{"id":11266,"date":"2022-02-18T09:31:32","date_gmt":"2022-02-18T08:31:32","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11266"},"modified":"2022-03-08T09:47:12","modified_gmt":"2022-03-08T08:47:12","slug":"lheritage-de-ricoeur-du-recit-a-lexperience","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/lheritage-de-ricoeur-du-recit-a-lexperience\/","title":{"rendered":"L’h\u00e9ritage de Ric\u0153ur : du r\u00e9cit \u00e0 l’exp\u00e9rience"},"content":{"rendered":"\n

Comment Ric\u0153ur a-t-il transform\u00e9 les \u00e9tudes narratives ?<\/strong><\/p>\n\n\n\n\n\n\n\n

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Les trois volumes de Temps et r\u00e9cit<\/em>, publi\u00e9s par Paul Ric\u0153ur au milieu des ann\u00e9es 1980, ont sans doute jou\u00e9 un r\u00f4le essentiel dans le \u00ab tournant narratif \u00bb op\u00e9r\u00e9 par les sciences humaines et sociales \u00e0 cette p\u00e9riode.<\/p>\n\n\n\n

Issues d\u2019une journ\u00e9e d\u2019\u00e9tude organis\u00e9e en 2018 \u00e0 l\u2019Universit\u00e9 de B\u00e2le, les contributions r\u00e9unies par Rapha\u00ebl Baroni (\u00c9cole de fran\u00e7ais langue \u00e9trang\u00e8re<\/a>, Centre interdisciplinaire d\u2019\u00e9tude des litt\u00e9ratures<\/a>) et Adrien Paschoud dans ce num\u00e9ro des Cahiers de Narratologie<\/em> t\u00e9moignent non seulement d\u2019une dimension interculturelle et interdisciplinaire, mais \u00e9galement d\u2019une richesse de cadres \u00e9pist\u00e9mologiques illustrant id\u00e9alement les dialogues qui peuvent se nouer, \u00e0 partir de l\u2019\u0153uvre de P. Ric\u0153ur, entre narratologie classique et narratologie postclassique, ainsi qu\u2019entre la th\u00e9orie du r\u00e9cit et une tr\u00e8s grande diversit\u00e9 d\u2019\u00e9tudes prenant pour objet des formes narratives, quels qu\u2019en soient les formes ou les genres.<\/p>\n\n\n\n

Ce num\u00e9ro, disponible en libre acc\u00e8s sur OpenEdition Journals<\/a>, est coordonn\u00e9 avec un volume de Poetics Today<\/em> (The Legacy of Ric\u0153ur’s Time and Narrative (1983-85) : From Plot to Experientiality<\/a>) et marque ainsi un dialogue entre la th\u00e9orie du r\u00e9cit francophone et une narratologie mondialis\u00e9e.<\/p>\n\n\n\n

Rapha\u00ebl Baroni, Adrien Paschoud (\u00e9ds), L’h\u00e9ritage de Ric\u0153ur : du r\u00e9cit \u00e0 l’exp\u00e9rience<\/a>, Cahiers de Narratologie<\/em>, n\u00b039, 2021.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Rapha\u00ebl Baroni<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Narratologie et enseignement du fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les outils narratologiques pour l\u2019enseignement du fran\u00e7ais: bilan et perspectives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lire Houellebecq. Essais de critique polyphonique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’h\u00e9ritage de Ric\u0153ur : du r\u00e9cit \u00e0 l’exp\u00e9rience<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

The Legacy of Ric\u0153ur’s Time and Narrative (1983-85) : From Plot to Experientiality<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

I meccanismi dell\u2019intreccio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Introduction \u00e0 l’\u00e9tude des cultures num\u00e9riques. La transition num\u00e9rique des m\u00e9dias<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les avatars du chapitre en bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Rouages de l’intrigue. Les outils de la narratologie postclassique pour l’analyse des textes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00ab\u00a0voix \u00bb de Michel Houellebecq<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Narrative Sequence in Contemporary Narratology<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Repenser le r\u00e9cit avec les s\u00e9ries t\u00e9l\u00e9vis\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les passions en litt\u00e9rature. De la th\u00e9orie \u00e0 l’enseignement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u0152uvre du temps. Po\u00e9tique de la discordance narrative<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Historiographie, litt\u00e9rature et philosophie : une longue et difficile conversation triangulaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Tension narrative. Suspense, curiosit\u00e9 et surprise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le savoir des genres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Comment Ric\u0153ur a-t-il transform\u00e9 les \u00e9tudes narratives ?<\/p>\n","protected":false},"author":719,"featured_media":11261,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3057,1444,1213,3226,3227,3264,2347,107,3225],"class_list":{"0":"post-11266","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3057","9":"tag-centre-interdisciplinaire-detude-des-litteratures","10":"tag-ecole-de-francais-langue-etrangere","11":"tag-experience","12":"tag-narrativite","13":"tag-newsletter-35","14":"tag-open-access","15":"tag-raphael-baroni","16":"tag-ricoeur"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11266"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11261"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}