u00e9ma des rimes de chaque <em>canto<\/em>. Il est accompagn\u00e9 d\u2019une dizaine de r\u00e9pertoires et de tables qui pourront \u00eatre utilis\u00e9s pour de nouvelles recherches sur l\u2019<em>usus scribendi<\/em> du grand po\u00e8te.<\/p>\n\n\n\n<p>Enrico Malato, Simone Albonico, Giacomo Stanga (\u00e9ds), <a href=\"https:\/\/www.salernoeditrice.it\/prodotto\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\" data-type=\"URL\" data-id=\"https:\/\/www.salernoeditrice.it\/prodotto\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale<\/em><\/a>, Rome, Salerno Editrice, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg\" alt=\"\" class=\"wp-image-11284\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg 906w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-768x1085.jpg 768w\" sizes=\"(max-width: 906px) 100vw, 906px\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"on-en-parle-dans-les-medias\"><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\"><li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.pressreader.com\/italy\/corriere-della-sera\/20211228\/282282438629006\" data-type=\"URL\" data-id=\"https:\/\/www.pressreader.com\/italy\/corriere-della-sera\/20211228\/282282438629006\" target=\"_blank\">Nelle rime il DNA dantesco<\/a>, <em>Corriere della Sera<\/em>, 28.12.2021<\/li><li><a href=\"https:\/\/www.treccani.it\/magazine\/lingua_italiana\/recensioni\/recensione_354.html\" data-type=\"URL\" data-id=\"https:\/\/www.treccani.it\/magazine\/lingua_italiana\/recensioni\/recensione_354.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nuova edizione commentata delle opere di Dante<\/a>, <em>Treccani<\/em>, 10.02.2022<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"toutes-les-notices-de\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Simone Albonico<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13135\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-435x638.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-768x1127.jpeg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\">Progetto e struttura della Commedia dantesca<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11282\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\"><img loading=\"lazy\" decoding=\"async\" width=\"906\" height=\"1280\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg 906w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-768x1085.jpg 768w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\">La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10283\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"837\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover-435x607.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/\">Gaspare Ambrogio Visconti e la Milano di fine Quattrocento. Politica, arti e lettere<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5023\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\"><img loading=\"lazy\" decoding=\"async\" width=\"908\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg 908w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-435x575.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-768x1015.jpg 768w\" sizes=\"auto, (max-width: 908px) 100vw, 908px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\">Misure del testo. Metodi, problemi e frontiere della metrica italiana<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2543\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/santi-santita-e-agiografie-nellitalia-settentrionale-percorsi-letterari-e-storico-artistici-tra-medioevo-e-eta-moderna\/\"><img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1.jpg 830w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-435x629.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-208x300.jpg 208w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-768x1110.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-708x1024.jpg 708w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/santi-santita-e-agiografie-nellitalia-settentrionale-percorsi-letterari-e-storico-artistici-tra-medioevo-e-eta-moderna\/\">Santi, santit\u00e0 e agiografie nell\u2019Italia settentrionale. Percorsi letterari e storico-artistici tra Medioevo e et\u00e0 moderna<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10156\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/courts-and-courtly-cultures-in-early-modern-italy-and-europe-models-and-languages\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"846\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy-435x613.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/courts-and-courtly-cultures-in-early-modern-italy-and-europe-models-and-languages\/\">Courts and Courtly Cultures in Early Modern Italy and Europe. Models and Languages<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6235\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lautore-e-il-suo-archivio\/\"><img loading=\"lazy\" decoding=\"async\" width=\"519\" height=\"827\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover.png 519w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover-435x693.png 435w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lautore-e-il-suo-archivio\/\">L&rsquo;autore e il suo archivio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8954\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/marco-praloran-1955-2011-lo-stile-di-uno-studioso-atti-del-convegno-universita-di-losanna-8-9-settembre-2012\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"705\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446.jpg 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446-435x613.jpg 435w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/marco-praloran-1955-2011-lo-stile-di-uno-studioso-atti-del-convegno-universita-di-losanna-8-9-settembre-2012\/\">Marco Praloran 1955-2011. Lo stile di uno studioso. Atti del convegno, Universit\u00e0 di Losanna, 8-9 settembre 2012<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<p><strong>Giacomo Stanga<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13384\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/in-principio-era-pulci-studi-sulla-fortuna-di-luigi-pulci-in-italia-e-in-europa\/\"><img loading=\"lazy\" decoding=\"async\" width=\"857\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1.jpg 857w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1-435x609.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2025\/01\/Pulci-ITA-2024-1-768x1075.jpg 768w\" sizes=\"auto, (max-width: 857px) 100vw, 857px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/in-principio-era-pulci-studi-sulla-fortuna-di-luigi-pulci-in-italia-e-in-europa\/\">In principio era Pulci. Studi sulla fortuna di Luigi Pulci in Italia e in Europa<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13135\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-435x638.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-768x1127.jpeg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\">Progetto e struttura della Commedia dantesca<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11282\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\"><img loading=\"lazy\" decoding=\"async\" width=\"906\" height=\"1280\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg 906w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-768x1085.jpg 768w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\">La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Un point de vue nouveau sur l\u2019outil traditionnel du dictionnaire de rimes.<\/p>\n","protected":false},"author":719,"featured_media":11284,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3057,1358,3241,3240,3244,1412,560,3264,3242,1240,708,3243],"class_list":{"0":"post-11282","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3057","9":"tag-centre-detudes-medievales-et-post-medievales-cemep","10":"tag-commedia","11":"tag-dante","12":"tag-giacomo-stanga","13":"tag-metrique","14":"tag-moyen-age","15":"tag-newsletter-35","16":"tag-rimes","17":"tag-section-ditalien","18":"tag-simone-albonico","19":"tag-structure"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11282"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11282\/revisions"}],"predecessor-version":[{"id":13254,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11282\/revisions\/13254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11284"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}